In what might be called a much earlier form of "twerking" (see Urban Dictionary for definition), the more versatile "bump", an extremely popular dance craze of the early 1970's, involved repeated and often continuous partner-to-partner hip contact of several specific varieties: rear to rear, side to side, front to rear (as in the aforementioned twerking), and last but not least. the mutual frontal option consisting of the thrusting of the partners' groin areas against each other in what can perhaps only be described as a sort of "dancing dry hump".
Man, can you believe it; I was doin' the Bump so good with this super hot chick at the party last night that I had to say to her "If we keep this up I won't be able to do anything else later!"
when you're holding up your phone and making faces at it, as though you are taking a selfie, but you're really taking a picture of the person across from you or the wall or anything else that seems interesting but you don't want to be caught dead taking a picture of.
This action is often made more convincing by wiggling the eyebrows or opening the mouth, to pretend you're trying to get a Snapchat filter to work.
FRIEND A: "Did you just take a stealthie of me?"
FRIEND B (turning phone around): "no I was just using snapchat's new filter, see?"
The grindset is a contemporary ideology of self-exploitation disguised as strength, deeply tied to the aesthetics of the “sigma male” and to new digital forms of patriarchy. It promotes the idea that human worth depends on productivity, economic success, absolute emotional control, and the ability to work endlessly, turning vulnerability, rest, community, and tenderness into signs of weakness. Beneath its rhetoric of discipline and power often lies a profound inability to relate healthily to pain, fragility, and human interdependence.
“That’s the grindset, brother. While weak men sleep and complain, sigma males stay disciplined, work in silence, suppress emotions, and build power while everyone else wastes time chasing comfort.”