Tex in Tex's definitions
According to the dictionary, one set of definitions of 'license' is
"1. Lack of due restraint; excessive freedom: “When liberty becomes license, dictatorship is near” (Will Durant).
2. Heedlessness for the precepts of proper behavior; licentiousness."
The definition of 'license' that is synonymous with 'licentious' evolved from a very different definition:
"1. a. Official or legal permission to do or own a specified thing. See synonyms at permission.
b. A document, plate, or tag that is issued as proof of official or legal permission: a driver's license.
2. Deviation from normal rules, practices, or methods in order to achieve a certain end or effect."
These meanings are derived from "Middle English licence, from Old French, from Medieval Latin licentia, authorization, from Latin, freedom, from licens, licent-, present participle of licere, to be permitted."
License in the context that I want to focus on in related definitions such as libertarian and libertine is the lack of proper restraint or licentiousness.
Defenders of liberty have traditionally gone to great lengths to distance liberty from license. Tragically, modern leftist liberals and modal libertarians have conflated the the two. License is a perversion of liberty that has morphed into its opposite.
"1. Lack of due restraint; excessive freedom: “When liberty becomes license, dictatorship is near” (Will Durant).
2. Heedlessness for the precepts of proper behavior; licentiousness."
The definition of 'license' that is synonymous with 'licentious' evolved from a very different definition:
"1. a. Official or legal permission to do or own a specified thing. See synonyms at permission.
b. A document, plate, or tag that is issued as proof of official or legal permission: a driver's license.
2. Deviation from normal rules, practices, or methods in order to achieve a certain end or effect."
These meanings are derived from "Middle English licence, from Old French, from Medieval Latin licentia, authorization, from Latin, freedom, from licens, licent-, present participle of licere, to be permitted."
License in the context that I want to focus on in related definitions such as libertarian and libertine is the lack of proper restraint or licentiousness.
Defenders of liberty have traditionally gone to great lengths to distance liberty from license. Tragically, modern leftist liberals and modal libertarians have conflated the the two. License is a perversion of liberty that has morphed into its opposite.
Modal libertarian: I love to exercise my liberty by watching some porn while I smoke pot.
Paleo-libertarian: You are confusing liberty and license.
Paleo-libertarian: You are confusing liberty and license.
by Tex in Tex July 2, 2008
Get the license mug.The personification of what the U.S. has become along with its distorted conception of liberty. Ron Jeremy is to late 20th Century and early 21st Century America what Thomas Jefferson was to late 18th Century America.
Ted Koppel reported that he found himself near Ron Jeremy in an airport. Never having heard of Jeremy and finding out who he was as people mobbed Jeremy, Koppel was horrified to discover a porn star was so well-known and admired.
by Tex in Tex May 4, 2008
Get the Ron Jeremy mug.Tolerance, in the political and social sense, involves two components: 1. Finding others' beliefs or behavior wrong or, in some substantive way, highly objectionable. This fundamental disagreement must be present on issues that really matter, not on issues that are minor or trivial. 2. In the face of this intense disagreement, one refrains from resolving differences by violence or the threat of violence.
Tolerance is NOT a matter of pluralism or multi-culturalism. In order to be tolerant, one does not accept or find others' actions or attitudes a matter of indifference. Rather, a necessary condition for tolerance is rejection of others' beliefs and way of life.
The upshot of tolerance is fighting a continual civil war with those whom one disagrees with in non-violent ways. A society characterized by tolerance will be full of constant confrontation and conflict without threats or violence. As commentator Jonathan Schwartz has argued, tolerance involves challenging the beliefs that others accept without question including issues surrounding sexuality, religion, and race.
Tolerance also is closely related to free speech. Free speech is primarily designed to promote free discussion of controversial questions in politics, religion, and morality. Therefore, speech codes and Politically Correct sensibilities advanced by the left are restrictions on free speech and are forms of intolerance.
Tolerance is NOT a matter of pluralism or multi-culturalism. In order to be tolerant, one does not accept or find others' actions or attitudes a matter of indifference. Rather, a necessary condition for tolerance is rejection of others' beliefs and way of life.
The upshot of tolerance is fighting a continual civil war with those whom one disagrees with in non-violent ways. A society characterized by tolerance will be full of constant confrontation and conflict without threats or violence. As commentator Jonathan Schwartz has argued, tolerance involves challenging the beliefs that others accept without question including issues surrounding sexuality, religion, and race.
