The Haitian Kompa Music style of World Music or Global music,
It's often referred to simply as"Konpa Etno" in Haitian Creole, .
Though sang by Artist or singers of Non-Haitian origin, the instrumental s or bavkung tracks arw usually accompanied by live Kompa musicians of Haitian origin.
Simply put, it'a a hybrid style which incorporate elements of one or many genre of Non-Haitian music and combine them with Kompa themes, Musical Structures and Instruments
Singable-Melodies , Scales, modes, mysical Inflections
Modern instruments include:
electromechanical such as Electric Guitars, Bass Guitar, EWI (Electronic Wind Instrument, Keytar, Telharmonium, Hammond organ, Drum machines, and Electronic Drum kits, Key board/Keytar, Electronic Guitar, Bass guitar, and Keybass
Electronic Music Technology or Electronic Musical Instruments such as Modern synthesizers, Sequencers, Sampler, Loops, Sound effects, MIDI
Drum machines, Modular synthesizer, Percussion, Personal computer,and Digital Audio Workstations (DAW), sound bites, sound effects can be used as well.
Other traditional ethnic instruments include: the didgeridoo, Sitar, Steel drums, pedal steel guitar
Kora (West African Harp, the Pan flute, Berimbau, and the Yoruban drum
A notable label of this kind of Ethno-Kompa is Negre Marron Records which was founded in New York City 2018 by René Guemps.
Yo Rene-Lo, Tonight Ima take you to this great spot in the West Village where ww can hwar some great Ethno-Kompa
It's often referred to simply as"Konpa Etno" in Haitian Creole, .
Though sang by Artist or singers of Non-Haitian origin, the instrumental s or bavkung tracks arw usually accompanied by live Kompa musicians of Haitian origin.
Simply put, it'a a hybrid style which incorporate elements of one or many genre of Non-Haitian music and combine them with Kompa themes, Musical Structures and Instruments
Singable-Melodies , Scales, modes, mysical Inflections
Modern instruments include:
electromechanical such as Electric Guitars, Bass Guitar, EWI (Electronic Wind Instrument, Keytar, Telharmonium, Hammond organ, Drum machines, and Electronic Drum kits, Key board/Keytar, Electronic Guitar, Bass guitar, and Keybass
Electronic Music Technology or Electronic Musical Instruments such as Modern synthesizers, Sequencers, Sampler, Loops, Sound effects, MIDI
Drum machines, Modular synthesizer, Percussion, Personal computer,and Digital Audio Workstations (DAW), sound bites, sound effects can be used as well.
Other traditional ethnic instruments include: the didgeridoo, Sitar, Steel drums, pedal steel guitar
Kora (West African Harp, the Pan flute, Berimbau, and the Yoruban drum
A notable label of this kind of Ethno-Kompa is Negre Marron Records which was founded in New York City 2018 by René Guemps.
Yo Rene-Lo, Tonight Ima take you to this great spot in the West Village where ww can hwar some great Ethno-Kompa
Yo Rene-Lo, Tonight Ima take you to this great spot in the West Village where ww can hwar some great Ethno-Kompa
by Negre Marron Records March 2, 2019
Get the Ethno-Kompamug. Kompa-Room-Live is the Haitian style of the Boiler Room (a global online music broadcasting platform commissioning and streaming)
The difference between the two are: Kompa-Room-Live only showcase up and coming Haitian DJs and only play the latest Kompa and Beat hits in front of a live audience on an open dance floor.
During the live Kompa-Room-Live session the DJ is filmed and recorded using an Omnidirectional_camera which shoots in 360° format that's connected to a personal computer which broadcast to Haitian and Beat Music fans on Youtube and Facebook Livall over the world.
During Kompa-Room-Live the attendees are positioned in front of the DJ booth while dancing, which is really the main attraction at Kompa-Room:
The difference between the two are: Kompa-Room-Live only showcase up and coming Haitian DJs and only play the latest Kompa and Beat hits in front of a live audience on an open dance floor.
During the live Kompa-Room-Live session the DJ is filmed and recorded using an Omnidirectional_camera which shoots in 360° format that's connected to a personal computer which broadcast to Haitian and Beat Music fans on Youtube and Facebook Livall over the world.
