verb. The action in which a group of pedestrians, waiting at the crosswalk, is led by a single vigilante pedestrian across the intersection during a "DO NOT CROSS" period.
A qualified moses must be transpired before the cross walk indicator turns green when the mosecian is at halfway point between the sidewalks, or middle of the intersection.
A qualified moses must be transpired before the cross walk indicator turns green when the mosecian is at halfway point between the sidewalks, or middle of the intersection.
1.) That rebel just pulled a moses on us, and now we're going to get run over.
2.) Dude, I'm going to pull a moses and stop traffic.
2.) Dude, I'm going to pull a moses and stop traffic.
by Governor Lin April 17, 2008
Get the Moses mug.A person who doesn't really give a fuck. They can dress in what ever they want, the moshers in my town dress mostly in black but there are colours there too. Band t-shirts and random badges or pins on bags are common. Loud rock music, moshing, etc. Are usually picked on by scum called chavs. who choose to chase the poor mosher who happens to be walking on his or her own and pummels them... if chavs were that stong (some of them have pretty good aim with rocks unfortunately)
mosher/me: *walks down a road, minding her own buisness listening to music... may have been slayer at the time, i can't remember*
chav 1: hey! look at the guy! he's a mosher!
chav 2: that's a chick, not a guy.
chav 1: whatever... *starts running after the poor, innocent person*
mosher/me: ah crap, not again... *runs... in this case into the cemetery*
chav 1: *spits* damn, we lost her
*they both walk away
chav 1: hey! look at the guy! he's a mosher!
chav 2: that's a chick, not a guy.
chav 1: whatever... *starts running after the poor, innocent person*
mosher/me: ah crap, not again... *runs... in this case into the cemetery*
chav 1: *spits* damn, we lost her
*they both walk away
by uhm...me July 1, 2007
Get the mosher mug.Moshers are kind a loyal people who despite and hate chavs.
They ussualy wear baggy jeans and t-shirts
Everyone says there druggys and stuff but come on!
not all moshers cut themselfs
Thats how ppl think moshers are
Chavs have no inteligence to anything even moshers
They ussualy wear baggy jeans and t-shirts
Everyone says there druggys and stuff but come on!
not all moshers cut themselfs
Thats how ppl think moshers are
Chavs have no inteligence to anything even moshers
One person cam eup to me and says
Hey Goth
I was like " wtf"
That shows ya how bad they realy are! IM A MOSHER!
Hey Goth
I was like " wtf"
That shows ya how bad they realy are! IM A MOSHER!
by Glenny_benny August 29, 2006
Get the Mosher mug.mosher...a person who wants to be different from the rest of the world and most importantly to NOT BE A SHEEP.
most 'moshers' today dont really follow this...but there are many that do as well.
they listen to puck/rock/metal anything that means something to them personally and that they can relate to. they can wear bright clothing if they want but its the music they listen to that matters to a real mosher...the clothing comes with the territory.
they are the cool people of today and shud not be forgotton anytime soon. nicknames...they stick with moshers
most 'moshers' today dont really follow this...but there are many that do as well.
they listen to puck/rock/metal anything that means something to them personally and that they can relate to. they can wear bright clothing if they want but its the music they listen to that matters to a real mosher...the clothing comes with the territory.
they are the cool people of today and shud not be forgotton anytime soon. nicknames...they stick with moshers
by natnat June 28, 2005
Get the mosher (n) mug.being greater then most.
by ILLBUrRomeo September 4, 2005
Get the Mosterest mug.1. Any person into alternative/rock/metal music, a purgorative term designed for alienation of the other by scally/chav culture.
2. Reclaimed from the above, a name given to a muscially orientated sub-culture. Said culture being a mix of earlier Punk and Metal culture. The term originated with the culture following the collapse of nu metal from aminstream popularity in favour of metalcore, pop metal, punk pop and emo.
3. Reclaimed purgorative from the older underground sub-cultures, such as metallers, goths and punks. Terms those who claim identify with their sub-culture, but who have seemingly missed the point and do not listen to music deemed to be authentic, ans generally considered unable to mosh properly.
2. Reclaimed from the above, a name given to a muscially orientated sub-culture. Said culture being a mix of earlier Punk and Metal culture. The term originated with the culture following the collapse of nu metal from aminstream popularity in favour of metalcore, pop metal, punk pop and emo.
3. Reclaimed purgorative from the older underground sub-cultures, such as metallers, goths and punks. Terms those who claim identify with their sub-culture, but who have seemingly missed the point and do not listen to music deemed to be authentic, ans generally considered unable to mosh properly.
1. Bloody Moshers! Cut your f*cking hair & stop listening to that satan shit!
2. Lets go to Download. The music is so cool.
3. Bloody Moshers! Grow your f*cking hair & stop listening to that comercial bollocks!
2. Lets go to Download. The music is so cool.
3. Bloody Moshers! Grow your f*cking hair & stop listening to that comercial bollocks!
by Slev September 13, 2007
Get the mosher mug.Chuck hails from South Central LA and Venice, Ca.. He played in a band briefly in LA with Billy Gould (Bass, Faith No More), then Haircuts Can Kill. Auditioned in San Francisco to fill the revolving door of lead singers for Faith No More (a list notably including a bald headed Courtney Love). He helped firmly establish their sound live, then recording the band's first lp.(released in 1986) on legendary underground mainstay Mordam Records headed by Ruth Schwartz. Mordam also operated as a distributor and was responsible for bringing a large portion of the Punk subculture (including the Dead Kennedys and upwards of 20 labels) to the world, so this was big news and a big help when the record scored a huge underground and college radio hit with 'We Care Alot', a unique mock rock/rap song who's funny, yet poignant lyrics touched a nerve of the post punk generation living on the fringes of the fatuous, indulgent and sabre rattling mid-eighties.
