Natural indentions on a woman’s hip that are BEAUTIFUL. In other words, some random flaw girls found to feel self conscious about.
by l0vely_drea May 14, 2020
Get the Hip dips mug.by spoopy memes October 26, 2018
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Term for "common folk" or "blue collar" people. The term was created by a nine year boy after he would witness three people sitting across a seat in a pickup truck. Hip wiggies are several people sitting hip to hip in a pickup truck. Later the term became broader to describe "common people" or "blue collar people". The term also became the name of a company that sells products to consumers.
The company markets it products to hip wiggies.
Hip wiggies once dominated the working class of America, but as society become more service oriented there was a shift to white collar professional jobs.
The pickup truck was only large enough to sit three hip wiggies at a time.
Hip wiggies once dominated the working class of America, but as society become more service oriented there was a shift to white collar professional jobs.
The pickup truck was only large enough to sit three hip wiggies at a time.
by webwiggie July 7, 2011
Get the hip wiggies mug.Girl: I’m too thick to sit on your Face I don’t want to hurt you
Dude: that’s alright, I like a face full of Hip honey
Dude: that’s alright, I like a face full of Hip honey
by ablos May 19, 2019
Get the Hip Honey mug.A Hip Hop Head is someone that embodies the Hip Hop culture usually consisting of an avid interest or participation in Hip Hop Music, MCing, Djing, Breakdancing and Graffiti Art.
A Hip Hop Head is usually more into underground/independant Hip Hop rather than the more commercial/mainstream rap heard on the radio.
A Hip Hop Head also has a great knowledge in the history of Hip Hop stemming from the roots in the South Bronx up until the modern day.
A Hip Hop Head Lives For Hip Hop!!
A Hip Hop Head is usually more into underground/independant Hip Hop rather than the more commercial/mainstream rap heard on the radio.
A Hip Hop Head also has a great knowledge in the history of Hip Hop stemming from the roots in the South Bronx up until the modern day.
A Hip Hop Head Lives For Hip Hop!!
by TextBuk December 15, 2008
Get the Hip Hop Head mug.Hip Hop Nation is a commercial-free digital hip-hop radio station owned by Sirius XM Radio. The station broadcasts on Sirius Satellite Radio channel 40, XM Satellite Radio channel 67 (where it replaced XM's The City) and on DISH Network channel 6040.
The station plays uncensored hip-hop hits 24/7 with no R&B or commercials.
They also feature some of the hottest DJ mix shows each week, playing exclusive remixes and artist interviews.
The station plays uncensored hip-hop hits 24/7 with no R&B or commercials.
They also feature some of the hottest DJ mix shows each week, playing exclusive remixes and artist interviews.
Hip Hop Nation artists played include Lil Wayne, Drake, Jay-Z, Gucci Mane, The Game, Ludacris, Eminem, Young Jeezy, T.I., Kanye West, Lloyd Banks, Nicki Minaj, Waka Flocka Flame, Reflection Eternal, B.O.B, Ghostface, OJ da JuiceMan, Keak Da Sneak and many more.
by Mongo The Dog May 11, 2010
Get the Hip Hop Nation mug.The hidden symbiotic nature of a genre of "street" music and it's (material/drug)culture or physical (ghetto) project.
In nearly every respect, this reality is thoroughly produced and/or maintained by the corporate elite and banking interests of the United States.
Many of the lyrics selected for wide distribution become a disguised permeation of aggressive ideological free market undertones. Abstracted, these messages are mediated through ground level criminals turned musicians along with the corporations who produce and distribute them.
While quarrels between black artists and their various music labels are dramatized and publicized, most celeibrated hip hop is ultimately funded and broadcast by 3 multinational conglomerates. The large majority of rap music is owned by the General Electric Company.
Corporate elites representing a tiny fraction of the population hold a monopoly on the means to produce and disseminate popular music. This is then coupled with their studio's ability to select recording artists. The claim that what is produced is based on what will sell takes the public into yet another realm of faith when these same elite interests control radio play.
When the realities of the drug(and prisoner) trade are taken into account, violent pro-drug music, drugs, prisons, ghetto projects, weapons, clothing, Cadillacs, Rims, Rolland 808s and even the drug dealers/rappers themselves truly complete a profit structure owned and managed by a few racist white men.
The vast majority of the hip hop product is anti human. A perfected, normalized and deeply invested racism of the highest degree. It is a physical manifestation of black on black abandon, disguised within and indeed entrapping the very nature of African American culture.
Drug rap is a lubricant of the drug trade. It's glamor is a prize awarded for self hatred. It isolates all peoples of the earth by selling and aggrandizing the separation of the sexes. Possibly worst of all, it abstracts concepts garnered from ghetto parlance (like pimping or ballin') and thoroughly injects them into the rest of the global (material) youth culture.
The commodified ego of modern Hip Hop is the very heart of a society of Spectacle.
A devastatingly collusive strategy and sadly; complete Hip Hocricy.
In nearly every respect, this reality is thoroughly produced and/or maintained by the corporate elite and banking interests of the United States.
Many of the lyrics selected for wide distribution become a disguised permeation of aggressive ideological free market undertones. Abstracted, these messages are mediated through ground level criminals turned musicians along with the corporations who produce and distribute them.
While quarrels between black artists and their various music labels are dramatized and publicized, most celeibrated hip hop is ultimately funded and broadcast by 3 multinational conglomerates. The large majority of rap music is owned by the General Electric Company.
Corporate elites representing a tiny fraction of the population hold a monopoly on the means to produce and disseminate popular music. This is then coupled with their studio's ability to select recording artists. The claim that what is produced is based on what will sell takes the public into yet another realm of faith when these same elite interests control radio play.
When the realities of the drug(and prisoner) trade are taken into account, violent pro-drug music, drugs, prisons, ghetto projects, weapons, clothing, Cadillacs, Rims, Rolland 808s and even the drug dealers/rappers themselves truly complete a profit structure owned and managed by a few racist white men.
The vast majority of the hip hop product is anti human. A perfected, normalized and deeply invested racism of the highest degree. It is a physical manifestation of black on black abandon, disguised within and indeed entrapping the very nature of African American culture.
Drug rap is a lubricant of the drug trade. It's glamor is a prize awarded for self hatred. It isolates all peoples of the earth by selling and aggrandizing the separation of the sexes. Possibly worst of all, it abstracts concepts garnered from ghetto parlance (like pimping or ballin') and thoroughly injects them into the rest of the global (material) youth culture.
The commodified ego of modern Hip Hop is the very heart of a society of Spectacle.
A devastatingly collusive strategy and sadly; complete Hip Hocricy.
"We refused to dance to ms. booty after while it was played for the third time during our prom. God I hate this retched Hip Hocricy"
"Keep it Ghetto"
"Bdrat!"
"Soulja Boy"
"Keep it Ghetto"
"Bdrat!"
"Soulja Boy"
by hoestompa69 April 1, 2009
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