Definitions by Lorelili
poet
A person who writes poetry. The archaic term for a female poet is "poetess", but due to some feminists concidering the term sexist, "poetess" isn't used much now.
Also known as a bard (straight from the Gaelic "bàrd"), or troubador(from Latin and French), and especially known as these things in the Midieval Era.
Also known as a bard (straight from the Gaelic "bàrd"), or troubador(from Latin and French), and especially known as these things in the Midieval Era.
poetry
A form of art that uses language. Poets use the beauty of a language and its words to create a feeling or convey a message to the reader, whether the wording is soft, sweet, sunny, and a lovely walk through a meadow... or clotted, ugly, grungy, and conjures up images of a slum. Just like artists use images and colors to create a mood or message, poets use words to do the same thing.
Poetry has been around for over 5,00 years and it's still young, vibrant, and growing. Poetry might even go further into the past, since most people memorized poetry and passed it on orally; 5,000-year-old poems from Mesopotamia could have already been old when they were written.
The practice of memorizing poetery and passing it on by word of mouth is pretty much gone.
Humans change, but maybe their nature doesn't change very much; practically everything that could be said through poetry has already been said, often many times, albeit in different ways. Poets must be original and avoid any cliché if they want to look competent.
Poetry has been around for over 5,00 years and it's still young, vibrant, and growing. Poetry might even go further into the past, since most people memorized poetry and passed it on orally; 5,000-year-old poems from Mesopotamia could have already been old when they were written.
The practice of memorizing poetery and passing it on by word of mouth is pretty much gone.
Humans change, but maybe their nature doesn't change very much; practically everything that could be said through poetry has already been said, often many times, albeit in different ways. Poets must be original and avoid any cliché if they want to look competent.
#1244
Chan eil fìor. Abair thugam (It’s not true. Say to me)
Nach eil fìor. Mas e ur toil e... (That it’s not true. If you please...)
O h-iochdaist! ‘N dualchas sin ann- (O goodness! That culture there-)
Mar a bhuin dhuinn o cheann fhada... (What belonged to us long ago...)
Sean dòighean mar a bh’againn... (Ancient ways that we had...)
Rudan gun robh, ‘s nach eil a-nis... (Things that were, and that are no more...)
Ar daoine, ar dualchas glan... (Our people, our pristine culture...)
Am faic sinn iad a-chaoidh a-rithist...? (Will we ever see them again...?)
Seallaibh! Na òg daoine seo... (Behold! These young ones...)
Nach faic sinn tannasgan idir... (That will not see us ghosts at all...)
Fhathast th’ann beagan gun tog (Yet there are some that will)
Ar dòighean suas. Th’iad òg, làidir... (Pick our old ways up. They are young, strong...)
Linnean o cheann, bha sinn ‘nar (Ages ago, we were a)
Clì gun do riaghal thar an tìr (Force that reigned over the land)
Far an dh’fhan sinne... ‘s an nuair (Where we lived... and then)
Sin nuair thàinig iad: an-iochd fìor... (They came: true cruelty...)
Ciamer a ‘s thèid do àite (How can a place)
Bi mar seo: cho mòr ‘s cho dòmhail...? (Be like this: so spacious and so crowded...?)
Tha ‘n guthan seo nas ciùine... (These voices are quieter...)
Dh’fhàs iad nas ciùine anns an dail (They became calmer in)
Seo. O cheann thàinig iadsan... (This meadow. Since they arrived...)
Chan urrainn dhomhsa chuimhneachadh (I cannot remember)
Na rudan gun rinn sinn an (The things that we did)
Uair sin. Ar n-aodach, ar taighean... (Then. Our clothing, our houses...)
Chan eil fìor. Abair thugam (It’s not true. Say to me)
Nach eil fìor. Mas e ur toil e... (That it’s not true. If you please...)
O h-iochdaist! ‘N dualchas sin ann- (O goodness! That culture there-)
Mar a bhuin dhuinn o cheann fhada... (What belonged to us long ago...)
Sean dòighean mar a bh’againn... (Ancient ways that we had...)
Rudan gun robh, ‘s nach eil a-nis... (Things that were, and that are no more...)
Ar daoine, ar dualchas glan... (Our people, our pristine culture...)
Am faic sinn iad a-chaoidh a-rithist...? (Will we ever see them again...?)
Seallaibh! Na òg daoine seo... (Behold! These young ones...)
