n. A woman of questionable character and loose morals.
Syn: Service station, cum dumpster, frat mattress, hot dog in a hallway, dick garage, semen suckler, cum guzzler, everlasting gobstopper, your mother
Syn: Service station, cum dumpster, frat mattress, hot dog in a hallway, dick garage, semen suckler, cum guzzler, everlasting gobstopper, your mother
by Knowledgable Bystander November 10, 2010
Traveling the long, scenic route to simultaneous orgasms, taking place between two best friends, one male and one female; one of the two people must be in a relationship with another person. CAUTION: Obey the speed limit of 25 MPH or you will end up in POUNDTOWN. To summarize sensation station, it is romantic/passionate sex between two people who are not a couple.
I was taken to sensation station by Scott last night, and it was MIND BLOWING....so much more of an enjoyable trip than last time, when Anthony took me to poundtown with his captain longdong.
by DoodleNuts September 23, 2010
The area of your house that is set up stricly for masterbation. Can include but not limited to: computer, chair, towel.
by qwik5 October 21, 2010
an orgy where boys line up in one line and girls line up in another. They fuck eachother for five minutes and then rotate clockwise so you meet a different person and fuck them. AWESOME STUFF. When doing it, people normally should use a comdom. If you want to be tough, use no condom.
by mike dick May 09, 2007
Also known as Pennsylvania Station, the busiest rail station in the United States. The major Amtrak station on the Northeast Corridor and the terminal for New Jersey Transit and the Long Island Rail Road.
Once the grandest gateway into New York City, since 1962 has been little more than Madison Square Garden's basement, a mishmash of "modern" corridors, low ceilings, and endless rows of suburban chain stores. Its loss is comparable to — possibly even worse than — a similar "modernization" effort on London's late, great Euston Station around the same time.
The original terminal, designed by Beaux-Arts architects McKim, Mead and White and erected by the Pennsylvania Railroad in 1909, was a grand temple to rail travel which occupied four city blocks bounded by Seventh and Eighth Avenues and 30th and 33rd Streets. The Seventh Avenue facade was dominated by a collonade of granite pillars modelled after the Brandenburg Gate in Berlin. The main waiting room, designed to echo the Baths of Caracalla in Rome, featured a giant barrel-vaulted ceiling as high and long as the nave of Saint Peter's Basilica in the Vatican. And the main departure concourse featured a dramatic glass train shed which brought ample sunlight down to the train platforms themselves. Richly detailed sculptures abounded, including twelve statues of giant eagles which once perched all along the cornice of the station.
McKim, Mead and White had intended for their masterpiece to survive for 500 years; it barely lasted 53. With postwar rail travel on the decline, Penn Railroad merged with rival New York Central in the '60s to form Penn Central, which immediately set out with plans to "improve" Penn Station and its crosstown neighbor, Grand Central Terminal. Entering into deals with the owner of Madison Square Garden, Irving Felt, it was decided that both groups could maximize profits if the Garden were moved from its 1925 building on 51st and Eighth to a new, "modern" structure right on top of Penn Station. The result: the most supernal rail terminal ever to be built in the United States was dismantled and carted off to Secaucus, giving New Jersey the claim to having the world's most elegant dump. The banal replacement was "architect" Charles Luckman's oil drum that was the new MSG, paired with an ugly slab office tower, with plenty of cramped, claustrophobic, artificially-lit space for scurrying suburban commuters downstairs.
There was a silver lining to the loss of Penn Station, however. The public outcry was immense: the New York Times called it a "monumental act of vandalism" and "the shame of New York." Architectural historian Vincent Scully lamented, "Through (Penn Station) one entered the city like a god. Now one scuttles in like a rat." And Ada Louise Huxtable, the Times' architecture critic, warned, "We will probably be judged not by the monuments we build but by those we have destroyed."
The result of this outcry was the creation of the New York City Landmarks Commission, the first of its kind in any city in the U.S. Multiple buildings and districts in New York have been preserved since, particularly Grand Central Terminal, New York's last surviving grand gateway. Before it was declared a national landmark in 1978, it was very nearly razed in a similar venture by Penn Central — which went spectacularly bankrupt in 1970. Karma's a bitch.