They parleyed this success into recording "Introduce Yourself" for major Indie, Slash Records in 1986. They re-recorded 'We Care Alot', fueling the misperception of Faith No More as primarily a RapCore or Rock/Rap band ( more influenced by Killing Joke, Metallica, and ultra savvy pop awareness-ask 'em), and sells Chuck's vocal contributions short. Noteably, that " He can't sing, etc.", belying a clever singers self aware lampooning the sometimes bloated pomposity of Rock culture; tapping a rich historical vein.
Chuck's singing style was a cultivated crooner warble introduced by Screaming Jay Hawkins, who played with the tonality and resonance of his tone by stretchng and contorting the chamber of his mouth throughout held notes, along with other more mimicable cartoonish fun. Later in Rock, you find David Johansen using it with the Dolls decidedly playful music. David Bowie has encorporated it throughout his career, but particularly on the "low" lp., "china girl" and throughout his Berlin period. Thusly influencing Iggy Pop from "the Idiot"(check out 'funtime') on forward('I'm a conservative!' or 'wild america', f'rnstance). Jeffrey Lee Pierce of Gun Club was great with this style of using rock'n roll to play with itself. Dave Vanian with the Damned, of course. The Goth'ers used it to great lugubrious effect (Bauhaus, Joy Division).
It was Chuck Mosely (and a boat load of punk attitude) that used that warbling croon (juxta)posed against/ and in ironic tandem with Jim Martins towering metal chords to comment and play with a Genre of Rock known for taking itself a little too seriously (Yngwie, nuff said). He'd artfully fall off a note only to take it back and finish it clean. Listen to his layered tracks on "spirit(and excellence)", one track is pure and on, the other is absurdly, wildly off. Finally, I leave you with "faster disco" (in deed and in meaning) to demonstrate his purpose:
"styling, you know you are styling. So look to the mirror (there), and blow yourself a kiss (muah!)".
Iggy himself payed direct homage to Chuck and FNM's approach on the song "Lost" in 2000.
The band toured hard, tough often the success of the hit maddeningly overshadowed the rest of their vision. Chuck could be flippant onstage and I'm sure it carried over. Eventually the joke wore thin on the band; but their solution was a decided ambition to take that next step out of the San Francisco underground, and we all wished them luck. You could see them growing apart before they went down to start "Real Thing" in LA, I think Chuck could see it less so.
Mike P. was a real go getter, and was lock step with Roddy and the boys. Vox style in antithesis initially, but then by 'caffeine' there is slightly sterile decided return to the wounded croooner thing.
Mike P. does good and well by the underground- he's cool. But I miss FNM, and really miss Chuck - and tip my hat to his contributions.
ted offensive, San Francisco Mission dist.,7/08
24 Jul 03:43
They parleyed this success into recording "Introduce Yourself" for major Indie, Slash Records in 1986. They re-recorded 'We Care Alot', fueling the misperception of Faith No More as primarily a RapCore or Rock/Rap band ( more influenced by Killing Joke, Metallica, and ultra savvy pop awareness-ask 'em), and sells Chuck's vocal contributions short. Noteably, that " He can't sing, etc.", belying a clever singers self aware lampooning the sometimes bloated pomposity of Rock culture; tapping a rich historical vein.
Chuck's singing style was a cultivated crooner warble introduced by Screaming Jay Hawkins, who played with the tonality and resonance of his tone by stretchng and contorting the chamber of his mouth throughout held notes, along with other more mimicable cartoonish fun. Later in Rock, you find David Johansen using it with the Dolls decidedly playful music. David Bowie has encorporated it throughout his career, but particularly on the "low" lp., "china girl" and throughout his Berlin period. Thusly influencing Iggy Pop from "the Idiot"(check out 'funtime') on forward('I'm a conservative!' or 'wild america', f'rnstance). Jeffrey Lee Pierce of Gun Club was great with this style of using rock'n roll to play with itself. Dave Vanian with the Damned, of course. The Goth'ers used it to great lugubrious effect (Bauhaus, Joy Division).
It was Chuck Mosely (and a boat load of punk attitude) that used that warbling croon (juxta)posed against/ and in ironic tandem with Jim Martins towering metal chords to comment and play with a Genre of Rock known for taking itself a little too seriously (Yngwie, nuff said). He'd artfully fall off a note only to take it back and finish it clean. Listen to his layered tracks on "spirit(and excellence)", one track is pure and on, the other is absurdly, wildly off. Finally, I leave you with "faster disco" (in deed and in meaning) to demonstrate his purpose:
"styling, you know you are styling. So look to the mirror (there), and blow yourself a kiss (muah!)".
Iggy himself payed direct homage to Chuck and FNM's approach on the song "Lost" in 2000.
The band toured hard, tough often the success of the hit maddeningly overshadowed the rest of their vision. Chuck could be flippant onstage and I'm sure it carried over. Eventually the joke wore thin on the band; but their solution was a decided ambition to take that next step out of the San Francisco underground, and we all wished them luck. You could see them growing apart before they went down to start "Real Thing" in LA, I think Chuck could see it less so.
Mike P. was a real go getter, and was lock step with Roddy and the boys. Vox style in antithesis initially, but then by 'caffeine' there is slightly sterile decided return to the wounded croooner thing.
Mike P. does good and well by the underground- he's cool. But I miss FNM, and really miss Chuck - and tip my hat to his contributions.
ted offensive, San Francisco Mission dist.,7/08
24 Jul 03:43
by ted offensive August 19, 2008
Get the Chuck Mosely mug.