1. An instinctual and gregarious choral expression of unencumbered joy at the onset of a conversation or 'in person' reunion with a friend or loved one, after a long separation. Often exclaimed with intentional, sustained legato emphasis in order to incite a reciprocal counter hoot (as depicted in suffix form with three consecutive vowels tagged to the traditional etymological pronoun 'you'.).
2. Adapted from a comedic reference highlighting the trials, horrors and banal tribulations associated with Dieter's Dream, 'Youuuu' is sometimes used in conjunction with the preceding words 'First, I would {choice of verb}..'
2. Adapted from a comedic reference highlighting the trials, horrors and banal tribulations associated with Dieter's Dream, 'Youuuu' is sometimes used in conjunction with the preceding words 'First, I would {choice of verb}..'
1. {Your cell phone buzzes; a call from an old friend. You answer} "Youuuu!", {Your friend retorts} ""Youuuu!" {Instantaneous glee ensues}
2. First I would throw 'Youuuu' to the ground......
2. First I would throw 'Youuuu' to the ground......
by Charitable Disguise October 20, 2019
Derived from the words Ethnicity + Hypnotized, Ethnicitized is the intentional act of modifying, transforming & dispositioning ones identity from self, into a psychomorphic, hyperdouched state of being wherein the individual choreographs & elicits social/behavioral patterns, designed to personify the mannerisms, dialect & slang of a target ethic group, to gain acceptance, favor, goods, services &/or alliance oriented popularity for reasons of political advancement.
Over time, the repetitious execution of such tactics results in an amnesiac cerebal impressioning of temporal permanence, accompanied by a spontaneous, involuntary, visceral, schizophrenic, socially triggered personality change, unbeknownst to the individual, but completely obvious to others.
Dr. Chris Culvitude of Copenhagen returned to the Coyote Lakes psychiatric hospital to inform Dr. Kevin Michael Damone and Pro-Fessor Campbell about his findings on the Baptits Foundation & the unethical microcosm of Flakycock councilmen who posed as religious figureheads, fronting theological prowess so as to steal pensions from Ernie, Menden & 300+ victims. Culvitude viewed 20yrs of data, overlaying R score models on data sets, receiving a confidence trigger during a presidential candidate interview in 2020, when the incumbent (Anglo Saxon) performed his unique, Corn Pop gangsta style talk with well educated/astute African American interviewers. Thus, the condition - 'Ethnicitized' was born. DSM-5 code: j0E-bIdN-cM0n:mAn
Over time, the repetitious execution of such tactics results in an amnesiac cerebal impressioning of temporal permanence, accompanied by a spontaneous, involuntary, visceral, schizophrenic, socially triggered personality change, unbeknownst to the individual, but completely obvious to others.
Dr. Chris Culvitude of Copenhagen returned to the Coyote Lakes psychiatric hospital to inform Dr. Kevin Michael Damone and Pro-Fessor Campbell about his findings on the Baptits Foundation & the unethical microcosm of Flakycock councilmen who posed as religious figureheads, fronting theological prowess so as to steal pensions from Ernie, Menden & 300+ victims. Culvitude viewed 20yrs of data, overlaying R score models on data sets, receiving a confidence trigger during a presidential candidate interview in 2020, when the incumbent (Anglo Saxon) performed his unique, Corn Pop gangsta style talk with well educated/astute African American interviewers. Thus, the condition - 'Ethnicitized' was born. DSM-5 code: j0E-bIdN-cM0n:mAn
{Friends discussing politics} "Dude, I am watching an interview with this 77 year old white guy running for president, and he keeps using this weird slang, and this odd tone of voice, as if he is trying to sound like he is from some tribe. {Friend Responds} "Yeah, that guy is totally 'Ethnicitized', trying to pretend that he is African American to an African American audience. Its quite comical. Oh, also, did you know that he knuckle-dunked his fingers into an intern's vagina too, because, well, "he thought she liked him."
by Charitable Disguise May 25, 2020
A profound and controversial characterization of the female genitalia, where "Ditch" represents the angular, contoured bordering meat of the labia, and "Squid" depicts the amorphous, unidentifiable, moistened nonsense in between. Sometimes used as the final closing/mic drop term in adolescent "funny names for genitalia" competitions.
by Charitable Disguise October 12, 2019
Introduced by the band Vibe 45 in the late 1900's, the 'Paw Claw' is an advanced strumming technique for the bass guitar, wherein the elbow and forearm are situated subtly perpendicular to the strings from the butt end of the instrument allowing for flexibility to float/position the strumming hand ('Paw') so that the index, middle and ring fingers are able to intersect frets 15, 17 and 19 over the E, A and D strings respectively. The 'Claw' represents a uniform, pulsing hammer motion executed intermittently and hastily at a 70 degree attack angle, snap depressing the string(s) as if to 'Claw' it deep into the neck of the guitar. Commonly used to pocket lock midrange to low mid frequency rhythmic, funk house drops with the intent to uniquely accentuate drum kicks, hits, stacks and jabs in collaboration with Chuck and Hambone.
