Kashima Reiko is the Japanese Urban Legend of a young woman Who was attacked my a group of men in a japanese village named Hokkaido and as she was calling for help, she collapsed on the “meishin expressway” and her body was severed at the waist and after she died, she travelled the bathrooms around the world and asked for her legs. If you come across her, she’ll ask you, “where are my legs” you shall say the expressway she collapsed on. She will ask “who told you” you should say Kashima told me. She may trick you and ask “whats my name” don’t say kashima, say mask death/dead person demon. Good luck dude!
Kyle: Zude, have you heard of Kashima Reiko?
Dan: Hell no dude! Who is she?
Kyle: She is a japanese urban legend about a ghost with no legs or lower half of her body.
Dan: Tell me more, bro.
Dan: Hell no dude! Who is she?
Kyle: She is a japanese urban legend about a ghost with no legs or lower half of her body.
Dan: Tell me more, bro.
by charli damelio’s ass June 24, 2021
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by Buffsky March 24, 2021
Get the KC royals report mug.BWA KALE REKORDZ (BKR) for short - is a subsidiary of NEGRE MARRON RECORDS, dedicated to supporting Haitian artists who utilize their music to advocate for social justice. Our focus on promoting and distributing conscious music sets us apart from our sister label, WANGA NÈGÈS RECORDS, which concentrates on Haitian Kompa-infused music. Our slogan, 'Bringing justice through music,' demonstrates our commitment to promoting social justice through music.
Our name BWA KALE is derived from a grassroots vigilante justice movement in Haiti that symbolizes a swift form of justice against gang violence. We do not endorse music that glorifies crime or violence, and our mission is to support and promote unsigned Haitian artists who create conscious music addressing social injustices in Haiti.
We firmly believe that music is a potent tool for raising awareness and inspiring change within our communities. Through collaborations with local recording studios and audio engineers in Haiti, we ensure that our music adheres to the highest industry standards in mixing and mastering.
As an independent record label, we provide a platform for Haitian artists who have limited access to resources to produce and distribute their music. We are focused on promoting Creole Rap, Rara-Bòday, DiaspoRara, ManifesNaval, Rap Kreyòl, Crenglish Rap, RaggaNaval, Haitian Ragga, Rabòday, Rara, Ra-Rap, Diaspo-Rap, Creospañol RAP, CRÉOLE-Trap, and Rasin (Haitian Roots) music that addresses social injustice in Haiti.
Our name BWA KALE is derived from a grassroots vigilante justice movement in Haiti that symbolizes a swift form of justice against gang violence. We do not endorse music that glorifies crime or violence, and our mission is to support and promote unsigned Haitian artists who create conscious music addressing social injustices in Haiti.
We firmly believe that music is a potent tool for raising awareness and inspiring change within our communities. Through collaborations with local recording studios and audio engineers in Haiti, we ensure that our music adheres to the highest industry standards in mixing and mastering.
As an independent record label, we provide a platform for Haitian artists who have limited access to resources to produce and distribute their music. We are focused on promoting Creole Rap, Rara-Bòday, DiaspoRara, ManifesNaval, Rap Kreyòl, Crenglish Rap, RaggaNaval, Haitian Ragga, Rabòday, Rara, Ra-Rap, Diaspo-Rap, Creospañol RAP, CRÉOLE-Trap, and Rasin (Haitian Roots) music that addresses social injustice in Haiti.
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