Not giving a fuck about what is cool or not cool, what is punk rock or not punk rock, or what is acceptable or what isn't. Plain and simple: Punk is a state of mind. If you think you're a punk then you are. Who gives a fuck.
Punk: "I listen to pop punk and I dont give a shit if its cool or not"
Douche: "Ughhh. Punks aren't allowed to like any bands that aren't in the Punk Rock Approved Hand Booklet that we all get when we up our mohawks for the first time. What are you doing, you trendy mall-shopping fuck? BLAH BLAH UP THE PUNX"
by fuxthepunx October 31, 2010
Punk rock never died, yet it's often spoiled by nazi boneheads such as gg allin (gotta say he's one hardcore motherfucker though) who claim to be punk but really don't know shit cause punk started off fighting for peace NOT hate. To be "punk" all you have to do is...nothing. You don't take orders from "the man". "Punks" have many different beliefs and are very open minded...that's why nazis don't count. Punks don't judge before they listen. Contrary to popular beliefs, punks CARE. Punks aren't the lazy, careless sods society leads you to believe they are. Punks take action...may it be for animal liberation, anti-war, anti-racism, anti-capitalism, or all of them together.
Crass (listen to Working Class Rip Off if you're a gg fan), Subhumans, The Dead Kennedys, Oi Polloi, Rudimentary Peni, Conflict, Citizen Fish, True Sounds Of Liberty (T.S.O.L.), The Germs, The Exploited, Reagan Youth, Aus-Rotten, Keep Fighting, etc.
by nicole September 18, 2004
"I'll tell you about punk rock. Punk rock is a word used by dilettantes and, uh... and, uh... heartless manipulators, about music... that takes up the energies, and the bodies, and the hearts and the souls and the time and the minds, of young men, who give what they have to it, and give everything they have to it. And it's a... it's a term that's based on contempt; it's a term that's based on fashion, style, elitism, satanism, and, everything that's rotten about rock 'n' roll.

I don't know Johnny Rotten... but I'm sure, I'm sure he puts as much blood and sweat into what he does as Sigmund Freud did. You see, what, what sounds to you like a big load of trashy old noise... is in fact... the brilliant music of a genius... myself.
And that music is so powerful, that it's quite beyond my control. And, ah... when I'm in the grips of it, I don't feel pleasure and I don't feel pain, either physically or emotionally. Do you understand what I'm talking about? Have you ever, have you ever felt like that? When you just, when you just, you couldn't feel anything, and you didn't want to either. You know, like that? Do you understand what I'm saying, sir?" - Iggy Pop
Punk Rock killed Punk Rock, and then killed himself.
by Devin Brown January 13, 2008
music with no boundaries. music with no rules. music from the heart.
by Anonymous October 24, 2003
Individuality. Being yourself and saying "fuck you" to anyone trying to drag you to conformity. Rebelliousness; standing up for what you believe in. A type of music for "freaks" and outcasts from society. Non-judgemental and accepting, regardless of race, gender, and sexual preference. Posers will often talk about how they hate Abercrombie and rap, because they think it is punk rock to do so. But without people like them, there would be no punk rock, and we would all look the same. Stop labeling. Stop hating. Stop saying that punk rock is dead, because as long as people have a sense of individuality, self-expression, and a spine, there will be punk rock. It CANNOT die.
Bad Religion
The Dwarves
by James aka Sir Cool July 15, 2005
Music which, contrary to popular belief, does not need to be loud, nor fast to fit under the said moniker. Rooted in the avant-garde of The Velvet Underground, who despite drawing influences from free jazz and swing-- elements that would later be thrown out of the mix when "punk" came to full rise-- laid the blueprint for the aesthetic of what is now considered the "punk" mentality; defying rock conventions and creating music that was messy, unpolished, and primitive. VU's experimentalism carried into their live performances, in which they would commonly improvise songs (an art predocessors, and fellow New Yorkers Television would incorperate into live shows), as well as create feedback and distortion noises.

After VU, The Stooges, a Michigan-based proto-punk band, formed and followed the same philosophy. Led by the infamous Iggy Pop, The Stooges may have "rocked" far harder than VU, but nontheless had VU's flare for being controversial; not only did they follow in VU's footsteps by writing lyrics that blatantly reference drugs and sex, but putting on bizarre live shows, in which Pop would perform shirtless and cut himself, as well as cover his body in peanut butter. While VU managed to gain slight acclaim with their ties to artist Andy Warhol, at the time of their existence, The Stooges enjoyed virtually no success, and barely sold any records at all.

Shortly after The Stooges, The New York Dolls formed, not only adding to the blueprint for what would shortly thereafter become punk rock, but doing the same for "glam" rock; dressing in drag, drawing influence from the likes of David Bowie, and playing 'Stones-inspired songs that would eventually influence the likes of Motley Crue and Poison. However, like VU and The Stooges before them, they never broke through to the mainstream audience, and disbanded in the early seventies.

Now the year was 1974; bands like The Ramones, Talking Heads, and Television began to form. The Ramones, whose music was influenced by bubble gum and girl pop as much as it was by the likes of the Rolling Stones, played fast, catchy, simplistic three-chord rock songs, and became the first punk band to play regularly at CBGB's. Talking Heads, whose music was more diverse and pop-sounding, soon followed suit, as did Television, whose music was more complex and jazzy, as well as having featured revolutionary, dueling guitars. Richard Hell & the Voidoids were also key players in what is now considered the CBGB's New York punk scene.

While The Ramones and Talking Heads would enjoy lasting careers, and, in the case of Talking Heads, critical acclaim and mainstream success, Television self-destructed after two studio albums, including the classic "Marquee Moon." While similar fate struck many other New York punk bands, their influence nontheless managed to stretch across the pond, hitting England. Bands like The Buzzcocks, The Clash, Evlis Costello & the Attractions, and The Sex Pistols began sprouting up, and the punk rock scene reached it's height between 1977 and 1978.

While The Clash and Elvis Costello both managed successful careers well into the eighties, the death of Sid Vicious essentially marked the end of punk, and as bands like Joy Division, and Echo & the Bunnymen began what would become the post-punk movement.

So when you kids are trashing The Strokes for being overhyped and trendy, despite taking a page from the likes of VU and Television, who had more to do with punk rock than Operation Ivy ever did, and when you're calling New Found Glory "too soft," when Talking Heads seldom used distortion, just remember-- none of the bullshit you listen to is punk rock, so it doesn't matter!
by :-* June 9, 2004