by Ahernix January 2, 2019
Get the the shane mac combo mug.The effect Shane (and other content creators, but Shane is the best example) has had on the current generation. How children learned from a young age that self-deprecating humor makes people laugh. (ex: pointing at a trash can and saying "me haha") and has caused many people to actually believe less of themselves. The child didnt have to actualy watch shane dawson, but could have gotten the behavior from someone else who did watch Shane.
person 1: I'm so lazy and fat lol #relatable
person: 2: did you happen to watch Shane Dawson as a kid?
person 3: It looks like you're suffering from the Shane Dawson effect, are you okay?
person: 2: did you happen to watch Shane Dawson as a kid?
person 3: It looks like you're suffering from the Shane Dawson effect, are you okay?
by Ramen!! July 2, 2021
Get the The Shane Dawson effect mug.Related Words
The Shape Sorter • The Shape • the shape ae a table • The Shape Of Punk To Come • the shape of water • In the shape of a wheel • The Colour and the Shape • the flacker of the shape • I can tell by the shape of your head • A polygon is a shape with lines that connect, the number of side tells us the name of the shape
To be disoriented. Term is derived from baseball, when shadows covering the field make it difficult for batters to gauge the speed of pitches.
My friend was totally batting in the shade when he was trying to order a drink after he spilled the last one all over the bartender.
When I woke up in that guy's bed, trying to find my clothes on the floor was like batting in the shade.
When I woke up in that guy's bed, trying to find my clothes on the floor was like batting in the shade.
by oneflipflop January 16, 2009
Get the Batting in the shade mug.(Proper Noun)
An unimaginable terrifying creature that conceived itself many years ago. Its story is both shocking and paradoxical.
As a crackwhore with nine children, a twenty-nine-year-old The Shame stumbled upon a new Pentagon project--how it got in is a story of its own. The 'project' was an experimental time machine, created using the theory of relativity's laws. Chanting,in its 'Cartman'/ghetto/high-pitched The-Shame voice, "HAY WORK WORK WORK", The Shame got into the machine and pressed random buttons. It was instantly transfered to 1989, where, to make a long story short, it married a Mexican man (Pepe) and had two children during an affair with a Polish man. Thus, The Shame BECAME The Shother and conceived itself!
The shame is also responsible for many other things, such as flawing the Matrix, destroying shuttle Discovery, and making hobbits so small.
An unimaginable terrifying creature that conceived itself many years ago. Its story is both shocking and paradoxical.
As a crackwhore with nine children, a twenty-nine-year-old The Shame stumbled upon a new Pentagon project--how it got in is a story of its own. The 'project' was an experimental time machine, created using the theory of relativity's laws. Chanting,in its 'Cartman'/ghetto/high-pitched The-Shame voice, "HAY WORK WORK WORK", The Shame got into the machine and pressed random buttons. It was instantly transfered to 1989, where, to make a long story short, it married a Mexican man (Pepe) and had two children during an affair with a Polish man. Thus, The Shame BECAME The Shother and conceived itself!
The shame is also responsible for many other things, such as flawing the Matrix, destroying shuttle Discovery, and making hobbits so small.
Some random person: Dude, god damnit, The Shame is trying to do math again. Fucking The Shame...
The Shame: "hahahah WORK WORK WORK!! Eyem SEW CULE!! ahhaha"
*presses its calculator with its face*
Some other random person: ...Fucking The Shame..
The Shame: "hahahah WORK WORK WORK!! Eyem SEW CULE!! ahhaha"
*presses its calculator with its face*
Some other random person: ...Fucking The Shame..
by Mr. Underwood December 12, 2008
Get the the shame mug.by CopperBeard March 31, 2013
Get the made for the shade mug.The essence of the raw Rock & Roll spirit, The Shake’s music is hook-laden, riff-driven, and loud. Just like their hometown of New York City, their music is self-aware, but never pretentious or uninviting.
In just three short years, the Shake has released two critically-acclaimed albums. Their debut disc, Kick It, propelled the band through the ranks of the New York City indie rock scene. Their second album, Well, Oh Well, revealed a more mature facet of the band. With more introspective subject matter, a more deliberate and radio-friendly sonic palette, and darker arrangements, Well, Oh Well was viewed by many as the next step forward for the band and the older brother to the Shake’s freshman effort.
