An aesthetic (cyclical) theory of history in which colors and lines alternate in emphasis depending on a medium's stage in material history.
Begins with lines of colors on white surfaces (paintings) in the Romantic era to lines of single colors on black surfaces (neon) in the modern (industrial) era, to black lines created by contrapositive primary colors (pop realism) in the postmodern era to white lines on pastel colors (New Wave) in late postmodernism to white lines created by recursive (self-referencing) colors in hypermodernism.
Begins with lines of colors on white surfaces (paintings) in the Romantic era to lines of single colors on black surfaces (neon) in the modern (industrial) era, to black lines created by contrapositive primary colors (pop realism) in the postmodern era to white lines on pastel colors (New Wave) in late postmodernism to white lines created by recursive (self-referencing) colors in hypermodernism.
Color-line duality is an aesthetic phenomenon that presages the ascendance of aesthetic divergence over historical materialism as a theory of linear time.
by sandraxine September 04, 2018
by sandraxine May 30, 2017
The self-actualization of the aesthetic (emergent) momentum from the deductive (effective) momentum of language.
This contraposition manifests itself through the contra-referentialization (deconstruction) of representational media most notably the mass media characteristic of postmodernism.
The contra-momentization of postmodern media effects a new intersubjective (subconsciously aware) sense of irony called Hypermodernism.
Skeuomorphism is the dominant medium in this technological era.
This contraposition manifests itself through the contra-referentialization (deconstruction) of representational media most notably the mass media characteristic of postmodernism.
The contra-momentization of postmodern media effects a new intersubjective (subconsciously aware) sense of irony called Hypermodernism.
Skeuomorphism is the dominant medium in this technological era.
Hyperkampf describes a world in which the functional momentum of representation has become completely dualized against the aesthetic momentum of structure (emergence). This is indicated by a hyperreal skeuomorphic experience in which function or representation is an attribute of aesthetic; in contrast to the vice versa phenomenon.
by sandraxine July 08, 2018
An intersubjective form of identitarianism asserting that the materialistic contrasts between cultures are not biological but rather are linguistic.
Interracism divides cultures into a linguistic duality of high-context (dramatic) and low-context (stoic) attributes pursuant to the metas delineated by anthropologist Edward H. Hall.
Also called "metaracism" in conflationary terms.
Interracism divides cultures into a linguistic duality of high-context (dramatic) and low-context (stoic) attributes pursuant to the metas delineated by anthropologist Edward H. Hall.
Also called "metaracism" in conflationary terms.
Interracism argues that tangibly distinct cultures are separated by linguistic interpretation in contrast to IQ scores.
by sandraxine June 18, 2018
by sandraxine July 21, 2018
The outer limit of postmodernism. Idealism viewed ironically. Does not cover ironic nihilism which is a form of ironic idealism but falls OUTSIDE of the limits of postmodernism. Consistent with postmodernism's idyllic denialism or its perception of idealism as unreachable or unattainable except through irony.
by sandraxine July 15, 2017
Anarcho-traditionalism; eco-fascism; autarky
by sandraxine August 03, 2017