Nicholas: Yo, Arnold's nemisis in True Lies is a scary guy.
Dudley: Yeah bro, he's a scarab.
Nicholas: for suuuuuures
Dudley: Yeah bro, he's a scarab.
Nicholas: for suuuuuures
by thehouss October 29, 2011
Get the scarab mug.by angrykarkat July 1, 2018
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A great show based on supernatural and interesting subjects on Discovery Kids channel and hosted by Michelle Trachtenberg.
by Gunther777 July 3, 2006
Get the Truth or Scare mug.1. When you get so scared that you can't move at all.
2. When you get so scared that you pop a boner. This usually only happens when you are scared by an attractive member of the opposite sex.
2. When you get so scared that you pop a boner. This usually only happens when you are scared by an attractive member of the opposite sex.
A man jumped out from behind the brick wall and pointed a gun at my head. I couldn't run. I was scared stiff!
A hot woman in black leather boots, and with a whip in hand jumped out from behind a brick wall. I was scared stiff!!!
A hot woman in black leather boots, and with a whip in hand jumped out from behind a brick wall. I was scared stiff!!!
by The Masked and Caped Moncato July 15, 2008
Get the scared stiff mug.Scary Mary. A girl who obsessed with the way she looked. She would always look in the mirror and say how pretty she is, she would always put on her grandmother's dress and look in the mirror. Not until the fire broke out. She didn't realize it until it was too late. Now her face is all gnarly and burnt. She wants your face.
How's it used in a sentence was by trying to figure out how I would say the origin of Scary Mary. But if because I forgot the origin but that's how i would describe the story of her. I feel sorry for her.
by YuriKatsuki_24 November 5, 2017
Get the Scary Mary mug.an extremely hot, sexy, amazingly beautiful looking girl who would probably want everyone to see this.
by wessideoutlaw February 18, 2008
Get the scarlett mug.Katie Scarlett O'Hara is the main character in the novel and movie, *Gone with the Wind.* In the story, Scarlett is the oldest daughter of an Irish/Catholic immigrant and his French aristocratic wife in mid-nineteenth century Georgia. The family builds an opulent plantation they name Tara just south of Atlanta in Jonesboro. Scarlett loves her father and her home but is otherwise completely self-absorbed.
Before the Civil War, Scarlett is the coquettish belle of the ball attending soirees where she flirts with and torments young men who fall in love with her beauty and burning sexual energy. Scarlett is in love with melancholic Ashley who is love with Melanie. At one of these parties, Scarlett throws herself at Ashley as they are alone in a drawing room. Ashely rebuffs her advance and withdraws. Scarlett throws a vase against the wall in a rage only to find Rhett Butler lying on the couch who has overheard the previous exchange between Scarlett and Ashley. Rhett is immediately intrigued by Scarlett's beauty and energy as are most men. The audience, though, immediately recognizes that Rhett is the man for Scarlett. He is the only one who can tame and domesticate her, which is what she needs.
The story unfolds as the tension builds between the two properly matched couples, Ashley/Melanie and Rhett/Scarlett. Scarlett resists Rhett while being intrigued by him as she marries several other men along the way toward finally marrying Rhett. The entire time, she dreams of marrying Ashely who is married to Melanie. Finally, Scarlett wrecks her marriage with Rhett only realizing what the audience saw all along--that she was intended for Rhett, not Ashely.
Scarlett comes to her senses too late as Rhett walks out the door saying to Scarlett in reply to her question what will happen to her if he leaves her, "Frankly my dear, I don't give a damn." The final scene in the story finds Scarlett pulling herself together after crying over Rhett's leaving and her worrying over how to get Rhett back saying, "I can't let him go. I can't. There must be some way to bring him back. Oh I can't think about this now! I'll go crazy if I do! I'll think about it tomorrow. (She closes the door.) But I must think about it. I must think about it. What is there to do? (She falls forward onto the ascending stairs.) What is there that matters?...Tara!...Home. I'll go home, and I'll think of some way to get him back! After all, tomorrow is another day!"
Scarlett represents both the Old South belle and the New South businesswoman. In both settings that change so drastically in the story and in reality, Atlanta moves from a semi-feudalistic society of manners and morals to a raucous business climate in which everything goes. Scarlett uses her beauty, charm, and craftiness in both social climates to attain her ends. Scarlett gains most everything she thinks she wants through sheer willpower and moral compromise with the exception of Ashley only to realize too late that she has lost her integrity and what she really needs. The story unfolds as a mirror to Atlanta as it has sold itself out for money and acceptability. This is why Atlanta's Southern culture is tragically "Gone with the Wind."
Before the Civil War, Scarlett is the coquettish belle of the ball attending soirees where she flirts with and torments young men who fall in love with her beauty and burning sexual energy. Scarlett is in love with melancholic Ashley who is love with Melanie. At one of these parties, Scarlett throws herself at Ashley as they are alone in a drawing room. Ashely rebuffs her advance and withdraws. Scarlett throws a vase against the wall in a rage only to find Rhett Butler lying on the couch who has overheard the previous exchange between Scarlett and Ashley. Rhett is immediately intrigued by Scarlett's beauty and energy as are most men. The audience, though, immediately recognizes that Rhett is the man for Scarlett. He is the only one who can tame and domesticate her, which is what she needs.
The story unfolds as the tension builds between the two properly matched couples, Ashley/Melanie and Rhett/Scarlett. Scarlett resists Rhett while being intrigued by him as she marries several other men along the way toward finally marrying Rhett. The entire time, she dreams of marrying Ashely who is married to Melanie. Finally, Scarlett wrecks her marriage with Rhett only realizing what the audience saw all along--that she was intended for Rhett, not Ashely.
Scarlett comes to her senses too late as Rhett walks out the door saying to Scarlett in reply to her question what will happen to her if he leaves her, "Frankly my dear, I don't give a damn." The final scene in the story finds Scarlett pulling herself together after crying over Rhett's leaving and her worrying over how to get Rhett back saying, "I can't let him go. I can't. There must be some way to bring him back. Oh I can't think about this now! I'll go crazy if I do! I'll think about it tomorrow. (She closes the door.) But I must think about it. I must think about it. What is there to do? (She falls forward onto the ascending stairs.) What is there that matters?...Tara!...Home. I'll go home, and I'll think of some way to get him back! After all, tomorrow is another day!"
Scarlett represents both the Old South belle and the New South businesswoman. In both settings that change so drastically in the story and in reality, Atlanta moves from a semi-feudalistic society of manners and morals to a raucous business climate in which everything goes. Scarlett uses her beauty, charm, and craftiness in both social climates to attain her ends. Scarlett gains most everything she thinks she wants through sheer willpower and moral compromise with the exception of Ashley only to realize too late that she has lost her integrity and what she really needs. The story unfolds as a mirror to Atlanta as it has sold itself out for money and acceptability. This is why Atlanta's Southern culture is tragically "Gone with the Wind."
Scarlett O'Hara: "Where will I go, what will I do?"
Rhett Butler: "Frankly my dear, I don't give a damn."
Rhett Butler: "Frankly my dear, I don't give a damn."
by Tex in Tex February 15, 2008
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