Definitions by Dancing with Fire
Gatka
Gatka is the martial art of the Sikhs, and is tied in with the religion Sikhism. It's a weapons-based martial art, which was imparted to the Sikhs in the time of Guru Hargobind Ji (the sixth Guru of the Sikhs) by the Rajputs (Hindu warriors of northern India) in the 16th century, in gratitude for their release from imprisonment by the fledgling Sikh army of that time. The Sikhs at that time opposed the Mughal Empire, which violently oppressed both Sikhs and Hindus in the name of Islam. The Tenth Master of the Sikhs, Guru Gobind Singh Ji, was an extremely proficient martial artist.
He continued to encourage the Sikhs to train seriously in the martial arts, and in 1699 founded the Khalsa, a special Order, to which all Sikhs would thereafter aspire to joining. The Khalsa was subject to strict military and personal discipline, and were enjoined to, inter alia, always carry 5 items with them: the Kanga (a small wooden comb), Kachhehra (long drawers instead of a loincloth), Kara (a steel bracer worn on the right wrist), Kesh (uncut hair) and Kirpan (curved sword). The Khalsa was enjoined to train to fight, and to vigorously resist the oppression of any religious community, including Sikhs and Hindus. The wearing of the kirpan represented the martial character of the Khalsa, and all Sikhs, men, women and children, were encouraged to resist their Mughal oppressors, and to train diligently in gatka. Gatka was used succesfully by the Sikhs throughout the 16th and 17th centuries, in numerous battles against the Mughal forces. Eventually, the Sikhs succeeded in deposing the Mughal overlords, and in creating a new, tolerant rulership in the Punjab (the "Land of Five Rivers", a region in modern-day India and Pakistan). Gatka is, and has always been, taught as a spiritual exercise in Sikhism. Sikhism requires its followers to become absorbed in honouring the Name of God, and this is taught through the ecstatic exercise of gatka. Sikhism and gatka are inextricably intertwined, in many ways.
Gatka by Dancing with Fire June 8, 2011
Silat
Silat, sometimes also called Pencak silat, panchak, or montjak, generally refers to Martial Arts styles that originate from the Malay. These people can be found spread throughout Southeastern Asia, more specifically around Indonesia, Malaysia, Singapore, Thailand, Brunei, and the Philippines. Silat isn't just one style but is used to describe anywhere on up to a hundred different styles, or what they call alirans, and schools. As with many Martial Arts styles, learning silat is not just about fighting. While learning Silat, one learns the mental or spiritual aspects of life, self-defense, the fighting techniques, and the culture of the people the art originated from. For more traditional schools, this includes having a uniform that is based off the Malaysia culture, rather than the Japanese or Chinese one that most people see in Martial Arts. In addition, the schools will have their own "dance," which is composed of movements from their particular style. It is a way to distinguish one style of silat from another.
Silat has a strong influence of learning from the environment. Many of the movements will reflect animals that you will find in nature moreso than some of the other Martial Arts. One of the most important animals to them was the tiger, being seen by the culture as a symbol of importance. Thus, one will find the movements in Silat to be explosive and aggressive bursts of attacks. In ancient times, Silat was as much a part of their lives as any other form of education and prepared young men for adulthood. Because of this, there is a strong emphasis in this art on self-defense. This emphasis is what has made Silat spread through Europe and now the United States. When watching a Silat practioner, one will notice that the artist starts at a much lower stance than most other Martial Arts. In many forms, the practioner will actually go down on one or both knees to gain the advantage. Each step will not only move the fighter but also turn the angle of their body, thus constantly changing and protecting different zones from their attacker. Silat's growing popularity has brought forward several forms within the Western world based on this system. The more known and unique examples of these emphasis the use of small knives, which is one of many weapons seen in a silat arsenal.
Silat by Dancing with Fire June 8, 2011
Sweet Talk
All women deserve a bit of sweet talk. 'Sweet Talk' is Real Talk for the ladies...Genuine words from that 'one guy'. To be clear, 'Sweet Talk' is not at all meant to be 'game'...'Game' is for the young boys who only play girls and have no sense of real love and loyalty.
Sweet Talk by Dancing with Fire June 2, 2011
Battojutsu
Battojutsu is a sword-based Japanese martial art. Generally, schools which style themselves "battojutsu ryu" emphasize the perfection of Tameshigiri cutting technique, as opposed to iaido ryu which tend to focus on drawing/sheathing, or kenjutsu ryu which stress dueling ability. "Battojutsu" or "iaijutsu" can also refer to the concept of drawing and striking in a single motion. Batto/iaijutsu techniques often involve drawing the saya (scabbard) back and the sword forward, allowing the wielder to begin and complete the cut faster than would otherwise be possible, generally half to three quarters of a second. Historically, battojutsu was developed around the mid-15th century, around the advent of the uchigatana (a type of Japanese sword). The saki-zori curvature (more curved near the tip, as opposed to koshi-zori, curved near the hilt) of uchigatana aided greatly in iaijutsu because it allowed the strike to begin before the blade had completely left the sheath.