Tolerance also is closely related to free speech. Free speech is primarily designed to promote free discussion of controversial questions in politics, religion, and morality. Therefore, speech codes and Politically Correct sensibilities advanced by the left are restrictions on free speech and are forms of intolerance.
I think everything you say and believe is immoral and disgusting. I shall try to eradicate your beliefs from the face of the earth. But, I shall express my disagreement only verbally and refrain from violence to suppress your point of view. Therefore, I am demonstrating tolerance.
by Tex in Tex February 7, 2008
Get the tolerance mug.People who feel sorry for certain people, and find pleasure and a sense of significance in taking care of them. Some humanitarians use private, voluntary means to help others while other humanitarians prefer to use the State to force the general public to fund their efforts.
Humanitarians tend to view humans as innately good and kind. They want to facilitate whatever each person wants to do, no matter what it may be. They enjoy a sense of paternalism as they provide for and protect their wards. This tendency might be appropriate at times but can easily drift into a subtle form of control and dominance.
Humanitarians cannot believe that people are naturally selfish and sadistic. They tend to hold a pollyannish view of criminals and attempt to mitigate their punishment. They hate to see anyone suffer pain under any circumstances.
Humanitarians have a hard time concentrating their affection on a limited set of people, such as their family or their community. They seem emotionally restless and transient. They continually seek out new people to befriend and help without ever settling into a committed, intimate relationship with any one person or group in particular.
Utilitarians, followers of the Social Gospel, collectivists, and the political left each find their roots in humanitarianism. The origin of humanitarianism is likely to be found in a certain reading of the Bible and understanding of Christianity that emphasizes unilateral forgiveness, charity, and the brotherhood of all humans. Such a view tends not to be balanced by a clear understanding of human depravity, and the fact that Eden will not be restored on the Earth until Jesus returns and creates a new Earth with spiritually regenerated people.
Humanitarians tend to view humans as innately good and kind. They want to facilitate whatever each person wants to do, no matter what it may be. They enjoy a sense of paternalism as they provide for and protect their wards. This tendency might be appropriate at times but can easily drift into a subtle form of control and dominance.
Humanitarians cannot believe that people are naturally selfish and sadistic. They tend to hold a pollyannish view of criminals and attempt to mitigate their punishment. They hate to see anyone suffer pain under any circumstances.
Humanitarians have a hard time concentrating their affection on a limited set of people, such as their family or their community. They seem emotionally restless and transient. They continually seek out new people to befriend and help without ever settling into a committed, intimate relationship with any one person or group in particular.
Utilitarians, followers of the Social Gospel, collectivists, and the political left each find their roots in humanitarianism. The origin of humanitarianism is likely to be found in a certain reading of the Bible and understanding of Christianity that emphasizes unilateral forgiveness, charity, and the brotherhood of all humans. Such a view tends not to be balanced by a clear understanding of human depravity, and the fact that Eden will not be restored on the Earth until Jesus returns and creates a new Earth with spiritually regenerated people.
"Someone is at the door asking for money to help the poor."
"Oh, it's that humanitarian who is trying to save the world, one person at a time."
Months later...."It is the IRS knocking without a warrant. They are threatening to seize our home because we underpaid our taxes by 22 cents. They need the money for their government give-away programs run by some humanitarian who prefers to steal other people's money rather than donate the money himself."
"Oh, it's that humanitarian who is trying to save the world, one person at a time."
Months later...."It is the IRS knocking without a warrant. They are threatening to seize our home because we underpaid our taxes by 22 cents. They need the money for their government give-away programs run by some humanitarian who prefers to steal other people's money rather than donate the money himself."
by Tex in Tex January 27, 2008
Get the humanitarian mug.Taken to the extreme, an irrational fear of strangers or more broadly, a fear of those who are different. Taken in a more moderate way, a rational fear of those who are different in some significant way, such as race, ethnicity, culture, politics, religion. Since people live together in families and communities where blood ties and cultural similarities foster cooperation, those who are different undermine this social solidarity. The very presence of people who are different in appearance or belief or language make the majority of people in a community wary of those who do not share a common interest in preserving the dominant group.
This fear is justified since people naturally view those who look, believe, and act in a similar manner as extensions of themselves. Since people are naturally selfish, they will lend aid and befriend those whom they see as similar to themselves. Conversely, since people are naturally selfish and seek to dominate others to enhance their own power, they will naturally first seek to dominate those who are different. People who are different are more likely to be seen as objects rather than fellow humans.
