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post-hardcore 

Originally, a generation of art punk bands emanating from the infrastructure of what had been the American hardcore punk scene. Closely related or perhaps even derivative styles of post-hardcore included math rock and emo.

The Washington, DC scene surrounding Dischord records circa 1985 is often considered ground zero for post-hardcore, thanks largely to Revolution Summer, a campaign by Dischord to revitalize the then-creatively stagnant Washington, DC hardcore punk scene. Initially, groups like Embrace, Rites of Spring and Ignition integrated melody, a sense of groove, an introspective lyrical focus, and a stronger command of rock songwriting into hardcore sensibilities, though subsequent groups formed circa 1987 such as Moss Icon and Soulside moved post-hardcore into a more art rock direction by introducing elements such dynamic shifts, progressive songwriting styles, and angular guitar work influenced by the original post-punk movement, in many ways the sonic and spiritual antecedent of post-hardcore.

Fugazi, formed in the late 1980s by former members of Embrace and Rites of Spring, were arguably the most important and influential post-hardcore band. Committed to independent rock values, touring throughout the world, and relentlessly pioneering stylistically, Fugazi played throughout the 1990s and set the tone for the American underground rock scene during that time. By the start of the new millennium, post-hardcore groups like At The Drive-In, Unwound, Les Savy Fav and the Dismemberment Plan had all released sonically lush albums, landed major label contracts, or both. Additionally post-hardcore had also arrived as a force in popular culture by that time under the guise of emo, for better or worse. Sadly, post-hardcore's current state is one of confusion and dilapidation, as many pedestrian emo groups have adopted the term as representative of their style in hopes of increasing their credibility.
Native Nod were a post-hardcore group fronted by Chris Leo.
post-hardcore by Mmccormick88 March 18, 2008
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post hardcore 

Agenre of music formed when people in the hardcore scene got tired of hardcore's limited form. Retains some characteristics of hardcore but builds more on tension and release
Fugazi, Quicksand, and Jawbox are really good post-hardcore bands. The Used isn't post hardcore, it's pop punk trying to be scary
post hardcore by geoff April 1, 2005

post hardcore kid 

ok, post hardcore kids are definitely NOT emo. they are kind of like hardcore kids, but not as hardcore...for lack of a better word. they listen to more melodic hardcore music. but that doesn't mean that they can't listen to hardcore music too. also, there's no set style for a post hardcore kid. they can wear whatever. its only a genre of music. hardcore is a style though.
post hardcore kid: oh man, i love the beautiful mistake.
other guy: yeah, they're great in concert.
post hardcore kid by involving September 10, 2007

post-hardcore 

A style of underground music that evolved from combinations of different genres of music. It combines elements of punk and hardcore/metal. Some also refer to bands that are post-hardcore as "emocore." Although many consider post-hardcore to be heavier and less main-stream than emocore. Post-hardcore includes screaming as the major vocalization technique within most songs, with melodic singing at other times. Some bands have a "screamer" and others who "sing," while still others have one lead vocalist who goes from screaming to singing throughout a given song.
Dude, I was at this show yesterday, there were some awesome bands, especially this one post-hardcore band that played at the end.

Post-Hardcore Kid 

A Post-Hardcore kid is a teenager who listens to alot of "core" music, especially "Post-Hardcore". They are definite about their character, and they dont really follow a basic trend. They don't "Hardcore Dance", put on make-up, wear EXTREMELY tight pants, and they definitely don't say they are "bisexual" just because everybody else is. They like to be themselves. Although they listen to alot of "scene" music, they are not scene. They do wear skinny jeans (but not excruciatingly tight ones), usually vans, band tees or graphic tees, and maybe sometimes they straighten their hair. So I 'guess' they do basically follow a trend, but not as much as "scenesters" or "hardcore kids". Yes, they might listen to more heavy music like "Emmure" or "Suicide Silence" sometimes, but they don't quickly label themselves. That's another thing. They don't label themselves. They wear and do what they want. So basically I don't know why I just labeled them as a "Post- Hardcore" kid. They don't really have name. (I just need something for the title) They like the bands for the music, not the screaming, not for the popularity, or not for just ONE song.

There really only a few of "these kids".
Post-Hardcore Kid by bmth98 June 10, 2011

post hardcore 

Music that is as heavy, nasty and edgy as hardcore but not as one-dimensional and features exponentially less use of the words "respect" and "hate" in its lyrics and content... It has nothing whatsoever to do with Taking Back Sunday or Dashboard Confessional; defining "Post Hardcore" in such a manner displays profound ignorance of even the slightest notion of what constitutes this phrase's crucial rootword "Hardcore" and anyone providing such a definition that includes the above-mentioned bands wouldn't know "Hardcore" if it walked up and punched them in the teeth while wearing brass knuckles or if Sheer Terror was playing a live show in their mother's basement.
"That website all the emo-mo's and whitebelts whine and post pictures of themselves on lists 400 Blows as "Post Hardcore" - that's interesting, I'd call it Metal or Rock."

post-hardcore 

This definition applies to modern post-hardcore, not the old school one.

Post-hardcore contains elements of hardcore, punk, and metal, with slightly heavy, fast-paced guitar riffs. Screaming is the main vocal feature, but there are also melodic breakdowns sung in clean vocals at other times, usually in a fairly high voice.

The lyrics are often regarded as what people believe as "emo" nowadays, but if emo really did stand for "emotional", then practically all music out there should be called emo as well, like Britney Spears. The real emo is actually very different compared to the emo that MTV brainwashed everyone with, but I won't go into depth about that because there are plenty of entries of emo that talk about the real deal.

A lot of people like to associate modern post-hardcore with emo and screamo, especially since some post-hardcore bands selected those as their genres on their Myspace, but that is because Myspace doesn't have anything near post-hardcore as a selection, so selecting emo and screamo are probably the only other closest genres that people would familiarize with post-hardcore (although the real emo and screamo aren't very similar to modern post-hardcore at all). Please don't call post-hardcore "emo" and "screamo". It's post-hardcore.
Some modern post-hardcore bands include:
Alesana
Funeral For A Friend (before Tales Don't Tell Themselves)
A Skylit Drive
Lovehatehero
Escape The Fate
Chasing Victory
Alexisonfire
Underoath
Before Their Eyes
Eyes Set To Kill
Blessthefall
Dear Whoever
I Am Ghost
post-hardcore by liklibo January 3, 2009