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Kompacetic

The name is a portmanteau of Kompa and Copacetic, often referred to as "Konpastik" in Haitian Creole or "Compastique" (French).

The word Hairian music Producers, Recording and Sound Engineees and use to let session artist know that "everything is in excellent order" during recording sessions or sound check.

The term "Kompacetic" was originally coined by Negre Marron Records' CEO and Label director RENÉ Guemps who often used the word to let his Artist know that things are on the up and up.
Don't worry Mar-Queen, because I assure you that the music is Kompacetic.
by Negre Marron Records March 9, 2019
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Kompa-itus

Kompa-itus, pronounced "cohm-PA-ih-tus." The word is a portmanteau of Kompa and Tinnitus.

They are those Haitian Kompa and Beat songs that are stuck in your head by playing themselves there over. And over. And over.

Someone infected with Kompa-itus may find themselves humming and whistling to the song and can end up dancing to tune that's playing inside their heads.

It usually happens after a heavy night of dancing partying or after hearing a Haitian DJ plays them over the air on Haitian Community radio, even streaming them on Youtube, Spotify and Souncloud can do it to you.

The term "Kompa-Itus" was originally coined by RENÉ Guemps in 2019.
Yo Theodore!
"I think I got a bad case of Kompa-itus, do you know how to get them out?"

"Ah man, I heard that the only cure for that is to go back and listen to all the songs you keep hearing in your head all over again or else they'll never leave"
by Negre Marron Records January 23, 2019
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Related Words
Koomp koomper koompo Kooper113 koom Koop koopa troopa Kooper klomp KOMPRESSOR

Klomp

To hit someone or something with your penis.
I’m going to klomp you so hard tonight.
by Absolute weapon April 19, 2019
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KomPact music

The name is a portmanteau of Kompa and Compact, a sub-genre of Compas direct (French) (Haitian Creole: "konpa"), or kompa, the four-on-the-floor, upbeat genre that was invented in the 1950s, by Nemours Jean-Baptiste.

For short, KomPak is a modern style of Haitian dance music originating from the Haitian Diaspora.
The term was coined in 2018 by René Guemps, the Founding member of NYC-based independent label Negre Marron Records

Key stylistic element:

Vocals include a blend of SingRapping, Kompa. Modern

are sung in Haitian French-Creole, Crenglish, and Franglish, usually Feature a Lead a guest artist or Backing Vocalist or a Rapper who 'd contribute a guest verse.

Unlike traditional Compas Dirèk which uses dozen-piece ensembles with large horn sections

include (Trompet, Trombone, alto/tenor saxes)

and the two congueros or "tanbou", one of the most distinctive characteristics of compas music
Which is also a trait common to many styles of Caribbean music and other percussion (gong, cowbell, guiro).

Now a days the physical typical musical instruments are rarely used and are replaced to smaller outfits featuring the use of electronic music technology, such as synthedisers, samplers, electronic percussion, backing track, Sequencers, Drum Machine, Loops, Sound effects, EWI (Electronic Wind Instrument, Keytar, Keybass, MIDI, Drum machines, Melody, Personal computers and Digital Audio Workstations (DAW)..
I heard KomPact Music is so melodic that it can be used as social music or engaged music .
by Negre Marron Records June 2, 2019
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KompAfro-Zouk

A fusion of Haitian Kompa, French Carribean Zouk and Central African popular Music which is sung in Haitian- Creole & French Caribbean lyrics.

The name is a portmanteau of the Haitian Kompa , AftoBeat at and Zouk music originating from French-Creole and Crenglish speaking countries of the Caribbean, the Antilles such as Haiti, Martinique, Dominica, Guadeloupe as well as Canada, France and some cities in North and South America (especially New York City and Miami) It is also found in Western & Central Africa ,such as Cameroon, Nigeria, Senegal, Democratic Republic of the Congo, Côte d'Ivoire , Cape Verde.

KompAfro-Soul is played in nightclubs from mainly the French-Creole speaking countries of the Caribbean.

Typical instruments are:
Bass guitar, Drum set, Vocals, Chorus vocals, Keytar, Keybass, Rhythm electric guitar(s), Lead guitar, Saxophone(s), Trumpet(s), Trombone(s), E-Synthesizer/keyboards, Rhythm conga #1, Rhythm conga #2, Solo (lead) Conga Akuba, Yoruba congas, Ostinatos. Hooks, Harmonic melodies, Gbedu,

Sticks/claves, Shekere and backing tracks with chanted vocals, complex intersecting rhythms, syncopated groove percussions as well as MIDI technology,

A notable label of this kind of KomPAfro-Zouk Music is Negre Marron Records which was founded in New York City 2018 by René Guemps
Have you heard? Negre Marron Records' teaming up with Evy Keys to collaborate on their first KompAfro-Zouk records.
by Negre Marron Records October 9, 2019
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KomPalindrome

KomPalindrome, the name is a portmanteau of Haitian Kompa, Palindrome a unique compositional technique originating from French-Creole, speaking countries of the Caribbean.

It's when artist Rap-Sing a Haitian Kompa or Rap song forward, that has a complely differeent meaning when it sang Backward.

The whole idea is to chant-rap-Sing something forward and backward and have it means 2 different things both ways.

Key stylistic element:
Vocals, Sing-Rapping, speach, spoken word, Beats, MIDI System Drum set, Chant-Rap, Drum Machine, 808, Synthesisers, EWI, DAW, Electric Bass/Guitar, Keytar, Keybass, Guest artist or Backing Vocalist or a Rapper who 'd contribute a guest verse.

Other elements:
Retrograde, non-retrogade, Crab Canon, Crancizans, Sprechstimme and backmasking which is the technique artist used to censor musical/lyrical clips, words or phrases for "clean" releases of explicit songs.

A notable label of this kind of KomPalindrome music is Negre Marron Records which was founded in New York City 2018 by René Guemps
Most Kompalindrome music are loaded with subliminal messages.
by Negre Marron Records October 14, 2019
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KompRap

KompRap, the name is a portmanteau of Kompa and Rap, a sub-genre of Kompa & Beat, commonly abbreviated as K&B, originating from the Haitian diaspora, which combines elements of old school Haitian Kompa with Creole Rap or Hip-Hop music.

Key stylistic element:
Vocals include a blend of singing, Rapping, Chant-Rapping, often in Crenglish or Franglish, and usually Feature a Lead artist, Backing Vocalist and a guest artist who 'd contribute a guest verse.

Common variants include the verse-Instrumental-verse form and the thirty-two-bar form, with a focus on
feature puns, play on words and suggestive phonetic combinations, but the lyrics often contain long series of lines each of which rhyme with each other.

Typical instruments are:
Modern synthesizer, Drum machine, Robotic voice, Key tar, KeyBass, EWI, Talkbox, Microphone, Saxophone, Electronic Drums, MIDI, Trumpet, Backing Track, Tombone, Backing track, DAW, Sampler, Loops, Drums kits, Electric Guitar, Bass guitar, DJ Set, Effects, Vocoder.

Other elements include:
Melodies, catchy hooks, Call and Response, Ostinatos, and a chorus that contrasts melodically, rhythmically and harmonically with the verse.

What makes KompRap interesting is that it alternates between a sung verse and an instrumental section.

All KompRap tracks always ends with an instrumental break.

A notable label of this kind of KompRap is Negre Marron Records which was founded in New York City 2018 by René Guemps.
Have you heard Kri-T-Kal's KompRap Single yet?" "Yeah Bro, I love that style of Music.
by Negre Marron Records November 24, 2019
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