2009 brings with it the release of the band's new single, “Galleries,” a first look at the Shake's newest material. The next step in the band's musical evolution, "Galleries" gives a voice to all those frustrated with the phony and self-delusional aspects of the artistic world, pleading for honesty with a group that prides itself on its exaggerated sense of self- importance.
Jon Merkin and Eliad Shapiro, former high school band mates, formed The Shake in the summer of 2005. “The first few times we sat down, we churned out a lot of songs,” explains Merkin. Shapiro recalls, “We were impressed with how well we meshed together. We really compliment each other nicely in terms of writing melodies, chords and lyrics and the first few times we played together, there was a real energy.”
In their search for a bassist, Merkin and Shapiro recruited Stein, who Merkin met while traveling abroad during his summer before starting college. Their search for a drummer led them to Vishal Kumar, a fellow student at Columbia University and a seasoned session drummer and performer. In his short career, Kumar has performed in numerous venues including Madison Square Garden and recorded for dozens of prominent artists and producers. Together, Stein and Kumar make up the mighty rhythm section that drives the music of the Shake.
Unlike other groups, each member of The Shake is schooled in a different style of music, and draws from a wide pool of influences including rock, blues, jazz, punk, and electronic music. The result is what they call “a constantly evolving, more musically diverse style of rock that utilizes distinct melodies and harmonies in order to maintain a straightforward and familiar feel that still sounds fresh. In their short time as a band, the Shake has already been featured in a major motion picture, shared the stage with internationally acclaimed acts such as Richard Lloyd (of Television), the Mooney Suzuki and the Living End. They’re just getting started and show no signs of slowing down.
In just three short years, the Shake has released two critically-acclaimed albums. Their debut disc, Kick It, propelled the band through the ranks of the New York City indie rock scene. Their second album, Well, Oh Well, revealed a more mature facet of the band. With more introspective subject matter, a more deliberate and radio-friendly sonic palette, and darker arrangements, Well, Oh Well was viewed by many as the next step forward for the band and the older brother to the Shake’s freshman effort.
2009 brings with it the release of the band's new single, “Galleries,” a first look at the Shake's newest material. The next step in the band's musical evolution, "Galleries" gives a voice to all those frustrated with the phony and self-delusional aspects of the artistic world, pleading for honesty with a group that prides itself on its exaggerated sense of self- importance.
Jon Merkin and Eliad Shapiro, former high school band mates, formed The Shake in the summer of 2005. “The first few times we sat down, we churned out a lot of songs,” explains Merkin. Shapiro recalls, “We were impressed with how well we meshed together. We really compliment each other nicely in terms of writing melodies, chords and lyrics and the first few times we played together, there was a real energy.”
In their search for a bassist, Merkin and Shapiro recruited Stein, who Merkin met while traveling abroad during his summer before starting college. Their search for a drummer led them to Vishal Kumar, a fellow student at Columbia University and a seasoned session drummer and performer. In his short career, Kumar has performed in numerous venues including Madison Square Garden and recorded for dozens of prominent artists and producers. Together, Stein and Kumar make up the mighty rhythm section that drives the music of the Shake.
Unlike other groups, each member of The Shake is schooled in a different style of music, and draws from a wide pool of influences including rock, blues, jazz, punk, and electronic music. The result is what they call “a constantly evolving, more musically diverse style of rock that utilizes distinct melodies and harmonies in order to maintain a straightforward and familiar feel that still sounds fresh. In their short time as a band, the Shake has already been featured in a major motion picture, shared the stage with internationally acclaimed acts such as Richard Lloyd (of Television), the Mooney Suzuki and the Living End. They’re just getting started and show no signs of slowing down.
by Shake Fan April 8, 2009
Get the The Shake mug.Perfected by Neural Buddhists in the late 21st century: to rearrange spindle neurons in such a manner as to affect an abrupt reorientation of all thought processes and patterns of recognition. Practitioners of The Shake, today known as Neural Buddhists, first perfected this manipulation of the brain in the late 21st century. Some argue that this was the singular act that pulled Homo Sapiens out of the specie’s self-created gutter.
by haserlub May 29, 2008
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