Once the grandest gateway into New York City, since 1962 has been little more than Madison Square Garden's basement, a mishmash of "modern" corridors, low ceilings, and endless rows of suburban chain stores. Its loss is comparable to — possibly even worse than — a similar "modernization" effort on London's late, great Euston Station around the same time.
The original terminal, designed by Beaux-Arts architects McKim, Mead and White and erected by the Pennsylvania Railroad in 1909, was a grand temple to rail travel which occupied four city blocks bounded by Seventh and Eighth Avenues and 30th and 33rd Streets. The Seventh Avenue facade was dominated by a collonade of granite pillars modelled after the Brandenburg Gate in Berlin. The main waiting room, designed to echo the Baths of Caracalla in Rome, featured a giant barrel-vaulted ceiling as high and long as the nave of Saint Peter's Basilica in the Vatican. And the main departure concourse featured a dramatic glass train shed which brought ample sunlight down to the train platforms themselves. Richly detailed sculptures abounded, including twelve statues of giant eagles which once perched all along the cornice of the station.
McKim, Mead and White had intended for their masterpiece to survive for 500 years; it barely lasted 53. With postwar rail travel on the decline, Penn Railroad merged with rival New York Central in the '60s to form Penn Central, which immediately set out with plans to "improve" Penn Station and its crosstown neighbor, Grand Central Terminal. Entering into deals with the owner of Madison Square Garden, Irving Felt, it was decided that both groups could maximize profits if the Garden were moved from its 1925 building on 51st and Eighth to a new, "modern" structure right on top of Penn Station. The result: the most supernal rail terminal ever to be built in the United States was dismantled and carted off to Secaucus, giving New Jersey the claim to having the world's most elegant dump. The banal replacement was "architect" Charles Luckman's oil drum that was the new MSG, paired with an ugly slab office tower, with plenty of cramped, claustrophobic, artificially-lit space for scurrying suburban commuters downstairs.
There was a silver lining to the loss of Penn Station, however. The public outcry was immense: the New York Times called it a "monumental act of vandalism" and "the shame of New York." Architectural historian Vincent Scully lamented, "Through (Penn Station) one entered the city like a god. Now one scuttles in like a rat." And Ada Louise Huxtable, the Times' architecture critic, warned, "We will probably be judged not by the monuments we build but by those we have destroyed."
The result of this outcry was the creation of the New York City Landmarks Commission, the first of its kind in any city in the U.S. Multiple buildings and districts in New York have been preserved since, particularly Grand Central Terminal, New York's last surviving grand gateway. Before it was declared a national landmark in 1978, it was very nearly razed in a similar venture by Penn Central — which went spectacularly bankrupt in 1970. Karma's a bitch.
The loss of Penn Station can probably never be undone, but some of the damage can be repaired and some civic penance can be done. In 2005, plans finally moved forward for many of Penn Station's operations to be moved into a new terminal across Eighth Avenue, to be housed in the Central Post Office which, serendipitously enough, was also designed by McKim. The new terminal, to be named after the late State Senator Daniel Patrick Moynihan, will serve LIRR and NJT commuters, as well as some Amtrak riders. Hopefully, MSG will eventually be moved somewhere else and the current building will be demolished, allowing for something worthwhile to take its place.
by Shreve Lamb and Harmon July 31, 2005
A breed of females, resembling the female bogan, seen loitering at or around metro train stations in Australia and scabbing cigarettes of each other. They generally wear with pride any clothes that tacky chain stores sold 1-3 years ago, and are easily recognised by ridiculously tight, flared jeans. They wear excessive orange foundation and black eye make up, and have badly bleached hair with several month's dark regrowth, straightened to within an inch of its life and/or pulled tightly back with several kilograms of hair gel. Also infamous for 'getting with' any guy/s that will have them.
Girl 2: Check out the station rats!
Girl 1: Wow, I remember wearing that, like, three years ago. What a skank.
Girl 1: Wow, I remember wearing that, like, three years ago. What a skank.
by thebean123 September 24, 2006
by freddieb14 September 28, 2007