The term battojutsu was used during the Warring States Period, while the term iaijutsu was developed slightly later in the period as evidenced by its more philosophical name. Since martial styles generally did not have intercourse because they were enemies (among other reasons, including geographic isolation), what one style (ryu) might call iaijutsu is what another style with similar movements would call battojutsu. The term iaido was not used until the end of the beginning of the 20th century, when it was first coined by Nakayama Hakudo, and therefore should not be confused with battojutsu. Battodo is another similar word and simply means the "way" of drawing the sword, while Battojutsu the "art" of drawing the sword.
Battojutsu by Dancing with Fire May 13, 2011
Iaido
Iaido is the art of reacting to a surprise attack by counter attacking with a sword. An in-depth reading of the Japanese characters for iaido is: I = being, AI = harmony, DO = way. "The way of harmonizing oneself in action." The Iaidoka (a practitioner of iaido) wields a sword: not to control the opponent, but to control himself. Iaido is mostly performed solo as a series of Waza. The Iaidoka executes various techniques against single or multiple imaginary opponents. Each Waza begins and ends with the sword sheathed. In addition to sword technique, practitioners require imagination and concentration in order to maintain the feeling of a real fight and to keep the Kata fresh. In order to properly perform the waza, Iaidoka also learn posture and movement, grip, and swing. Iaido is never practiced in a free-sparring manner.
Iaidoka practice to prepare for a surprise attack, where an immediate, efficient solution to the problem of aggression is necessary. Therefore, the technique is highly refined. Every unnecessary movement is cut away. Technique is simple and direct. The training method is aimed towards development of the practitioner’s every mental and physical resources. Iaido is an authentic martial art that proved its martial values in a time of constant battle and warfare, that was preserved and passed on directly from teacher to student over generations in an unbroken lineage for 450 years. Iaidoka developed the mind towards an ultimately peaceful, harmonious, and active state ready to react and deal with any life situation.
Iaido by Dancing with Fire May 13, 2011
Religion
Religion has many meanings and it can be difficult to agree upon an operational definition. A definition can involve: 1) religion is human involvement in what is considered the realm of the sacred; 2) It is expressed in thought, action, and social forms; 3) It is expressed in ritual; 4) It constitutes a total system of symbols with deep meanings; 5) It is a path of ultimate transformation. The practice of religion is a fundamentally human activity, leading scholars to questions why this should be so. One of the founders of anthropology, Sir Edward B. Tylor argued that religion originated in animism, (from anima, “spirit”) from the experiences of ancient peoples in death and dreams. Then, Sir James Frazer collected a massive amount of data from ancient and indigenous cultures and argued that religion originated in magic. Later, Sigmund Freud argued from psychoanalysis that God is a projection of a father-figure growing out of the human need to feel secure and the feelings of love-hate-fear we feel. Karl Marx argued it exists as a means of social control and pacification.
Religions & Beliefs: Judaism, Christianity, Islam, Zoroastrianism, Bahá’í Faith, Hinduism, Jainism, Buddhism, Sikhism, Taoism (Daoism), Confucianism, Falun Gong, Shinto, Shugendo, Tenrikyo, Seicho-no-Ie, PL Kyodan (Church of Perfect Liberty), Aum Shinrikyo, Oomoto, Shinbutsu Shugo, Cao Dai, Cheondoism, Mandaeism, Mormonism, Jehovah's Witnesses, Rastafari, Wicca, Neo-Paganism, Thelema, New Age, Unitarian Universalism, Satanism, Atheist, Agnostic, Heaven’s Gate (UFO Suicide Cult), Scientology.
Religion by Dancing with Fire April 2, 2011
Sambo
Sambo was invented by the Soviets during the time just after the Revolution in Russia, and was seen as an example of the Socialist dream to reinvent traditional arts on a scientific model. Sambo is similar in many ways to Judo and Jujutsu, but is also said to incorporate traditional Russian wrestling techniques as well. The man generally credited with teaching and introducing Sambo in Russia was Vasili Oschepkov, who was also one of the first Russians to learn Judo. Oschepkov taught these techniques to Russian Special Forces and Commandos during the period between the two World Wars.
The name “Sambo” derives from an acronym in Russian which means “combat without weapons.” These techniques were used by soldiers initially and gradually formed a sport sanctioned by the Soviet Union as beneficial to the people’s movement and a shining example of Socialist advances. The Soviets promoted the sport Sambo through Eastern Block sporting events in the manner that Judo was being practiced competitively internationally. After the disintegration of the Soviet Union, the sport retained its popularity and tournaments in Russia, and began to have more of an international influence, as its teachers were then able to freely travel and teach Sambo abroad. Sambo is one of only four forms of wrestling practiced in international competitions, the others being Freestyle Wrestling, Greco Roman Wrestling, and Judo. Sambo was also used by elite Soviet troops and KGB agents in the Cold War for hand to hand combat techniques.
Sambo by Dancing with Fire March 18, 2011