Nach faic sinn tannasgan idir... (That will not see us ghosts at all...)
Fhathast th’ann beagan gun tog (Yet there are some that will)
Ar dòighean suas. Th’iad òg, làidir... (Pick our old ways up. They are young, strong...)
Linnean o cheann, bha sinn ‘nar (Ages ago, we were a)
Clì gun do riaghal thar an tìr (Force that reigned over the land)
Far an dh’fhan sinne... ‘s an nuair (Where we lived... and then)
Sin nuair thàinig iad: an-iochd fìor... (They came: true cruelty...)
Ciamer a ‘s thèid do àite (How can a place)
Bi mar seo: cho mòr ‘s cho dòmhail...? (Be like this: so spacious and so crowded...?)
Tha ‘n guthan seo nas ciùine... (These voices are quieter...)
Dh’fhàs iad nas ciùine anns an dail (They became calmer in)
Seo. O cheann thàinig iadsan... (This meadow. Since they arrived...)
Chan urrainn dhomhsa chuimhneachadh (I cannot remember)
Na rudan gun rinn sinn an (The things that we did)
Uair sin. Ar n-aodach, ar taighean... (Then. Our clothing, our houses...)
gaelic
Of or relating to the Gaels, or the ancient Celtic peoples of Ireland(Éireann), Scotland(Alba), and the Isle of Man(Ellan Vannin) in Britain.
It especially refers to their languages: Irish Gaelic(Gaeilge), the most prominent, and her sister languages; Manx Gaelic(Gaelg); and (Scottish) Gaelic(Gàidhlig). Their cousin languages from the Brythonic Celtic languages are Welsh(Cymrig), Cornish(Kernowek), and Breton(Breizh). All of them possess rolling r's, hard-only c's and g's, gutterals, and soft sounds also. All are poetic, musical, beautiful languages, often sounding very Tolkienesque.
The languages are now fragile after centuries of prejudice from the English. Still interest in them has risen in and around their homelands. There is lingering prejudice and doubt still around, but not quite as bad as it once was.
The Celts have been allowed to speak any language but their own. Why?
It especially refers to their languages: Irish Gaelic(Gaeilge), the most prominent, and her sister languages; Manx Gaelic(Gaelg); and (Scottish) Gaelic(Gàidhlig). Their cousin languages from the Brythonic Celtic languages are Welsh(Cymrig), Cornish(Kernowek), and Breton(Breizh). All of them possess rolling r's, hard-only c's and g's, gutterals, and soft sounds also. All are poetic, musical, beautiful languages, often sounding very Tolkienesque.
The languages are now fragile after centuries of prejudice from the English. Still interest in them has risen in and around their homelands. There is lingering prejudice and doubt still around, but not quite as bad as it once was.
The Celts have been allowed to speak any language but their own. Why?
"'S e dùthaich gun anam a th'ann dùthaich gun cànan"?
Gu fìor; tha h-uile rud an-seo airson adhbhar. Gun e/i, marbhaidh 'n iomadachd na t-saoghail seo bìdeag is bìdeag. 'S e cànan àlainn a th'anns a' Ghàidhlig... bu lugha orm e fhaicinn dhol.
Cho fad is bhitheadh na Ceiltich cànanan beò, agus tha ùidh againn orra, bidh ann ronn na dòchais dhaibh.
Ach th'ann mòran obair ri dhèanamh.
("A country without a language is a country without a soul"?
Truly; everything is here for a reason. Without it, the diversity of this world will die piece by piece. It is a lovely language that Gaelic is... I would hate to see it go.
As long as the Celtic languages are alive, and we are interested in them, there will be some hope for them.
But there's still much work to do.)
Gu fìor; tha h-uile rud an-seo airson adhbhar. Gun e/i, marbhaidh 'n iomadachd na t-saoghail seo bìdeag is bìdeag. 'S e cànan àlainn a th'anns a' Ghàidhlig... bu lugha orm e fhaicinn dhol.
Cho fad is bhitheadh na Ceiltich cànanan beò, agus tha ùidh againn orra, bidh ann ronn na dòchais dhaibh.
Ach th'ann mòran obair ri dhèanamh.
("A country without a language is a country without a soul"?
Truly; everything is here for a reason. Without it, the diversity of this world will die piece by piece. It is a lovely language that Gaelic is... I would hate to see it go.
As long as the Celtic languages are alive, and we are interested in them, there will be some hope for them.