When confronted with these threats to social cooperation based on viewing others as objects, it is rational to foster laws, social and economic policy, and attitudes that preserve one's own kind in power. To do otherwise is to hand power over to those who will destroy one's own way of life, culture, and political system.
Political power as well as cultural and social power are zero-sum games. When one group gains in the same geographical region, other groups must lose.
This fear is justified since people naturally view those who look, believe, and act in a similar manner as extensions of themselves. Since people are naturally selfish, they will lend aid and befriend those whom they see as similar to themselves. Conversely, since people are naturally selfish and seek to dominate others to enhance their own power, they will naturally first seek to dominate those who are different. People who are different are more likely to be seen as objects rather than fellow humans.
When confronted with these threats to social cooperation based on viewing others as objects, it is rational to foster laws, social and economic policy, and attitudes that preserve one's own kind in power. To do otherwise is to hand power over to those who will destroy one's own way of life, culture, and political system.
Political power as well as cultural and social power are zero-sum games. When one group gains in the same geographical region, other groups must lose.
Campus Leftist: "Oh, those conservatives really show their xenophobia in opposing open immigration. That shows what closed minds they have and how paranoid they are. Of course, we had to shout down a conservative speaker last night at the lecture series, and drive him off campus in order to promote diversity and pluralism. We would never be prejudiced as those conservatives are."
by Tex in Tex February 1, 2008
Get the xenophobia mug.A continuation of the Bohemian "tradition" originating in France around the turn of the 20th Century. These folks were anti-bourgeois, anti-Victorian, and anti-traditionalist. They were avant-garde artists who disdained what they considered ordinary but ended up in a futile cycle of radical change for the sake of change soon drifting into silliness and nihilism.
The Beat Generation and then the Hippie movement tried to pick up this stand of thought and way of life in the mid twentieth century. The existential hero who is cool and detached, not caring what anyone else thinks of him is also a mid century fashion that picked up on this theme.
The cool hipster assumes a persona of crass selfishness, irresponsibility, mindless rebellion, cynicism, ironic mocking of anything meaningful or noble, cold reserve, uncaring indifference toward others while paradoxically advocating a politics of compassion toward certain groups favored by leftists, a dull, dumb countenance, and most of all, being constantly out of sorts--a real sour puss. They usually take on a studied disheveled appearance to further the affection of not caring what others think of them. They also prefer to dress in black.
Of course, most of these folks are as phony as you can get. They look as though they are dead on the inside--enthusiasm or being earnest or being genuine are completely missing from their emotional repertoire. They shun kindness,loyalty, spirituality, or empathy as uncool.
The Beat Generation and then the Hippie movement tried to pick up this stand of thought and way of life in the mid twentieth century. The existential hero who is cool and detached, not caring what anyone else thinks of him is also a mid century fashion that picked up on this theme.
The cool hipster assumes a persona of crass selfishness, irresponsibility, mindless rebellion, cynicism, ironic mocking of anything meaningful or noble, cold reserve, uncaring indifference toward others while paradoxically advocating a politics of compassion toward certain groups favored by leftists, a dull, dumb countenance, and most of all, being constantly out of sorts--a real sour puss. They usually take on a studied disheveled appearance to further the affection of not caring what others think of them. They also prefer to dress in black.
Of course, most of these folks are as phony as you can get. They look as though they are dead on the inside--enthusiasm or being earnest or being genuine are completely missing from their emotional repertoire. They shun kindness,loyalty, spirituality, or empathy as uncool.
"Man, like, I dig myself and fuck you, man, like."--An example of a hipster sentence. Complete sentences, of sorts, are few and far between for these folks who are too cool to talk in coherent language.
by Tex in Tex February 2, 2008
Get the hipster mug.Katie Scarlett O'Hara is the main character in the novel and movie, *Gone with the Wind.* In the story, Scarlett is the oldest daughter of an Irish/Catholic immigrant and his French aristocratic wife in mid-nineteenth century Georgia. The family builds an opulent plantation they name Tara just south of Atlanta in Jonesboro. Scarlett loves her father and her home but is otherwise completely self-absorbed.
Before the Civil War, Scarlett is the coquettish belle of the ball attending soirees where she flirts with and torments young men who fall in love with her beauty and burning sexual energy. Scarlett is in love with melancholic Ashley who is love with Melanie. At one of these parties, Scarlett throws herself at Ashley as they are alone in a drawing room. Ashely rebuffs her advance and withdraws. Scarlett throws a vase against the wall in a rage only to find Rhett Butler lying on the couch who has overheard the previous exchange between Scarlett and Ashley. Rhett is immediately intrigued by Scarlett's beauty and energy as are most men. The audience, though, immediately recognizes that Rhett is the man for Scarlett. He is the only one who can tame and domesticate her, which is what she needs.
