when receipients of a bcc falsely believe unknowingly that they’re familiar with a person mentioned in it but are not.
by Coop Dupe June 12, 2018
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True or false: A shield volcano's magma is much less viscous than other volcanoes
The answer is true
When I do not know if it is true or false, I always pick true
The answer is true
When I do not know if it is true or false, I always pick true
by Avocado2004 February 18, 2021
Get the True or false mug.by Delta27Z October 5, 2022
Get the Very Very False mug.a fire ass song from falsettos/falsettoland that made it into the 2017 tony awards, featuring Christian Borle as Marvin, Andrew Rannells as Whizzer, Stephanie J. Block as Trina, Brandon Uranowitz as Mendel, Anthony Rosenthal as Jason, Betsy Wolfe as Cordelia, and Tracie Thoms as Charlotte.
The song jumps around the groups of characters. It starts off with Mendel alone, complaining about his job as a psychiatrist, and fades into Trina “working it out”, metaphorically and literally by exercising and talking about her ex-husband’s (Marvin’s) relationship with Whizzer.
The next segment of the song transitions to Cordelia and Charlotte, narrated as “the neighbors relax after work”. The two lesbians exchange what happened in their day and how happy they are to be loving eachother.
The song transitions from Mendel and Trina back to Cordelia and Charlotte another time after this, before cutting to Marvin and Whizzer playing racquetball.
This segment of the number displays that Whizzer is more athletic than his partner, which becomes something to remember for “More Racquetball”, a song later in the musical. The two also display in this snippet of the song how much they really have a love/hate relationship.
Marvin: That’s not nice.
Whizzer: No it isn’t, but you’re a pain in the ass.
The last minute of the song harmonizes all of the parts together. Towards the last thirty seconds, it transitions into “Everything will feel alright for the rest of your life”.
The song jumps around the groups of characters. It starts off with Mendel alone, complaining about his job as a psychiatrist, and fades into Trina “working it out”, metaphorically and literally by exercising and talking about her ex-husband’s (Marvin’s) relationship with Whizzer.
The next segment of the song transitions to Cordelia and Charlotte, narrated as “the neighbors relax after work”. The two lesbians exchange what happened in their day and how happy they are to be loving eachother.
The song transitions from Mendel and Trina back to Cordelia and Charlotte another time after this, before cutting to Marvin and Whizzer playing racquetball.
This segment of the number displays that Whizzer is more athletic than his partner, which becomes something to remember for “More Racquetball”, a song later in the musical. The two also display in this snippet of the song how much they really have a love/hate relationship.
Marvin: That’s not nice.
Whizzer: No it isn’t, but you’re a pain in the ass.
The last minute of the song harmonizes all of the parts together. Towards the last thirty seconds, it transitions into “Everything will feel alright for the rest of your life”.
“Did you know A Day in Falsettoland was on the Tony Awards?”
“..How the hell did you get in my house?”
“..How the hell did you get in my house?”
by anonymous March 9, 2024
Get the a day in falsettoland mug.A critical epistemological reminder that the inability to test or potentially disprove a claim does not automatically make that claim false. Unfalsifiability means the claim is structured in a way that resists empirical testing—it doesn't mean the claim is incorrect, meaningless, or worthless. Many important domains involve unfalsifiable claims: metaphysical beliefs, aesthetic judgments, ethical principles, mathematical axioms, and personal experiences. The statement "unfalsifiable claims are false" is itself unfalsifiable—a performative contradiction. The reminder is crucial in debates where skeptics demand falsifiability as the only criterion for truth, ignoring that falsifiability is a criterion for scientific claims, not for all claims. Unfalsifiable doesn't mean false—it means different standards apply.
"You say your spiritual experience is real. Skeptic demands: 'Prove it's false!' That's missing the point. Unfalsifiability Does Not Equal False—it means your claim isn't the kind that gets settled by experiments. Demanding falsifiability from a mystical experience is like demanding a fish to climb a tree. The claim might be true, might be false—but unfalsifiability alone doesn't decide."
by Dumu The Void February 28, 2026
Get the Unfalsifiability Does Not Equal False mug.A fallacy where someone argues that because a claim cannot be proven false, it must therefore be false. This inverts the proper use of falsifiability, which is a criterion for scientific status, not a test for falsehood. The fallacy typically appears in debates about religion, spirituality, or metaphysics: "You can't prove God doesn't exist, so God must not exist." But the same logic would prove anything unfalsifiable false—a absurd consequence. The fallacy confuses burden of proof (claims need evidence) with falsifiability as a truth test. Unfalsifiable claims aren't automatically false—they're just not empirically testable. Their truth or falsehood must be evaluated by other standards.
Appeal to Falsifiability - "You can't prove it's false, ergo it must be false" "I mentioned my belief in consciousness beyond the brain. Response: 'You can't prove it's false, so it must be false.' That's Appeal to Falsifiability—demanding disproof as proof of falsehood. By that logic, you can't prove invisible unicorns don't exist, so they must exist. The fallacy works both ways, which is why it's a fallacy."
by Dumu The Void February 28, 2026
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