get up kids
get up kids by kevin April 12, 2004
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Two Kids in a Sandbox
The most disturbing video a guy could watch; a video that shows a women shoving a dildo down a man's penis.
Two Kids in a Sandbox by That_Guyy January 14, 2010
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emo kids
1) The fans of emo music (emocore, emotional hardcore), a music genre consisting of hardcore rock with angsty lyrics and a good dose of screaming. The singers/screamers of emo music are typically relatively young guys with feminine voices. Emo bands are also (in stereotype) primarily from New Jersey.
2) The style of clothing stereotypically worn by fans of emo music. This consists of, in general: tight band t-shirts or vintage 80's t-shirts, longer (messy) hair often died black, tight (usual girl's) pants, shoes by Vans or Converse, messenger bags, anything checkered (usually black-and-white or black-and-pink), studded belts, thick-framed glasses, neckties, etc.
(Note: girl emo kids often cut their hair short in the back and angled down in the front, less often died black)
3) The mood that stereotypically displays being an emo kid. They are generally considered the subculture of high-school, and while sometimes referred to as manic depressive or "cutters," are usually quite social. Very romantic, often downtrodden. More realistically, teenagers who listen to heavy music and have no qualms with displaying their emotions. (ie, don't feel the need to prove themselves as "bad-@$$," like many rock fans.)
2) The style of clothing stereotypically worn by fans of emo music. This consists of, in general: tight band t-shirts or vintage 80's t-shirts, longer (messy) hair often died black, tight (usual girl's) pants, shoes by Vans or Converse, messenger bags, anything checkered (usually black-and-white or black-and-pink), studded belts, thick-framed glasses, neckties, etc.
(Note: girl emo kids often cut their hair short in the back and angled down in the front, less often died black)
3) The mood that stereotypically displays being an emo kid. They are generally considered the subculture of high-school, and while sometimes referred to as manic depressive or "cutters," are usually quite social. Very romantic, often downtrodden. More realistically, teenagers who listen to heavy music and have no qualms with displaying their emotions. (ie, don't feel the need to prove themselves as "bad-@$$," like many rock fans.)
scene kids
In a post-modern, 21st century society, young people (though more specifically those entangled in the sheep-like, doppelganger-esque dimension of popular "youth culture") adhere to a supposedly "non-conformist", free thinking and liberated way of life, which often manifests itself - most predictably - through tastes in both music and fashion related arenas.
More recently in the new millennia, "Scene kids" (or "cool kid wastrels" as I like to think of them) exemplify this inherently boring, self-important, sheep-like, doppelganger-esque, stylistic postmodernity that has been rife throughout the long and tediously dull history of the forever vacuous "popular youth culture" virus of modern times. Many suffers will try desperately hard not to conform to any type of social norm, be it grammatically (see ironically friendless bebo network users for vomit stifling examples of //graMM&tical x. n0n conf0rmitty] or through their pathological obsession with an emotionally bipolar variation of self pity, self love and unremorseless yammerings about some obscure nu rave German techno they've discovered whilst masturbating ferociously over a old spaghetti stained copy of NME.
The majority of "scene kids" genuinely subscribe to the flawed notion that a) they are infact "cool", unique and/or "non-conformist" in any such a way, and b) that anyone cares about anything they ever like, do or say. No amount of obscure, avantguard pretentiousness or protestation will ever change that fact.
Whilst one would hope that systematic evolution changes these lesser individuals for the better, it is perhaps more likely that the effects of Social Darwinism will be the their eventual downfall.
More recently in the new millennia, "Scene kids" (or "cool kid wastrels" as I like to think of them) exemplify this inherently boring, self-important, sheep-like, doppelganger-esque, stylistic postmodernity that has been rife throughout the long and tediously dull history of the forever vacuous "popular youth culture" virus of modern times. Many suffers will try desperately hard not to conform to any type of social norm, be it grammatically (see ironically friendless bebo network users for vomit stifling examples of //graMM&tical x. n0n conf0rmitty] or through their pathological obsession with an emotionally bipolar variation of self pity, self love and unremorseless yammerings about some obscure nu rave German techno they've discovered whilst masturbating ferociously over a old spaghetti stained copy of NME.
The majority of "scene kids" genuinely subscribe to the flawed notion that a) they are infact "cool", unique and/or "non-conformist" in any such a way, and b) that anyone cares about anything they ever like, do or say. No amount of obscure, avantguard pretentiousness or protestation will ever change that fact.
Whilst one would hope that systematic evolution changes these lesser individuals for the better, it is perhaps more likely that the effects of Social Darwinism will be the their eventual downfall.
scene kids by Brad.T May 5, 2007