by Anonymous September 22, 2003
When a web site becomes virtually unreachable because too many people are trying to access to it after the site has been mentioned on another web site. The term was born at the Slashdot nerd news service. (www.slashdot.org)
"I can't load the page, the site must be slashdotted"
"You got the Google cache? The site's slashdotted"
"You got the Google cache? The site's slashdotted"
by Anonymous November 05, 2002
by Anonymous October 05, 2003
A workout which you will witness in almost any commercial gym up and down the country, but especially so in Liverpool. The guilty parties are skinny, scally males who believe that sitting on both the bench press or bicep curl machines for a few reps on each will sculpt a herculean body that will make female jaws hit the floor. They perform the workout with weightlifter gloves on the ends of their stick-like arms, and as they are usually exercising with about 5 or 6 mates, they have intervals of 5 minutes between sets thus making all their "hard work" completely futile. Little do they know that the back and the triceps need equal attention as the previously mentioned body parts, as do the legs, abs and shoulders if they are to look remotely athletic and not end up with man-tits on their skinny bodies. But whatever, the higher the percentage of scallies who are deformed, the better I say.
Hehe, look at those wankers doing that guido workout.
(half an hour later) Ok, I really do need to work my chest here.
(half an hour later) Ok, I really do need to work my chest here.
by Anonymous May 04, 2005
office for architecture |landscape | urbanism
SMAQ designs environments.
Within a reality of interwoven and counteracting components: buildings, landscapes and infrastructures SMAQ’s tactical insertions intensify modes of inhabiting the urban.
SMAQ’s projects actively reflect the ecologies of the site. ‘DotsAndLoops’ and ‘Isotop’, for example, transformatively map the conditions found and emerge as permeable systems that recondition the given aggregate. Procedures of negotiation - like in the ‘Sarajevo Concert Hall’ design – generate architecture as the missing link between opposing components within the range of requirements and demands. In fully engaging the context, they are local catalytic interventions releasing potentials on a larger scale.
SMAQ’s methods mesh the elastic thinking of diagrammatic relations with the physicality of precise volumetric and material definition. In the ‘NdokZ’ project the resulting flux between field and object sets free a joyful multidimensional spatiality.
Since the exploration of the matter ‘site’ is understood as an integral part of SMAQ’s practice, the uncovering of spatial parameters beyond pure phenomenological categories has become a driving force for many of the works. Projects like ‘Highway Housing’ utilise the capacities to work with dependencies and motion within computer-aided delineation. The development of instruments to reveal trajectories of change and magnitudes of influence is subject of SMAQ’s investigating activities.
SMAQ’s work has been recognised and awarded with the Egon Eiermann Award in 2000 and the Hans Schaefers Award in 2001 among others. In several international competitions SMAQ received prizes including Europan 5 in 1998 (runner up), the Sarajevo Concert Hall Competition in 1999 (honourable mention) and Europan 6 in 2001 (1st prize). Recently, the work has been published in deArchitect (Netherlands), Arquitectura Viva (Madrid), Wettbewerbe Aktuell (Germany). The Europan 6 winning competition entry ‘DotsAndLoops’ is currently in the process of being implemented.
SMAQ designs environments.
Within a reality of interwoven and counteracting components: buildings, landscapes and infrastructures SMAQ’s tactical insertions intensify modes of inhabiting the urban.
SMAQ’s projects actively reflect the ecologies of the site. ‘DotsAndLoops’ and ‘Isotop’, for example, transformatively map the conditions found and emerge as permeable systems that recondition the given aggregate. Procedures of negotiation - like in the ‘Sarajevo Concert Hall’ design – generate architecture as the missing link between opposing components within the range of requirements and demands. In fully engaging the context, they are local catalytic interventions releasing potentials on a larger scale.
SMAQ’s methods mesh the elastic thinking of diagrammatic relations with the physicality of precise volumetric and material definition. In the ‘NdokZ’ project the resulting flux between field and object sets free a joyful multidimensional spatiality.
Since the exploration of the matter ‘site’ is understood as an integral part of SMAQ’s practice, the uncovering of spatial parameters beyond pure phenomenological categories has become a driving force for many of the works. Projects like ‘Highway Housing’ utilise the capacities to work with dependencies and motion within computer-aided delineation. The development of instruments to reveal trajectories of change and magnitudes of influence is subject of SMAQ’s investigating activities.
SMAQ’s work has been recognised and awarded with the Egon Eiermann Award in 2000 and the Hans Schaefers Award in 2001 among others. In several international competitions SMAQ received prizes including Europan 5 in 1998 (runner up), the Sarajevo Concert Hall Competition in 1999 (honourable mention) and Europan 6 in 2001 (1st prize). Recently, the work has been published in deArchitect (Netherlands), Arquitectura Viva (Madrid), Wettbewerbe Aktuell (Germany). The Europan 6 winning competition entry ‘DotsAndLoops’ is currently in the process of being implemented.
by Anonymous April 17, 2003
by Anonymous July 12, 2003