h'orsh'it

Some feminists trying to find a word to replace the sexist words "he" and "she" have put together "he or she, it" and condensed it into this little word: "h'orsh'it". This is likely not what they had in mind.
-"Who was at the parking lot that night?"
-"I don't know. H'orsh'it was obscured by the shadow."
by Lorelili January 07, 2006
Get the h'orsh'it mug.

Scotland

Gaelic name: Alba.

The northernmost country of the United Kingdom. Reknowned for tartans/kilts(which men look stunning in!), the lovely Highlands, many languages (Gàidhlig, Scots),
and much grief from the English.

Americans are known to settle there because of less expensive homes. The country is already very mixed up with people; native Scots could eventually be overwhelmed.
"Latha Math!" (Good day!)
"I'm sorry?"
"Nach eil Gàidhlig agaibh?" (You don't speak Gaelic?)
"I'm afraid that I don't understand you, ma'am... I thought you people spoke English."
"We do speak English... and Gaelic was our original language before the bloody English came in!"
by Lorelili March 04, 2005
Get the Scotland mug.

scotland

Gaelic name: Alba.

The northernmost country of the United Kingdom. Reknowned for tartans/kilts(which men look stunning in!), lovely scenery(fields, mountains, etc.), many languages (Gàidhlig, Scots),
and much grief from the English.

Americans are known to settle there because of less expensive homes.
"Latha Math!" (Good day!)
"I'm sorry?"
"Nach eil Gàidhlig agaibh?" (You don't speak Gaelic?)
"I'm afraid that I don't understand you, ma'am... I thought you people spoke English."
"We do speak English... and Gaelic was our original language before the bloody English came in!"
by Lorelili March 04, 2005
Get the scotland mug.

dramatic voice

In opera and classical music, all six voice categories (soprano, mezzo-soprano, contralto, tenor, baritone, bass) have at least two subtypes with them, "lyric" and "dramatic" voices, which describe "vocal weight"; where a "lyric voice" is light, brighter, smoother, agile, and sweet, a "dramatic voice" is heavy, powerful, darker, richer, and often metallic in quality.

A dramatic voice is just that: powerful, substantial, edgy, vigorous, and heavy with emotion. The weight of the voice affects agility, but it allows them to sing over a full orchestra with little trouble. These are the singers who are imagined blasting the walls from buildings with the sheer power of their voices.
Since pop singers generally don't use the breath support and projection that opera singers are trained to use, few voices in pop music can be described as a "lyric voice" or "dramatic voice".

The closest approximations of dramatic voices in popular music (since popular music training follows a very different set of rules) could include:

Dramatic sopranos: Patti LaBelle, Monica Naranjo, Cissy Houston, Kyla la Grange, Lorraine Ellison, Kate Bush, Jill Scott, Floor Jansen, Mina, Sohyang, and Martha Wash.

Dramatic Mezzo-sopranos: Anastacia, Patti LuPone, Carol Burnett, Dusty Springfield, Ruthie Henshall, Ethel Merman, Allison Crowe, Janis Joplin, Sinéad O'Connor, Joss Stone, and Aretha Franklin.

Dramatic Contraltos: Lisa Gerrard, Tina Turner, Ana Carolina, Florence Welch, and Ruth Pointer

Dramatic Tenors: Alejandro Fernandez, Vicente Fernandez, Luis Miguel, Clay Aiken, Michael Ball, John Owen-Jones, Thomas Vikström, Erik Santos, and Alessandro Safina

Dramatic Baritones: Rick Astley, Philip Quast, George Hearn, Michael Cervaris, Josh Groban, Tom Jones, David Lee Roth, and Al Green

Dramatic Basses: Isaac Hayes, William Warfield, Thurl Ravenscroft, and Paul Robeson
by Lorelili May 23, 2013
Get the dramatic voice mug.

nymph

In Greek and Roman mythology, a nymph is a nature spirit in the guise of an attractive maiden. Inhabiting forests, fields, caves, mountains, lakes, the sea, nymphs often suffered the attentions of men, notably those of the gods; the free-spirited Daphne turned herself into a laurel tree to avoid Apollo's amorous advances.

Today, "nymph(ette)" refers to a sultry but too-young girl or to a nymphomaniac, a woman who has an insatiable sexual appetite (i.e., a woman who has the sexual drive of a man).
The nymph Calypso, selfishly thinking of her own desires, kept the miserable, long-suffering Odysseus on her island as a prisoner, hoping to win his love, ignoring that he wanted to return to his family.
by Lorelili November 10, 2006
Get the nymph mug.

son of a bitch

A term for somebody (usually a male) that you hate with a passion. An asshole.
Son of a bitch in different languages:

Gaelic: Mac ghalla
Welsh: Ap ast
Spanish: Hijo de una puta
Portuguese: Filho de una puta
Italian: Figlio di una puta
French: Fils de une putain
Dutch: Zoon van een kutwijf
German: Sohn eines Schlampe
by Lorelili January 08, 2006
Get the son of a bitch mug.

Bass

In singing, the bass (or basso) is the low male voice and the lowest of all six voice types. A bass is typically classified by a vocal range extending two octaves from around the second E below middle C to the E above middle C (E2–E4). The tessitura, or comfortable range, is normally defined by the outermost lines of the bass clef.

The deep, booming sound of the bass seems to come from dark caverns and the bass is usually called to perform the roles of kings, priests, fathers/grandfathers, gods, and Satan.

Some pop singers are basses, although the vocal subcategories used in opera are not applied to them. Examples include Barry White, Isaac Hayes, Thurl Ravenscroft, William Warfield, Harold Reid, Vladamir Miller, Burman Porter, Gary Miller, Wes McKinzie, Tim Duncan, Robert C Guy, Duane Adams, Gary Evans, Richard Sterban, Eric Bennett, George Younce, Christian Davis, Mike Holcomb, Jeff Pearles, Tim Storms, JD Sumner, and Steve Cross.
In popular music, there is not much attention paid to the bass. In classical music, basses are prized.

Based on vocal weight and voice type, basses can be further divided into the following subcategories:

Basso cantante: a light, lyrical voice suited to smooth, sweet singing. Usually in Italian and French opera; the closest German and English equivalent is the bass-baritone.

Basso-buffo: "buffoon bass", comes in both lyric and dramatic weight, but generally this deep, flexible voice is usually used for comical roles.

Basso-profondo: "deep bass", comes in lyric an dramatic weight, and is the lowest, darkest bass. Usually reserved for serious, elegant roles. Examples include Feodor Chaliapin, Maxim Mikhailov, Martti Talvela, Matti Salminen, Kurt Moll, an Kurt Rydl.
by Lorelili June 21, 2013
Get the Bass mug.