Slang for porno stories printed in softcore skin magazines, generally designed to provoke and encourage masturbation. (Such magazines, that combine the stories with nude pictorial spreads and other features, are often called "stroke books").
by al-in-chgo February 21, 2010
Get the friction fiction mug.1. The penis itself.
2. Specifically, an erect penis.
3. A representation of a phallus, often exaggerated, in art or myth.
4. A non-literal representation of phallic shape, intent or function.
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2. Specifically, an erect penis.
3. A representation of a phallus, often exaggerated, in art or myth.
4. A non-literal representation of phallic shape, intent or function.
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1. It's a little pompous to refer to one's penis as a phallus, but it is lexically correct.
2. A penis is for urination; when it becomes erect it is a phallus, serving sexual or reproductive purposes.
3. Two representations of phallus:
a. For example, a primitive sculpture that shows a grotesquely large penis is using the organ as a phallus to indicate fertility, or to represent masculine potency in general.
b. Similarly, the exaggerated genitalia in the work of gay artists such as Tom of Finland emphasize the erotic quality of the phallus, sometimes called hyper-masculinity.
4. A penis, phallus or idea of potency symbolized in an object. The most commonly used term, derived from Freudian psychoanalysis, is called a phallic symbol. One example of this is the very last shot of Hitchcock's 1959 thriller NORTH BY NORTHWEST, which wittily shows a passenger train plunging into a tunnel. Because of the prior plot, the audience knows very well that a train has erotic potential, so the last shot indicates sexual intercourse.
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2. A penis is for urination; when it becomes erect it is a phallus, serving sexual or reproductive purposes.
3. Two representations of phallus:
a. For example, a primitive sculpture that shows a grotesquely large penis is using the organ as a phallus to indicate fertility, or to represent masculine potency in general.
b. Similarly, the exaggerated genitalia in the work of gay artists such as Tom of Finland emphasize the erotic quality of the phallus, sometimes called hyper-masculinity.
4. A penis, phallus or idea of potency symbolized in an object. The most commonly used term, derived from Freudian psychoanalysis, is called a phallic symbol. One example of this is the very last shot of Hitchcock's 1959 thriller NORTH BY NORTHWEST, which wittily shows a passenger train plunging into a tunnel. Because of the prior plot, the audience knows very well that a train has erotic potential, so the last shot indicates sexual intercourse.
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by al-in-chgo March 14, 2010
Get the phallus mug.Short for "tattoo sleeve": A tattoo that covers all or most of a person's forearm, as though it were the sleeve of a shirt.
by al-in-chgo August 13, 2012
Get the tat sleeve mug.The tendency of some American male Olympic hopefuls competing for medals in individual figure-skating to wear campy costumes (even more sequined than the Asian skaters'), or tight, self-designed get-ups in the most fashionable colors, usually showing a broader bodice with no chest hair, but more boob than the more run-of-the-mill glitzy skater's costume.
This tendency is sometimes accompanied by demands of the sort observed at the 2010 Winter Olympics in Vancouver, Canada, if not earlier, for special favors such as switching rooms in the athletes' dorm to bunk with a special friend. On the ice, when they perform well, they look fabulous and the viewer can feel the narcissism coming through the television; when they perform poorly, they look fabulous despite the gaffes and the viewer can nonetheless feel the nacissism coming through the television, often simultaneous with oblique on-air comment by the network's sports journalist referencing their "controversial" pre-rink behavior.
This tendency is sometimes accompanied by demands of the sort observed at the 2010 Winter Olympics in Vancouver, Canada, if not earlier, for special favors such as switching rooms in the athletes' dorm to bunk with a special friend. On the ice, when they perform well, they look fabulous and the viewer can feel the narcissism coming through the television; when they perform poorly, they look fabulous despite the gaffes and the viewer can nonetheless feel the nacissism coming through the television, often simultaneous with oblique on-air comment by the network's sports journalist referencing their "controversial" pre-rink behavior.