During Kompa-Room-Live the attendees are positioned in front of the DJ booth while dancing, which is really the main attraction at Kompa-Room:
by Negre Marron Records October 23, 2018
Get the Kompa-Room-Livemug. Euro-Compa, a, often referred to as "White Kompa" or Kompa Ero in Haitian Créole. A term used to describe Haitian Kompa music sung by artist or singers of European descent.
Euro-Kompa usually Features a lead vocalist with 1 or more backup Vocalists and sometime a guest vocalist usually a Euro-Rap-Singer who 'd contribute a guest verse during a bridge resulting in song lengths ranging from 3-4 minutes depending on the tempo.
Instrumentals are provided by live traditional Kompa jam-session musicians which are also often mistakenly referred to as “GIGGERS”by other “KNOW-IT-ALL” in the Haitian Music Industry.
Identifying factors include generally short to medium-length songs written in a variants format which emphasize the song's melody and harmonies.
Unlike Haitian Kompa Direct which is very lyric-oriented-the lyrics in Euro-Kompa songs don’t usually have any deep meaning- often the lyrics are frivolous.
Euro-Kompa generally dance to a mid-tempo 90-115 BPM (beats per minute) with a 1-2 beat and with an arrangements of a 4/4 or four-on-the-floor time Signature which always encourages dancing due to it’s use of dance-oriented rhythms.
The origins of the genre and term was pioneered by Negre Marron Records' CEO and label Director René Guemps.
FYI: This is the first time in the history of the Haitian Music Industry (HMI) that a independent record label will be selling the beauty of an international artist from another race as a concept in a market that's not his or hers.
Euro-Kompa usually Features a lead vocalist with 1 or more backup Vocalists and sometime a guest vocalist usually a Euro-Rap-Singer who 'd contribute a guest verse during a bridge resulting in song lengths ranging from 3-4 minutes depending on the tempo.
Instrumentals are provided by live traditional Kompa jam-session musicians which are also often mistakenly referred to as “GIGGERS”by other “KNOW-IT-ALL” in the Haitian Music Industry.
Identifying factors include generally short to medium-length songs written in a variants format which emphasize the song's melody and harmonies.
Unlike Haitian Kompa Direct which is very lyric-oriented-the lyrics in Euro-Kompa songs don’t usually have any deep meaning- often the lyrics are frivolous.
Euro-Kompa generally dance to a mid-tempo 90-115 BPM (beats per minute) with a 1-2 beat and with an arrangements of a 4/4 or four-on-the-floor time Signature which always encourages dancing due to it’s use of dance-oriented rhythms.
The origins of the genre and term was pioneered by Negre Marron Records' CEO and label Director René Guemps.
FYI: This is the first time in the history of the Haitian Music Industry (HMI) that a independent record label will be selling the beauty of an international artist from another race as a concept in a market that's not his or hers.
by Negre Marron Records March 19, 2023
Get the Euro-Kompamug. Kompa-itus, pronounced "cohm-PA-ih-tus." The word is a portmanteau of Kompa and Tinnitus.
They are those Haitian Kompa and Beat songs that are stuck in your head by playing themselves there over. And over. And over.
Someone infected with Kompa-itus may find themselves humming and whistling to the song and can end up dancing to tune that's playing inside their heads.
It usually happens after a heavy night of dancing partying or after hearing a Haitian DJ plays them over the air on Haitian Community radio, even streaming them on Youtube, Spotify and Souncloud can do it to you.
The term "Kompa-Itus" was originally coined by RENÉ Guemps in 2019.
They are those Haitian Kompa and Beat songs that are stuck in your head by playing themselves there over. And over. And over.
Someone infected with Kompa-itus may find themselves humming and whistling to the song and can end up dancing to tune that's playing inside their heads.
It usually happens after a heavy night of dancing partying or after hearing a Haitian DJ plays them over the air on Haitian Community radio, even streaming them on Youtube, Spotify and Souncloud can do it to you.
The term "Kompa-Itus" was originally coined by RENÉ Guemps in 2019.
