Definitions by AYB
techno
A type of electronic music that is typically characterized by a medium-to-very fast tempo, synthesized instruments, heavy bass, and sometimes exotic and strange instruments, drums, and sound effects. Sometimes, techno can be mixed with other genres such as jazz, rock, hip hop, and various ethnic genres to create very interesting results.
Variations of Techno:
acid, rave, synth, gabba/gabber, goa, trance, trip-hop, house, jungle, industrial, old-skool techno, ambient, hardcore, nu NRG, speedcore, deathcore, experimental, club, punkcore, space funk, electro, ghetto tech, euro, new skool rap, booty house, acid jazz, garage,......etc.......
Variations of Techno:
acid, rave, synth, gabba/gabber, goa, trance, trip-hop, house, jungle, industrial, old-skool techno, ambient, hardcore, nu NRG, speedcore, deathcore, experimental, club, punkcore, space funk, electro, ghetto tech, euro, new skool rap, booty house, acid jazz, garage,......etc.......
s3xy
otaku
Japanese for "zealot" or "fanatic". Most common with those who are fanatics of popular (dubbed) anime shows. It is also used to describe said fanatics who go to the point of imitating EVERYTHING that relates to Japanese culture.
RIAA
Acronyms:
Record Industry Assholes of America.
Rich Idiots Abusing Artists.
Really Irritating Anal Aneurisms
Raping Independent Artists Anally
Record Industry Always Antagonizes
The record industry's re-enactment of George Orwell's "1984". The evil entity that controls 90% of all music in America, and a rapidly-growing percentage of music worldwide. The oppressor of real musicians, and those who are tired of paying ridiculous prices for 1-good-song/14-shitty-songs CDs. Thanks to the RIAA, musicians can't profit from their works until 75+ years after they are dead.
Record Industry Assholes of America.
Rich Idiots Abusing Artists.
Really Irritating Anal Aneurisms
Raping Independent Artists Anally
Record Industry Always Antagonizes
The record industry's re-enactment of George Orwell's "1984". The evil entity that controls 90% of all music in America, and a rapidly-growing percentage of music worldwide. The oppressor of real musicians, and those who are tired of paying ridiculous prices for 1-good-song/14-shitty-songs CDs. Thanks to the RIAA, musicians can't profit from their works until 75+ years after they are dead.