But there's still much work to do.)
breast ripper
An old interrogation and torture device: basically a set of tongs with two pairs of big claws.
Red-hot or ice-cold, they tore to shreds the breasts of countless women who were convicted of heresy, adultery, self-induced abortion, erotic white magic, or some other crime.
Often, one breast of an unmarried mother would be subjected to this agony.
Red-hot or ice-cold, they tore to shreds the breasts of countless women who were convicted of heresy, adultery, self-induced abortion, erotic white magic, or some other crime.
Often, one breast of an unmarried mother would be subjected to this agony.
“'Are they ready?!' one of the women called over to the oven. 'Ready!' a burly, middle-aged man answered, wielding a pair of breast rippers! The torturers stood and watched with glee!
The red-hot pinchers jabbed deep into the flesh of the right breast of Britney Spears, searing her. She squawked like a parrot as the man suddenly yanked the tongs away! The implant fell away as the breast tore, the sac bursting on the stone floor!"
The red-hot pinchers jabbed deep into the flesh of the right breast of Britney Spears, searing her. She squawked like a parrot as the man suddenly yanked the tongs away! The implant fell away as the breast tore, the sac bursting on the stone floor!"
breast ripper by Lorelili March 25, 2005
torture
The ancient art or inflicting physical, mental, and/or emotional pain on somebody for information, as punishment, or just sheer sadistic pleasure.
Torture is not limited to humans; disturbed sickos will also torture innocent animals.
Torture is not limited to history; it's still around.
Torture is not limited to humans; disturbed sickos will also torture innocent animals.
Torture is not limited to history; it's still around.
Torture has been carried out in every way possible; you name it, it's been done:
-Rack
-Iron Maiden
-Dunking
-Breaking at the Wheel
-Brank
-Public Humiliation
-Pear of Anguish
-Breast Ripper
-Flogging
-Quartering
-Judas Cradle
-Pillory/Yoke
-Spiked cages
-Pendulum
-Burning at the Stake
-Water Torture
-Mutilation
-Head Crusher
-Tongue Tearer
-Gibbet
-Garrotte
-Interrogation Chair
-Spanish Donkey
-Spanish crusher
-Spanish Boot
-Spanish Tickler
-Knee-Splitter/Thumbscrew
And that's just a few.
-Rack
-Iron Maiden
-Dunking
-Breaking at the Wheel
-Brank
-Public Humiliation
-Pear of Anguish
-Breast Ripper
-Flogging
-Quartering
-Judas Cradle
-Pillory/Yoke
-Spiked cages
-Pendulum
-Burning at the Stake
-Water Torture
-Mutilation
-Head Crusher
-Tongue Tearer
-Gibbet
-Garrotte
-Interrogation Chair
-Spanish Donkey
-Spanish crusher
-Spanish Boot
-Spanish Tickler
-Knee-Splitter/Thumbscrew
And that's just a few.
Pear of Anguish
AKA. Oral, Rectal, and Vaginal Pear.
A torture device shaped like a pear; had four segments which opened and closed at the turn of a screw at the top, like a flower opening its petals.
This torture gadget was inserted into the mouths or heretics, blasphemers, disturbers of the peace...
Or into the rectums of people convicted of sodomy. Homosexual men were especially vulnerable to this...
Or into the vaginas of women convicted of adultery or "sexual realtionships with Satan".
Often, the ends of the pear's segments were fitted with sharp tines, designed to rip into the throat, intestines, or cervix.
What ever cavity that the pear entered would face a range of things, from a slight expansion of the pear's segments and discomfort for the victim, up to total expansion and unrepairable (and very painful) mutilation of the cavity.
A torture device shaped like a pear; had four segments which opened and closed at the turn of a screw at the top, like a flower opening its petals.
This torture gadget was inserted into the mouths or heretics, blasphemers, disturbers of the peace...
Or into the rectums of people convicted of sodomy. Homosexual men were especially vulnerable to this...
Or into the vaginas of women convicted of adultery or "sexual realtionships with Satan".
Often, the ends of the pear's segments were fitted with sharp tines, designed to rip into the throat, intestines, or cervix.
What ever cavity that the pear entered would face a range of things, from a slight expansion of the pear's segments and discomfort for the victim, up to total expansion and unrepairable (and very painful) mutilation of the cavity.
Pear of Anguish by Lorelili March 25, 2005