The overwhelming feeling of dismay brought on by being the only woman in a crowd of sausage (aka: men) for an extended period of time. Origin: SXSW, Austin TX
Rachelle attended the SXSW conference in Austin, TX and was surrounded by 11 000 geeks with dicks for a week straight. She was totally over-duded and vowed never to return.
"Guys, don't take this personally. It was a long day of dicks in a circle yesterday, and I was just feeling over-duded. I'll be fine. Now who's buying me a drink?"
"Guys, don't take this personally. It was a long day of dicks in a circle yesterday, and I was just feeling over-duded. I'll be fine. Now who's buying me a drink?"
by TheStrayMuse March 13, 2010
Stay over there and don't worrie about me
by Aniya Newton April 25, 2016
by fook yu July 31, 2003
by Massive log February 23, 2019
by Maxaris October 22, 2003
(CINEMA || TELEVISION) technique in which an actor reads lines, but is not shown speaking the lines in the video stream. So, for example, we might see Martin Sheen lying in bed in a decrepit hotel in Saigon, and hear his voice say, "Saigon... shit! I was still in Saigon!" But he's narrating in the past tense, and the Martin Sheen onscreen is not saying anything. Or we might see Robert Duvall sitting on the beach, and Martin Sheen's disembodied voice, calmly recalling, "Well, he loved his men... Felt safe with them.."
It serves to fill in events in the story that the director doesn't want to depict on screen; it helps to describe how a character feels about events shown in the scene, or remind viewers that they are currently watching a flashback; it also has been used successfully to explain away absurd holes in the plot that would otherwise ruin the movie.
The voice over (VO) is particularly popular in US cinema and somewhat less so in British and Japanese; non-US movies that are conscious imitating Hollywood cliches will usually use it as well.
Usually, artistic movies made outside the English-speaking world tend to avoid using the VO because it's a non-traditional narrative technique, and it looks lazy. A good screenwriter doesn't need to use it. However, in commercials and TV "journalism" it is almost supernaturally powerful in persuading people of utter nonsense; it's basically a form of posthypnotic suggestion.
It serves to fill in events in the story that the director doesn't want to depict on screen; it helps to describe how a character feels about events shown in the scene, or remind viewers that they are currently watching a flashback; it also has been used successfully to explain away absurd holes in the plot that would otherwise ruin the movie.
The voice over (VO) is particularly popular in US cinema and somewhat less so in British and Japanese; non-US movies that are conscious imitating Hollywood cliches will usually use it as well.
Usually, artistic movies made outside the English-speaking world tend to avoid using the VO because it's a non-traditional narrative technique, and it looks lazy. A good screenwriter doesn't need to use it. However, in commercials and TV "journalism" it is almost supernaturally powerful in persuading people of utter nonsense; it's basically a form of posthypnotic suggestion.
The propaganda effect of commercials is massively enhanced by the use of voice over narration; usually the VO script is a grammatical mess and crammed with logical errors. This actually makes it work as a tool of brainwashing, since the logic cannot be followed by the listener.
by Abu Yahya July 15, 2010
What Hudson (The Ultimate Bad Ass) says after his Squads Evac Drop ship is taken down by the Xenomorphs. Spoken when your plan for an important mission fails horribly and then you end up pretty much boned.
Shit! I was going to bake some home made cookies but all I have is raisins.
Game over, man! Game over!
Game over, man! Game over!
by MetaHybrid December 17, 2009