Mikhail Epstein's definitions
astralgia, n. (Gr. astro-, star + Gr. algos Ð pain, grief, distress; cf. nostalgia) - a longing for stars and interstellar travels to the remote corners of the universe; homesickness for cosmos.
The film "Gattaca" is about astralgia. The protagonist, Vincent, though deemed genetically flawed and subsequently fated to Á low-level occupation, pursues to the end his dream of space travel.
by Mikhail Epstein November 16, 2003
Get the astralgiamug. an error of reducing higher or more complex processes, such as human behavior and thinking, to its elementary components or material bearers, such as physiological structures or chemical reactions.
Reductive fallacies abound in the popular works of Carl Sagan. For example, he wrote in his best-selling book The Dragons of Eden": "My fundamental premise about the brain is that its workings--what we sometimes call "mind"--are a conse`uence of its anatomy and physiology and nothing more".
by Mikhail Epstein November 6, 2003
Get the reductive fallacymug. multividual n Latin multus, many + Latin individuus, indivisible Ð a multiple individual that embraces many selves and in a technological perspective can possess multiple bodies.
As early as 1970s, psychologists indicated the emergence of a proteic type of personality who combines the properties of different individuals. This is not a schizophrenically split personality, but the one rich in roles and selves, a multividual who cannot be confined to a single self.
The multiplicity of selves often reveals itself in the acts of inspiration and artistic creativity. Eventually these multiple selves will acquire not only symbolical and imaginative embodiments, like in theater, but also independent bodies. Like a bio-species is exemplified by a multiplicity of individuals, a multividual will become a psycho-species exemplified by various organisms. Such multividuals will reach across continents assuming various material guises and performing various social and professional roles, and simultaneously they will be aware of their unique destiny and moral responsibility.
The multiplicity of selves often reveals itself in the acts of inspiration and artistic creativity. Eventually these multiple selves will acquire not only symbolical and imaginative embodiments, like in theater, but also independent bodies. Like a bio-species is exemplified by a multiplicity of individuals, a multividual will become a psycho-species exemplified by various organisms. Such multividuals will reach across continents assuming various material guises and performing various social and professional roles, and simultaneously they will be aware of their unique destiny and moral responsibility.
by Mikhail Epstein November 6, 2003
Get the multividualmug. netscapist (net + escapism) - a person who escapes from unpleasant realities into the networld (see netscapism).
Netscapists are ubiquitous today. If you chat with a neighbor for hours from your computer instead of seeing him in a cafe, you are in danger of becoming a netscapist.
by Mikhail Epstein November 7, 2003
Get the netscapistmug. chronosome n (Greek khronos, time + Greek soma, body; cf. chromosome) Ð a unit of historical heredity, in contrast with a chromosome as a unit of biological heredity; a mental code of a historical period that is transmitted to next generations through styles, traditions and unconscious influences ("cultural air").
The chronosomes of the early 20th c. avant-garde have reached the generation of the 1960s and shaped its political views and artistic styles.
Nabokov's novel "Invitation to a Beheading" bears many Kafka's chronosomes, even if the author claims to have never read Kafka.
Nabokov's novel "Invitation to a Beheading" bears many Kafka's chronosomes, even if the author claims to have never read Kafka.
by Mikhail Epstein November 13, 2003
Get the chronosomemug. happicle n (happy + diminutive suffix Ðicle, like in "particle," "icicle") Ð a particle of happiness, the smallest unit of happiness; a single happy occurrence or a momentary feeling of happiness.
There is no happiness in this world, but there are happicles. Sometimes we can catch them, fleeting and unpredictable as they are.
Like photons, happicles have zero mass at rest--the inertial mass that we identify with happiness. Happicles just flash and go out in passing. They may be as transitory as a fragrance in the air, or a yellow falling leaf, or a glance of a passerby on the street.
Happicles make life worth of living, even in the absence of stable happiness.
Like photons, happicles have zero mass at rest--the inertial mass that we identify with happiness. Happicles just flash and go out in passing. They may be as transitory as a fragrance in the air, or a yellow falling leaf, or a glance of a passerby on the street.
Happicles make life worth of living, even in the absence of stable happiness.
by Mikhail Epstein November 8, 2003
Get the happiclemug. ambipathy n (Latin, Greek ambi- (or amphi), both, on both sides + Greek pathos, feeling) - a mixture of sympathy and antipathy, of attraction and repulsion; a condition of being torn apart by conflicting feelings and aspirations.
"... At once I hate and love as well," - this line by Catullus, Roman poet of the first century BC, is one of the first literary expressions of ambipathy.
Dmitry Karamazov in Dostoevsky says that "a man is too broad" and is equally attracted by the two abysses--the upper and the lower ones, the ideal of Madonna and the ideal of Sodom. In this sense, Dmitry and perhaps Dostoevsky himself are the brightest manifestations of this common trait of ambipathy.
Dmitry Karamazov in Dostoevsky says that "a man is too broad" and is equally attracted by the two abysses--the upper and the lower ones, the ideal of Madonna and the ideal of Sodom. In this sense, Dmitry and perhaps Dostoevsky himself are the brightest manifestations of this common trait of ambipathy.
by Mikhail Epstein November 6, 2003
Get the ambipathymug.