Yo Theodore!
"I think I got a bad case of Kompa-itus, do you know how to get them out?"
"Ah man, I heard that the only cure for that is to go back and listen to all the songs you keep hearing in your head all over again or else they'll never leave"
"I think I got a bad case of Kompa-itus, do you know how to get them out?"
"Ah man, I heard that the only cure for that is to go back and listen to all the songs you keep hearing in your head all over again or else they'll never leave"
by Negre Marron Records January 23, 2019
Get the Kompa-itusmug. Salsa-Kompa is the Haitian style of the Salsa music, characterised by typical instruments:
Piano, bongos, congas, timbales, trumpet, trombone, claves, cowbell, maracas, güiro,
Jam block, double bass,
flute, bass guitar, acoustic guitar, electric guitar, saxophone, vibraphone, violin, tres, cuatro.
The only difference between the two genres is that the regular Salsa is sung in Spanish while Salsa-Kompa is sung by Haitian Kompa Singers in Haitian Creole.
Piano, bongos, congas, timbales, trumpet, trombone, claves, cowbell, maracas, güiro,
Jam block, double bass,
flute, bass guitar, acoustic guitar, electric guitar, saxophone, vibraphone, violin, tres, cuatro.
The only difference between the two genres is that the regular Salsa is sung in Spanish while Salsa-Kompa is sung by Haitian Kompa Singers in Haitian Creole.
by Negre Marron Records September 7, 2018
Get the Salsa-Kompamug. Kompa Indirèk is a modern style of the Haitian Compas Direct (Haitian Créole Konpa Dirèk), “the percussion-heavy, rhythmic dance music“ of Haiti that emphasizes musical instruments and features very little or no singing with elements of Sook, KomPop, Compas and Blues, Frenglish R&B and Kompa-Forró.
The physical typical musical instruments are rarely used and are replaced to smaller outfits featuring the use of electronic music technology, such as Drums kits, Electric Bass, Keybass/ Electric Guitars, Keytars, Synthesiser, samplers, electronic percussion, backing track, Sequencers, Drum Machine, Loops, Sound effects, EWI (Electronic Wind Instrument, Keytar, Keybass, MIDI, Drum machines, Melody, Personal computers and Digital Audio Workstations (DAW).
Other elements which are played by electromechanical musical instruments include:
One soukous-like sinuous twining lead guitar and the other one is a trebly rhythm guitars and the pulsing repeated melodic basslines.
Some common structures and forms in Kompa Indirèk instrumentals are:
Intro Hook / Rhythm Hook / Drop Chorus / Rhythm Hook / Drop Chorus / Background Instrumental Hook / Drop Chorus / Outro Hook.
Any Music listeners who only enjoyed listening to Compas Direct or Zouk will also enjoy Kompa Indirèk
The term was coined in 2018 by René Guemps, the Founding member of NYC-based independent label Negre Marron Records.
The physical typical musical instruments are rarely used and are replaced to smaller outfits featuring the use of electronic music technology, such as Drums kits, Electric Bass, Keybass/ Electric Guitars, Keytars, Synthesiser, samplers, electronic percussion, backing track, Sequencers, Drum Machine, Loops, Sound effects, EWI (Electronic Wind Instrument, Keytar, Keybass, MIDI, Drum machines, Melody, Personal computers and Digital Audio Workstations (DAW).
Other elements which are played by electromechanical musical instruments include:
One soukous-like sinuous twining lead guitar and the other one is a trebly rhythm guitars and the pulsing repeated melodic basslines.
Some common structures and forms in Kompa Indirèk instrumentals are:
Intro Hook / Rhythm Hook / Drop Chorus / Rhythm Hook / Drop Chorus / Background Instrumental Hook / Drop Chorus / Outro Hook.
Any Music listeners who only enjoyed listening to Compas Direct or Zouk will also enjoy Kompa Indirèk
The term was coined in 2018 by René Guemps, the Founding member of NYC-based independent label Negre Marron Records.
by Negre Marron Records July 28, 2020
Get the Kompa Indirèkmug. by Amigodokompa November 30, 2019
Get the KOMPAmug.