A term referring the first real wave of art punk bands, and probably the most influential and popular movement in the history of art punk. In truth, the term "post-punk" is something of a misnomer, as post-punk developed with and along side late 1970s classic punk as opposed to after it, as the prefix "post-" would imply.
The roots of post-punk lie in the early work of the Velvet Underground, a mid-to-late 1960s act associated with artist Andy Warhol and one of the first to blend hard-edged garage rock with avant-garde concepts pioneered by classical music in the 20th century. Similarly-minded groups that followed soon after like Roxy Music, Hawkwind, and the Krautrock movement on the whole were also important, in addition to African-American and Carribean music styles like harder-edged funk and soul and certain types of reggae, in particular dub reggae, respectively. Some solo work by artists such as Iggy Pop, David Bowie and Brian Eno also contributed much to post-punk's development.
Post-punk came right with punk. In America, bands like Talking Heads and Television played right along side more traditional punk bands the Ramones and the Dead Boys at New York City venues CBGB's and Max's Kansas City. In England as well, Wire and Siouxsie and the Banshees were art rock influenced band who shared the stage with the Sex Pistols and the Damned. Although the post-punk movement lasted more or less from 1977 to 1984, its prime years were from 1978 to 1981, which saw classic releases by bands like Joy Division, one of the most well known, accessible, and popular bands of the post-punk era, Mission of Burma, Gang of Four, Bauhaus and Pere Ubu, as well as lesser known bands like Pylon, the Fire Engines, and Metal Urbain, a band from France and one of the most aggressive groups in the whole post-punk scene. There was also a purist strain of post-punk known as no wave, which flourished in the New York City underground for a brief period in the late 1970s after many of the original classic punk and post-punk bands had either signed to major labels or broken up.
Post-punk came to an end around 1984 as most of the leading artists had either disintegrated or turned to making more commercial music, though in a subtle way its influence has permeated to myriad corners of the popular music and youth culture worlds. Accessible groups with post-punk roots like R.E.M. and U2 became very popular almost universally and remain so today, and more pop-leaning tracks by Talking Heads, New Order, and Devo among others are considered an important part of the early 1980s pop culture landscape. Goth is probably the closest to a subcultural front of the initial post-punk movement, as death rock took much from gloomy, more atmospheric post-punk like Joy Division, Siouxsie and the Banshees and the Cure. The progressive spirit and sound of just about all post-punk was revived in the late 1980s and 1990s in the post-hardcore movement, hard-edged art punk played by musicians initially drawn into music by hardcore punk who had since become disenchanted with that limited form. Like goth to original post-punk, emo has arisen as a subcultural front for post-hardcore. Finally, a movement for better or worse dubbed the post-punk revival earlier this decade provided some of the most exciting and innovative music of the new millennium.
The roots of post-punk lie in the early work of the Velvet Underground, a mid-to-late 1960s act associated with artist Andy Warhol and one of the first to blend hard-edged garage rock with avant-garde concepts pioneered by classical music in the 20th century. Similarly-minded groups that followed soon after like Roxy Music, Hawkwind, and the Krautrock movement on the whole were also important, in addition to African-American and Carribean music styles like harder-edged funk and soul and certain types of reggae, in particular dub reggae, respectively. Some solo work by artists such as Iggy Pop, David Bowie and Brian Eno also contributed much to post-punk's development.
Post-punk came right with punk. In America, bands like Talking Heads and Television played right along side more traditional punk bands the Ramones and the Dead Boys at New York City venues CBGB's and Max's Kansas City. In England as well, Wire and Siouxsie and the Banshees were art rock influenced band who shared the stage with the Sex Pistols and the Damned. Although the post-punk movement lasted more or less from 1977 to 1984, its prime years were from 1978 to 1981, which saw classic releases by bands like Joy Division, one of the most well known, accessible, and popular bands of the post-punk era, Mission of Burma, Gang of Four, Bauhaus and Pere Ubu, as well as lesser known bands like Pylon, the Fire Engines, and Metal Urbain, a band from France and one of the most aggressive groups in the whole post-punk scene. There was also a purist strain of post-punk known as no wave, which flourished in the New York City underground for a brief period in the late 1970s after many of the original classic punk and post-punk bands had either signed to major labels or broken up.
