Kompa Chrétien is the Haitian genre of Gospel music. Kompa chrétien, is often referred to simply as ("KOMPA LEVANJIL") in Haitian Creole or in French. "("KOMPAS ÉVANGÉLIQUE ") French (a combination of Haitian music and evangelistic lyric with a flair Kompa .
Kompa Chrétien is composed and performed for many purposes, including, religious or ceremonial purposes, aesthetic pleasure and as an entertainment product for the marketplace.
Kompa Chrétien music is played in church, auditoriums, gospel music concerts.
Typical instruments are:
Hymns, clapping and foot stomping, Vocals (often with strong use of harmony), piano organ, Keyboard, Timbal, Cymbal, Keytar, guitar, drums, Hi-hats, bass guitar,
Kompa Chrétien is composed and performed for many purposes, including, religious or ceremonial purposes, aesthetic pleasure and as an entertainment product for the marketplace.
Kompa Chrétien music is played in church, auditoriums, gospel music concerts.
Typical instruments are:
Hymns, clapping and foot stomping, Vocals (often with strong use of harmony), piano organ, Keyboard, Timbal, Cymbal, Keytar, guitar, drums, Hi-hats, bass guitar,
by Negre Marron Records October 3, 2018
Get the Kompa Chrétienmug. The name derived from Kompa the popular music originated on the island of Haiti, is a Dance Studio located New York City that offers many styles of Kompa dancing which include:
Kompa and Beat, KomPassion (Also known as "Kompa Love", "Kizomba" Kompa Gouyad or just "Zouk",) KomPadou, Kompa-Rengue, Salsa-Kompa, KompaChata, Kompa-Ragga, and KompAfro and Beat.
Kompa! Kompa! Kompa! Dance Studio offer classes for all levels. Whether you are a beginner Kompa dancer or an advanced dancer,
Kompa! Kompa! Kompa! Dance Studio offers many different classes during the week. Classes range from Kompa on the 1 and "Private 1 on 1 dance session" which runs for 1 hour long and features a male or female instructor.
Kompa on the 1 and 2 "group classes" which are run for 2 hours long and features male and female instructors.
Each class is designed to provide a comprehensive introduction to Kompa dance which include, Kompa etiquette, floorcraft, leading/following techniques
and partner safety.
Kompa and Beat, KomPassion (Also known as "Kompa Love", "Kizomba" Kompa Gouyad or just "Zouk",) KomPadou, Kompa-Rengue, Salsa-Kompa, KompaChata, Kompa-Ragga, and KompAfro and Beat.
Kompa! Kompa! Kompa! Dance Studio offer classes for all levels. Whether you are a beginner Kompa dancer or an advanced dancer,
Kompa! Kompa! Kompa! Dance Studio offers many different classes during the week. Classes range from Kompa on the 1 and "Private 1 on 1 dance session" which runs for 1 hour long and features a male or female instructor.
Kompa on the 1 and 2 "group classes" which are run for 2 hours long and features male and female instructors.
Each class is designed to provide a comprehensive introduction to Kompa dance which include, Kompa etiquette, floorcraft, leading/following techniques
and partner safety.
by Negre Marron Records December 1, 2018
Get the Kompa! Kompa! Kompa!mug. KOMPA AND BEAT RADYO is the online home of Haitian ETHNO KOMPA music, a sub-genre of Kompa Direct music that fuses traditional Haitian rhythms with contemporary beats and sounds - sung by performers or singers of non-Haitian origin. The instrumentals or backing tracks are typically accompanied by live Kompa session musicians of Haitian origin.
The radio station is referred to as "K&B Radyo" or by its brand name on air. Negre Marron Records, a label René Guemps created, owns the radio station. He also works as a radio producer and seeial entrepreneur.
This CrEnglish-language online music radio station uses a system that generates audio for broadcast depending on what is happening right now in a local market.
KOMPA AND BEAT RADYO is the first live internet radio station playing Ethno-Kompa music in the Haitian Diaspora.
The well-liked programme was co-hosted by DJ Renée-La Ai and DJ René-Lo Ai in cyberspace. Not to be confused with Ai digital twins, they’re referred to as (The Ai Twins).
The dynamic duo hosts THE KOMPA HOUR, a special segment that airs daily at 10 a.m. during which they spotlight some of the most popular and influential ETHNO KOMPA musicians.
The most popular artist on Negre Marron Records, Miss-Ter-i, is currently playing one of the station's most popular songs, (FEELN AWESOME).