The story unfolds as the tension builds between the two properly matched couples, Ashley/Melanie and Rhett/Scarlett. Scarlett resists Rhett while being intrigued by him as she marries several other men along the way toward finally marrying Rhett. The entire time, she dreams of marrying Ashely who is married to Melanie. Finally, Scarlett wrecks her marriage with Rhett only realizing what the audience saw all along--that she was intended for Rhett, not Ashely.
Scarlett comes to her senses too late as Rhett walks out the door saying to Scarlett in reply to her question what will happen to her if he leaves her, "Frankly my dear, I don't give a damn." The final scene in the story finds Scarlett pulling herself together after crying over Rhett's leaving and her worrying over how to get Rhett back saying, "I can't let him go. I can't. There must be some way to bring him back. Oh I can't think about this now! I'll go crazy if I do! I'll think about it tomorrow. (She closes the door.) But I must think about it. I must think about it. What is there to do? (She falls forward onto the ascending stairs.) What is there that matters?...Tara!...Home. I'll go home, and I'll think of some way to get him back! After all, tomorrow is another day!"
Scarlett represents both the Old South belle and the New South businesswoman. In both settings that change so drastically in the story and in reality, Atlanta moves from a semi-feudalistic society of manners and morals to a raucous business climate in which everything goes. Scarlett uses her beauty, charm, and craftiness in both social climates to attain her ends. Scarlett gains most everything she thinks she wants through sheer willpower and moral compromise with the exception of Ashley only to realize too late that she has lost her integrity and what she really needs. The story unfolds as a mirror to Atlanta as it has sold itself out for money and acceptability. This is why Atlanta's Southern culture is tragically "Gone with the Wind."
Before the Civil War, Scarlett is the coquettish belle of the ball attending soirees where she flirts with and torments young men who fall in love with her beauty and burning sexual energy. Scarlett is in love with melancholic Ashley who is love with Melanie. At one of these parties, Scarlett throws herself at Ashley as they are alone in a drawing room. Ashely rebuffs her advance and withdraws. Scarlett throws a vase against the wall in a rage only to find Rhett Butler lying on the couch who has overheard the previous exchange between Scarlett and Ashley. Rhett is immediately intrigued by Scarlett's beauty and energy as are most men. The audience, though, immediately recognizes that Rhett is the man for Scarlett. He is the only one who can tame and domesticate her, which is what she needs.
The story unfolds as the tension builds between the two properly matched couples, Ashley/Melanie and Rhett/Scarlett. Scarlett resists Rhett while being intrigued by him as she marries several other men along the way toward finally marrying Rhett. The entire time, she dreams of marrying Ashely who is married to Melanie. Finally, Scarlett wrecks her marriage with Rhett only realizing what the audience saw all along--that she was intended for Rhett, not Ashely.
Scarlett comes to her senses too late as Rhett walks out the door saying to Scarlett in reply to her question what will happen to her if he leaves her, "Frankly my dear, I don't give a damn." The final scene in the story finds Scarlett pulling herself together after crying over Rhett's leaving and her worrying over how to get Rhett back saying, "I can't let him go. I can't. There must be some way to bring him back. Oh I can't think about this now! I'll go crazy if I do! I'll think about it tomorrow. (She closes the door.) But I must think about it. I must think about it. What is there to do? (She falls forward onto the ascending stairs.) What is there that matters?...Tara!...Home. I'll go home, and I'll think of some way to get him back! After all, tomorrow is another day!"
Scarlett represents both the Old South belle and the New South businesswoman. In both settings that change so drastically in the story and in reality, Atlanta moves from a semi-feudalistic society of manners and morals to a raucous business climate in which everything goes. Scarlett uses her beauty, charm, and craftiness in both social climates to attain her ends. Scarlett gains most everything she thinks she wants through sheer willpower and moral compromise with the exception of Ashley only to realize too late that she has lost her integrity and what she really needs. The story unfolds as a mirror to Atlanta as it has sold itself out for money and acceptability. This is why Atlanta's Southern culture is tragically "Gone with the Wind."
Scarlett O'Hara: "Where will I go, what will I do?"
Rhett Butler: "Frankly my dear, I don't give a damn."
Rhett Butler: "Frankly my dear, I don't give a damn."
by Tex in Tex February 15, 2008
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