"Jeremy, I can't believe what I just saw! That American kid made such a poor showing. He fell on his ass and didn't even make the top fifteen. But he strutted off the ice, mugging for the cameras, and looking like he was about to burst the leather straps holding his vest together out of sheer pride or sheer gall."
"Chad," there just ain't no gay like USA Olympic Gay."
"Chad," there just ain't no gay like USA Olympic Gay."
by al-in-chgo February 19, 2010
Get the Olympic Gay mug.The prostate gland, said to be the male equivalent of a woman's g-spot. Capable of producing great physical pleasure with massage or pressure; not too surprising since the prostate gland produces about two-thirds of the "juice" in semen.
It is possible (perhaps more often practiced in parts of India) for the prostate gland to be "milked" resulting in ejaculation without orgasm.
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It is possible (perhaps more often practiced in parts of India) for the prostate gland to be "milked" resulting in ejaculation without orgasm.
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"So the doctor gave me this digi-rectal exam and when his finger was all the way in, it started to feel really good. Does this make me gay?"
"No, man, it means he hit your male g-spot, the prostate. Every guy's got one."
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"No, man, it means he hit your male g-spot, the prostate. Every guy's got one."
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by al-in-chgo March 07, 2010
Get the male g-spot mug.Judgment City is that part of town where all the buildings are of medium height, usually located near expressways, and built between the early Sixties and the mid-Eighties. Its style is some variation on International Style as exemplified by the almost inevitable flat roofs with HVAC equipment forming a "sore thumb" addendum to the roof lines. Judgment City gets its name from the sterile corporate complex that is the setting for most of the plot of Albert Brooks' satiric comedy DEFENDING YOUR LIFE.
Beige is the predominant theme of Judgment City -- beige for the cast-concrete slabs that form some buildings, most bridges, and practically all covered parking structures attached to those buildings that no longer are surrounded by enormous asphalt parking lots. Beige also shows up in more overtly pseudo-sophisticated building techniques like pebbled walls (usually more concrete but with a deliberate random design), or the vertical walls with pretend fluting that are made of a whiter shade of concrete.
Judgment City areas generally push retail and housing to its edges because in these neo-downtowns, rents are too expensive to support low-rise concerns.
If, however, you come across a newer area that is not flat-roofed and beige, but equally corporate with such building features as monopitch or steepled roofs, ziggurat-edged walls and exposed structural elements like gray PPG plate glass or red girders, you've gone beyond Modern into Post-Modern: Legoland. (See "Legoland".)
Beige is the predominant theme of Judgment City -- beige for the cast-concrete slabs that form some buildings, most bridges, and practically all covered parking structures attached to those buildings that no longer are surrounded by enormous asphalt parking lots. Beige also shows up in more overtly pseudo-sophisticated building techniques like pebbled walls (usually more concrete but with a deliberate random design), or the vertical walls with pretend fluting that are made of a whiter shade of concrete.
Judgment City areas generally push retail and housing to its edges because in these neo-downtowns, rents are too expensive to support low-rise concerns.
If, however, you come across a newer area that is not flat-roofed and beige, but equally corporate with such building features as monopitch or steepled roofs, ziggurat-edged walls and exposed structural elements like gray PPG plate glass or red girders, you've gone beyond Modern into Post-Modern: Legoland. (See "Legoland".)
-- Recall that in Albert Brooks' movie DEFENDING YOUR LIFE, the newer retail outlets in Judgment City, like nail salons or frozen-yogurt shops, were going up on the edge of town.
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by al-in-chgo June 19, 2011
Get the Judgment City mug.(Sometimes called TV Parking.) Not parking for the movies, but the kind of ridiculously easy parking a character in a movie gets when s/he pulls right up to his/her destination, zeroing in on a miraculously wide-open parking spot in what otherwise is an impossibly tight urban area.