Post-punk came to an end around 1984 as most of the leading artists had either disintegrated or turned to making more commercial music, though in a subtle way its influence has permeated to myriad corners of the popular music and youth culture worlds. Accessible groups with post-punk roots like R.E.M. and U2 became very popular almost universally and remain so today, and more pop-leaning tracks by Talking Heads, New Order, and Devo among others are considered an important part of the early 1980s pop culture landscape. Goth is probably the closest to a subcultural front of the initial post-punk movement, as death rock took much from gloomy, more atmospheric post-punk like Joy Division, Siouxsie and the Banshees and the Cure. The progressive spirit and sound of just about all post-punk was revived in the late 1980s and 1990s in the post-hardcore movement, hard-edged art punk played by musicians initially drawn into music by hardcore punk who had since become disenchanted with that limited form. Like goth to original post-punk, emo has arisen as a subcultural front for post-hardcore. Finally, a movement for better or worse dubbed the post-punk revival earlier this decade provided some of the most exciting and innovative music of the new millennium.
by Mmccormick88 May 5, 2008
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Bystander: Dude, stop it with your Punk accent already.
Bystander: Dude, stop it with your Punk accent already.
by CynicalBrit November 13, 2010
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Freedom rebellion. Not a stereotype to a certain type of clothes or hairstyle. Unless you know you are punk, that is considered hypocritical. It's an inside feeling, a way one sees the world, to explore it freely and express yourself within it and the punk rock music. Even crossing boundaries to different genres, because, of course, without punk rock... all music wouldn't be the same today. You might be punk if you don't care what others think of yourself, under any circumstances.
Punk rock is what I say it is! You think you are so cool by criticizing me? I don't have to listen to what you say, no one ever had to. I'm not going to change for anyone, and that including you. Instead, I'll take problems, like you for example and scream about them in a loud manner, so that the whole world knows.
by What'sup12 May 15, 2011
Get the Punk Rock mug.A variant strain of science fiction where lovable technophile monks are the heroes of misadventures unfolding in a post-apocalyptic era. These wacky abbots and friars play crucial roles in preserving scientific and philosophical knowledge, even though it gets warped and twisted through the filter of religious superstition, often to ridiculous extremes. Bonus points for radioactive mutants, deformities, plague, witch burnings, alien visitations, nuclear fallout. Like other -punk genres, this one has nothing to do with punk rock, except maybe if you count the mutants.
Contrast with cyberpunk and steampunk, two related sci-fi "punk" sub-genres.
Contrast with cyberpunk and steampunk, two related sci-fi "punk" sub-genres.
Walter Miller's A Canticle for Leibowitz and Neal Stephenson's Anathem are the twin towers of Monk Punk, a sci-fi genre which might as well include The Name of the Rose, since Europe's Dark Ages were pretty much a post-apocalyptic nightmare of their own.
by rainbow coma June 3, 2010
Get the monk punk mug.A posh punk artist is the baddest most sophisticated artist in existence. Their art is so unique, they are in a class of their own. They are punk to the extreme, needing no one's approval when expressing themselves. They passionately live life with their own rules under their own terms. They are the raddest and most trend setting artist on the planet. Not only is their exotic nature and art unmatched, they are the elite of all artist.
by Qualia-O! June 20, 2021
Get the Posh punk artist mug.Gay adolescent or young man that cruise malls looking to get laid or turn tricks and make some cash off of a mall troll.
Eric has turned into such a mall punk. I've seen him leave with at least a dozen mall trolls and he's always got cash now.
by james savik September 24, 2009
Get the mall punk mug.Someone who listens to and/or plays in nazi punk bands and is usually involved in the neo-nazi movement. The music sounds the same but the lyrics show their bigotry and overall fascist message.
by HAND April 25, 2004
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