The KOMPA HOUR is one of four music programmes for Kompa that Kompa and Beats Radyo have planned.
Including: Kompa Zone is; Haiti Vibes; Kompa Mix; Zouk Radio; and Radyo Ayiti.
The radio station is referred to as "K&B Radyo" or by its brand name on air. Negre Marron Records, a label René Guemps created, owns the radio station. He also works as a radio producer and seeial entrepreneur.
This CrEnglish-language online music radio station uses a system that generates audio for broadcast depending on what is happening right now in a local market.
KOMPA AND BEAT RADYO is the first live internet radio station playing Ethno-Kompa music in the Haitian Diaspora.
The well-liked programme was co-hosted by DJ Renée-La Ai and DJ René-Lo Ai in cyberspace. Not to be confused with Ai digital twins, they’re referred to as (The Ai Twins).
The dynamic duo hosts THE KOMPA HOUR, a special segment that airs daily at 10 a.m. during which they spotlight some of the most popular and influential ETHNO KOMPA musicians.
The most popular artist on Negre Marron Records, Miss-Ter-i, is currently playing one of the station's most popular songs, (FEELN AWESOME).
The KOMPA HOUR is one of four music programmes for Kompa that Kompa and Beats Radyo have planned.
Including: Kompa Zone is; Haiti Vibes; Kompa Mix; Zouk Radio; and Radyo Ayiti.
Listen to the KOMPA AND BEAT RADYO Indie Music of the Day. (Around 10:00 am, 2:00 pm, 5:00 pm, 7:00 pm, and 9:00 pm,)
by Negre Marron Records March 13, 2023
Get the KOMPA AND BEAT RADYOmug. Kompa and Beat: The term was coined in 2018 by René Guemps, the Founding member of NYC-based independent internet record label Negre Marron Records.
Kompa and Beat refers to a captivating music genre that fuses the infectious rhythms of Kompa with the energetic beats of various genres like hip-hop, reggae, Afrobeat, and electronic music.
This unique fusion creates a melodic and rhythmic experience that transcends boundaries and ignites the dance floor.
Unleash your inner groove with Kompa and Beat! This genre offers a harmonious journey of genre blending, where traditional Kompa elements harmonize with modern beats and arrangements. Imagine the irresistible sway of Kompa melodies intertwined with pulsating hip-hop drums or the fusion of soucous-inspired guitar riffs with electronic synths.
Kompa and Beat is a celebration of rhythmic fusion, captivating listeners with its melodic vibes and infectious energy. Whether you're dancing to the beat at a lively club, enjoying it on your headphones during a commute, or discovering new tracks on curated playlists, Kompa and Beat is a genre that leaves a lasting impression.
Kompa and Beat refers to a captivating music genre that fuses the infectious rhythms of Kompa with the energetic beats of various genres like hip-hop, reggae, Afrobeat, and electronic music.
This unique fusion creates a melodic and rhythmic experience that transcends boundaries and ignites the dance floor.
Unleash your inner groove with Kompa and Beat! This genre offers a harmonious journey of genre blending, where traditional Kompa elements harmonize with modern beats and arrangements. Imagine the irresistible sway of Kompa melodies intertwined with pulsating hip-hop drums or the fusion of soucous-inspired guitar riffs with electronic synths.
Kompa and Beat is a celebration of rhythmic fusion, captivating listeners with its melodic vibes and infectious energy. Whether you're dancing to the beat at a lively club, enjoying it on your headphones during a commute, or discovering new tracks on curated playlists, Kompa and Beat is a genre that leaves a lasting impression.
“Join the movement and immerse yourself in the world of KOMPA AND BEAT! Experience the genre's unique sounds, explore its vibrant artist community, and let the rhythmic fusion take you on a musical journey like no other.”
by Negre Marron Records May 30, 2023
Get the KOMPA AND BEATmug. Euro-Kompa, a portmanteau of "European and Kompa"), It's often referred to as "White Kompa" a term used to describe Haitian Kompa music sung by artist or singers of European descent.
Euro-Kompa usually Features a lead vocalist and 2-3 backing Vocalists and sometime a guest vocalist usually a Euro-Rap-Singer who 'd contribute a guest verse during a bridge resulting in song lengths ranging from 3-4 minutes depending on the tempo.
Electromechanically produced by live traditional Kompa jam-session musicians which are also often mistakenly referred to as “GIGGERS”by other “KNOW-IT-ALL” in the Haitian Music Industry.