During the 1950s and 1960s, in movies and on television, Doris Day got such a rep for manifesting that lucky talent that a spin-off term was coined; see "Doris Day Parking." Generally Ms. Day's roles had her piloting sensible domestic sedans and station wagons, a visual metaphor for her competence, efficiency, self-reliance and ability to live without a man. By way of contrast, the neurotic characters Tony Randall portrayed often struggled with temperamental British roadsters, and Rock Hudson played dissolute types who poured themselves into a taxi -- hungover, drunk, in a hurry, or all three.
Times did change -- a little. On "The Doris Day Show," CBS-TV's' late 1960s career-girl sitcom and vehicle (no pun intended) for Ms. Day, her character drove a 1969 Dodge Charger. A red convertible Charger, on a legal secretary's salary. Modernity notwithstanding, Doris never seemed to have much trouble finding instant parking. In San Francisco. Business-district and high-rise parts of San Francisco. In all fairness, though, the opening credits included a very brief shot of her on the California Avenue cable car.
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During the 1950s and 1960s, in movies and on television, Doris Day got such a rep for manifesting that lucky talent that a spin-off term was coined; see "Doris Day Parking." Generally Ms. Day's roles had her piloting sensible domestic sedans and station wagons, a visual metaphor for her competence, efficiency, self-reliance and ability to live without a man. By way of contrast, the neurotic characters Tony Randall portrayed often struggled with temperamental British roadsters, and Rock Hudson played dissolute types who poured themselves into a taxi -- hungover, drunk, in a hurry, or all three.
Times did change -- a little. On "The Doris Day Show," CBS-TV's' late 1960s career-girl sitcom and vehicle (no pun intended) for Ms. Day, her character drove a 1969 Dodge Charger. A red convertible Charger, on a legal secretary's salary. Modernity notwithstanding, Doris never seemed to have much trouble finding instant parking. In San Francisco. Business-district and high-rise parts of San Francisco. In all fairness, though, the opening credits included a very brief shot of her on the California Avenue cable car.
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In 1985 writer-director-male lead Albert Brooks, playing opposite Julie Hagerty in the film comedy LOST IN AMERICA, saw a movie convention ripe for satire. The lead couple, having had all kinds of bad luck in the Heartland, moves to New York City to find new careers. As the soundtrack blares Frank Sinatra's "New York, New York," their car, shown in exteme high shot, dives (no backing) right into a perfectly sized parking space dead center in front of a white high-rise office building in Midtown Manhattan. This knowing send-up of, and homage to the Movie Parking convention (which fit the plot perfectly) never fails to draw howls from the audience.
"Man, we were so lucky. TV parking in front of the building; the FedEx van had just pulled away."
"You want to see Movie Parking at its finest? Alfred Hitchcock's VERTIGO from 1957. Jimmy Stewart, Kim Novak, Barbara bel Geddes, all drove right up to Jimmy's apartment building, and it seemed to be the same spot perpetually open and waiting for them. Diagonal parking stalls, no less, or as you Midwesterners like to call it, angle parking."
In 1985 writer-director-male lead Albert Brooks, playing opposite Julie Hagerty in the film comedy LOST IN AMERICA, saw a movie convention ripe for satire. The lead couple, having had all kinds of bad luck in the Heartland, moves to New York City to find new careers. As the soundtrack blares Frank Sinatra's "New York, New York," their car, shown in exteme high shot, dives (no backing) right into a perfectly sized parking space dead center in front of a white high-rise office building in Midtown Manhattan. This knowing send-up of, and homage to the Movie Parking convention (which fit the plot perfectly) never fails to draw howls from the audience.
"Man, we were so lucky. TV parking in front of the building; the FedEx van had just pulled away."
"You want to see Movie Parking at its finest? Alfred Hitchcock's VERTIGO from 1957. Jimmy Stewart, Kim Novak, Barbara bel Geddes, all drove right up to Jimmy's apartment building, and it seemed to be the same spot perpetually open and waiting for them. Diagonal parking stalls, no less, or as you Midwesterners like to call it, angle parking."
by al-in-chgo February 25, 2010
Get the Movie Parking mug.