Scenario Form
{New fan of Vibe 45 } "Dude, what the heck was D Dog doing with the bass guitar during the song "Millennium Summer"? {Chuck from Vibe 45 replies} "That's the 'Paw Claw' jack."
{D Dog to Hambone of Vibe 45} "Hey Hambone, thanks for showing me the 'Paw Claw' technique!"
{New fan of Vibe 45 } "Dude, what the heck was D Dog doing with the bass guitar during the song "Millennium Summer"? {Chuck from Vibe 45 replies} "That's the 'Paw Claw' jack."
{D Dog to Hambone of Vibe 45} "Hey Hambone, thanks for showing me the 'Paw Claw' technique!"
by Charitable Disguise November 10, 2019
A repetitious, unexplainable high frequency radio wave transmission received by earth from an unknown source/location within and/or outside our galaxy.
{From 1962 through 2016, 11 Interstellar Radio Mesessage projects (IRMPs) transmitted 50+ messages out across the universe from earth. In 1996, a unique happenstance occured when the convergence of sound wave files during a studio recording session for the band Vibe 45, revealed an anomaly in the form of a high frequency sound wave blip registering at an astonishing 180k Hz (detectable only by the Alosa Saspidissima aka the American Shad) through a customized Crappatoe transducer equipped with a panoramic floppycack jacker. The evidence file was shared with Dr. Chris Culvitude of Copenhagen for a forensic analysis. Dr. Culvitude disaggregated the wave structure using a four dimensional, parabolic floppycack translator and the results were astonishing. The blip unveiled irrefutable evidence of a Percussive Universal Soundwave, or P.U.S., which surreptitiously, included a complex linguistic code, patterned to form the following words: "We Want The Funk", an extraterrestrial response conveying Alien displeasure related to the 50+ boring messages sent, and a plea to the band members of Vibe 45 to send them some ball knocking, Parliament style grooves in the next transmission. Dr. Culvitude mysteriously disappeared in 2001 and his sound popping theory showcasing P.U.S. was never formally published.
{From 1962 through 2016, 11 Interstellar Radio Mesessage projects (IRMPs) transmitted 50+ messages out across the universe from earth. In 1996, a unique happenstance occured when the convergence of sound wave files during a studio recording session for the band Vibe 45, revealed an anomaly in the form of a high frequency sound wave blip registering at an astonishing 180k Hz (detectable only by the Alosa Saspidissima aka the American Shad) through a customized Crappatoe transducer equipped with a panoramic floppycack jacker. The evidence file was shared with Dr. Chris Culvitude of Copenhagen for a forensic analysis. Dr. Culvitude disaggregated the wave structure using a four dimensional, parabolic floppycack translator and the results were astonishing. The blip unveiled irrefutable evidence of a Percussive Universal Soundwave, or P.U.S., which surreptitiously, included a complex linguistic code, patterned to form the following words: "We Want The Funk", an extraterrestrial response conveying Alien displeasure related to the 50+ boring messages sent, and a plea to the band members of Vibe 45 to send them some ball knocking, Parliament style grooves in the next transmission. Dr. Culvitude mysteriously disappeared in 2001 and his sound popping theory showcasing P.U.S. was never formally published.
1. Scientists recently detected a Percussive Universal Soundwave from an unknown source in the universe.
2. {Dr. Culvitude shows his floppycack package to D Dog of Vibe 45 and explains} "D Dog, you are not going to believe this. The blip is a Percussive Universal Soundwave, and, when I decrypted the pattern into language, you can actually hear alien voices chanting "We Want the Funk!!"
2. {Dr. Culvitude shows his floppycack package to D Dog of Vibe 45 and explains} "D Dog, you are not going to believe this. The blip is a Percussive Universal Soundwave, and, when I decrypted the pattern into language, you can actually hear alien voices chanting "We Want the Funk!!"
by Charitable Disguise January 08, 2020
1. Adapted from a nefarious, celebratory expression of fulfillment and pleasure during a Palpatinian Galactic Republic conflict, YEAH illicits the paradoxical, primordial feeling of satifaction with the demise of a foe/adversary.