Identifying factors include generally short to medium-length songs written in a variants format which emphasize the song's melody and harmonies.
Unlike Haitian Kompa Direct which is very lyric-oriented-the lyrics in Euro-Kompa songs don’t usually have any deep meaning- often the lyrics are frivolous.
Euro-Kompa generally dance to a mid-tempo 90-115 BPM (beats per minute) with a 1-2 -1-2 Beat and with an arrangements of a 4/4 or four-on-the-floor time Signature which always encourages dancing due to it’s use of dance-oriented rhythms.
The origins of the genre and term was pioneered by Negre Marron Records' CEO and label Director Rene Guemps.
FYI: This is the first time in the history of the Haitian Music Industry (HMI) that a record label will be selling the beauty of an international artist from another race as a concept in a market that's not his or hers.
Euro-Kompa usually Features a lead vocalist and 2-3 backing Vocalists and sometime a guest vocalist usually a Euro-Rap-Singer who 'd contribute a guest verse during a bridge resulting in song lengths ranging from 3-4 minutes depending on the tempo.
Electromechanically produced by live traditional Kompa jam-session musicians which are also often mistakenly referred to as “GIGGERS”by other “KNOW-IT-ALL” in the Haitian Music Industry.
Identifying factors include generally short to medium-length songs written in a variants format which emphasize the song's melody and harmonies.
Unlike Haitian Kompa Direct which is very lyric-oriented-the lyrics in Euro-Kompa songs don’t usually have any deep meaning- often the lyrics are frivolous.
Euro-Kompa generally dance to a mid-tempo 90-115 BPM (beats per minute) with a 1-2 -1-2 Beat and with an arrangements of a 4/4 or four-on-the-floor time Signature which always encourages dancing due to it’s use of dance-oriented rhythms.
The origins of the genre and term was pioneered by Negre Marron Records' CEO and label Director Rene Guemps.
FYI: This is the first time in the history of the Haitian Music Industry (HMI) that a record label will be selling the beauty of an international artist from another race as a concept in a market that's not his or hers.
by Negre Marron Records March 18, 2023
Get the Euro-Kompamug. The term White Kompa is used to describe Haitian Kompa music sung by non-Haitian or French-Caribbean singers or artists.
usually Feature a lead vocalist and 2-3 backing Vocalists and sometime a guest-vocalist who 'd contribute a guest verse.
Characterized by and performed on typical musical instruments which are played only by Kompa musicians of Haitian origin.
Key elements of White Kompa include:
repeated rhythmic phrase, tone/timbre, Melodic hook (often with strong use of tremolo (volume oscillation) but not so much vibrato (pitch oscillation).
Identifying factors include generally short to medium-length songs written in a variants format.
The lyrics in White Kompa songs don’t usually have any deep meaning,often the lyrics are frivolous and encourage dancing.
The origins of the genre and term was pioneered by Negre Marron Records' CEO and label Director René Guemps who always thought - if language was the barrier that stop Haitian Artist from crossing over or become mainstream to other mwrket - why not bring artist of non-Haitian Origin and have them crossover to Kompa music.
FYI: This is the first time in the history of the Haitian Music Industry (HMI) that a record label will be selling the beauty of an international artist from another race as a concept in a market that's not his or hers."
usually Feature a lead vocalist and 2-3 backing Vocalists and sometime a guest-vocalist who 'd contribute a guest verse.
Characterized by and performed on typical musical instruments which are played only by Kompa musicians of Haitian origin.
Key elements of White Kompa include:
repeated rhythmic phrase, tone/timbre, Melodic hook (often with strong use of tremolo (volume oscillation) but not so much vibrato (pitch oscillation).
Identifying factors include generally short to medium-length songs written in a variants format.
The lyrics in White Kompa songs don’t usually have any deep meaning,often the lyrics are frivolous and encourage dancing.
The origins of the genre and term was pioneered by Negre Marron Records' CEO and label Director René Guemps who always thought - if language was the barrier that stop Haitian Artist from crossing over or become mainstream to other mwrket - why not bring artist of non-Haitian Origin and have them crossover to Kompa music.
FYI: This is the first time in the history of the Haitian Music Industry (HMI) that a record label will be selling the beauty of an international artist from another race as a concept in a market that's not his or hers."
Myrtha was the one who suggested that we call the sub genre WHITE KOMPA instead of KomPOP, because most of the artists who sing that style of music are either from the United States, Canada or Europe.
by Negre Marron Records July 24, 2022
Get the White Kompamug.