2. A spontaneous and vociferous articulation of exuberance shared in 'call and response' reciprocity during any appreciative interaction with a friend. Occasional pitch inflection (lower or higher octave) used as a discretionary option to incite laughter.
3. A term used to greet a friend.
2. A spontaneous and vociferous articulation of exuberance shared in 'call and response' reciprocity during any appreciative interaction with a friend. Occasional pitch inflection (lower or higher octave) used as a discretionary option to incite laughter.
3. A term used to greet a friend.
1. {Villian summons the force to pin hero under scaffolds} "YEAH!"
2. {Friends mutually realize they just achieved something great} "YEAH!!!"
3. Hey "YEAH" (lower octave)
2. {Friends mutually realize they just achieved something great} "YEAH!!!"
3. Hey "YEAH" (lower octave)
by Charitable Disguise October 19, 2019
1. A multi-purpose, ultra-compact motorized utility vehicle, engineered for service functions and customer/member transportation on and around resort, country club and golf course properties.
2. A late 1980's hyper-modified, ungoverned, all terrain archetype vessel of symbolic freedom, hijinks and calamitous mischief, principally maintained, operated, carefully supervised and controlled by outside service staff members at Arrowhead Country Club.
Infamous for the following celebrated capers and stunts:
"Legend of the Rizer" - the tribal tale of the reticent and ambitious bagboy who once jumped the Sanfu 50+ feet off a random, unevenly tamped pile of construction refuse pitched at ~30 degree incline to the cheers, jeers and warnings of hopeful/concerned bagboy onlookers.
"The Hunger Run" - adapted for a swift and spontaneous remediation of early morning hunger pains, the Sanfu accelerator governance restrictor was intentionally removed to ensure optimal travel time to and from ABCO to acquire pop tarts and cinnamon toast.
"Orchard Wars" - A labyrinth where intrigue, uncertainty, aboriginal migrants, nourishment and adolescent debauchery culminate in the fulfilling experience of using the Sanfu as an agile motorized lance, navigating and enabling ripened/unripened citrus projectiles to be launched efficiently and with high accuracy at Dave, Rob, Matt, Nick, Mike, Korky, Giles, Kevin, Jim, Laramie, Derek, BK, Berardi, Scooter, and the never to be forgotten Nate.
2. A late 1980's hyper-modified, ungoverned, all terrain archetype vessel of symbolic freedom, hijinks and calamitous mischief, principally maintained, operated, carefully supervised and controlled by outside service staff members at Arrowhead Country Club.
Infamous for the following celebrated capers and stunts:
"Legend of the Rizer" - the tribal tale of the reticent and ambitious bagboy who once jumped the Sanfu 50+ feet off a random, unevenly tamped pile of construction refuse pitched at ~30 degree incline to the cheers, jeers and warnings of hopeful/concerned bagboy onlookers.
"The Hunger Run" - adapted for a swift and spontaneous remediation of early morning hunger pains, the Sanfu accelerator governance restrictor was intentionally removed to ensure optimal travel time to and from ABCO to acquire pop tarts and cinnamon toast.
"Orchard Wars" - A labyrinth where intrigue, uncertainty, aboriginal migrants, nourishment and adolescent debauchery culminate in the fulfilling experience of using the Sanfu as an agile motorized lance, navigating and enabling ripened/unripened citrus projectiles to be launched efficiently and with high accuracy at Dave, Rob, Matt, Nick, Mike, Korky, Giles, Kevin, Jim, Laramie, Derek, BK, Berardi, Scooter, and the never to be forgotten Nate.
"Dude, Rizer opened up the throttle on the Sanfu, drove around the curb and launched the Sanfu 50 feet over that ridge!"
"Hey Kevin, let's do rock, paper, scissors to see who will take the Sanfu to ABCO to get breakfast"
"Did you see how Matt leaned out of the side of the Sanfu and hurled a grapefruit with pinpoint accuracy into Dave's back, causing him to launch out of the cart, into a pile of dirt?"
"Hey Kevin, let's do rock, paper, scissors to see who will take the Sanfu to ABCO to get breakfast"
"Did you see how Matt leaned out of the side of the Sanfu and hurled a grapefruit with pinpoint accuracy into Dave's back, causing him to launch out of the cart, into a pile of dirt?"
by Charitable Disguise November 24, 2019