Negre Marron Records's definitions
BWA KALE REKORDZ (BKR) for short - is a subsidiary of NEGRE MARRON RECORDS, dedicated to supporting Haitian artists who utilize their music to advocate for social justice. Our focus on promoting and distributing conscious music sets us apart from our sister label, WANGA NÈGÈS RECORDS, which concentrates on Haitian Kompa-infused music. Our slogan, 'Bringing justice through music,' demonstrates our commitment to promoting social justice through music.
Our name BWA KALE is derived from a grassroots vigilante justice movement in Haiti that symbolizes a swift form of justice against gang violence. We do not endorse music that glorifies crime or violence, and our mission is to support and promote unsigned Haitian artists who create conscious music addressing social injustices in Haiti.
We firmly believe that music is a potent tool for raising awareness and inspiring change within our communities. Through collaborations with local recording studios and audio engineers in Haiti, we ensure that our music adheres to the highest industry standards in mixing and mastering.
As an independent record label, we provide a platform for Haitian artists who have limited access to resources to produce and distribute their music. We are focused on promoting Creole Rap, Rara-Bòday, DiaspoRara, ManifesNaval, Rap Kreyòl, Crenglish Rap, RaggaNaval, Haitian Ragga, Rabòday, Rara, Ra-Rap, Diaspo-Rap, Creospañol RAP, CRÉOLE-Trap, and Rasin (Haitian Roots) music that addresses social injustice in Haiti.
Our name BWA KALE is derived from a grassroots vigilante justice movement in Haiti that symbolizes a swift form of justice against gang violence. We do not endorse music that glorifies crime or violence, and our mission is to support and promote unsigned Haitian artists who create conscious music addressing social injustices in Haiti.
We firmly believe that music is a potent tool for raising awareness and inspiring change within our communities. Through collaborations with local recording studios and audio engineers in Haiti, we ensure that our music adheres to the highest industry standards in mixing and mastering.
As an independent record label, we provide a platform for Haitian artists who have limited access to resources to produce and distribute their music. We are focused on promoting Creole Rap, Rara-Bòday, DiaspoRara, ManifesNaval, Rap Kreyòl, Crenglish Rap, RaggaNaval, Haitian Ragga, Rabòday, Rara, Ra-Rap, Diaspo-Rap, Creospañol RAP, CRÉOLE-Trap, and Rasin (Haitian Roots) music that addresses social injustice in Haiti.
"The latest album released by BWA KALE REKORDZ artist sheds light on the ongoing social injustice issues faced by marginalized communities in Haiti."
by Negre Marron Records May 20, 2023
Get the BWA KALE REKORDZmug. Euro-Compa, a, often referred to as "White Kompa" or Kompa Ero in Haitian Créole. A term used to describe Haitian Kompa music sung by artist or singers of European descent.
Euro-Kompa usually Features a lead vocalist with 1 or more backup Vocalists and sometime a guest vocalist usually a Euro-Rap-Singer who 'd contribute a guest verse during a bridge resulting in song lengths ranging from 3-4 minutes depending on the tempo.
Instrumentals are provided by live traditional Kompa jam-session musicians which are also often mistakenly referred to as “GIGGERS”by other “KNOW-IT-ALL” in the Haitian Music Industry.
Identifying factors include generally short to medium-length songs written in a variants format which emphasize the song's melody and harmonies.
Unlike Haitian Kompa Direct which is very lyric-oriented-the lyrics in Euro-Kompa songs don’t usually have any deep meaning- often the lyrics are frivolous.
Euro-Kompa generally dance to a mid-tempo 90-115 BPM (beats per minute) with a 1-2 beat and with an arrangements of a 4/4 or four-on-the-floor time Signature which always encourages dancing due to it’s use of dance-oriented rhythms.
The origins of the genre and term was pioneered by Negre Marron Records' CEO and label Director René Guemps.
FYI: This is the first time in the history of the Haitian Music Industry (HMI) that a independent record label will be selling the beauty of an international artist from another race as a concept in a market that's not his or hers.
Euro-Kompa usually Features a lead vocalist with 1 or more backup Vocalists and sometime a guest vocalist usually a Euro-Rap-Singer who 'd contribute a guest verse during a bridge resulting in song lengths ranging from 3-4 minutes depending on the tempo.
Instrumentals are provided by live traditional Kompa jam-session musicians which are also often mistakenly referred to as “GIGGERS”by other “KNOW-IT-ALL” in the Haitian Music Industry.
Identifying factors include generally short to medium-length songs written in a variants format which emphasize the song's melody and harmonies.
Unlike Haitian Kompa Direct which is very lyric-oriented-the lyrics in Euro-Kompa songs don’t usually have any deep meaning- often the lyrics are frivolous.
Euro-Kompa generally dance to a mid-tempo 90-115 BPM (beats per minute) with a 1-2 beat and with an arrangements of a 4/4 or four-on-the-floor time Signature which always encourages dancing due to it’s use of dance-oriented rhythms.
The origins of the genre and term was pioneered by Negre Marron Records' CEO and label Director René Guemps.
FYI: This is the first time in the history of the Haitian Music Industry (HMI) that a independent record label will be selling the beauty of an international artist from another race as a concept in a market that's not his or hers.
by Negre Marron Records March 19, 2023
Get the Euro-Kompamug. BWA KALE RECORDS is a subsidiary of NEGRE MARRON RECORDS, committed to supporting Haitian artists who use their music to advocate for social justice. Our focus on promoting and distributing conscience music sets us apart from our sister label, WANGA NÈGÈS RECORDS, which focuses on Haitian Kompa-infused music. Our slogan, 'Bringing justice through music,' reflects our commitment to promoting social justice through music.
Our name BWA KALE is inspired by a grassroots vigilante justice movement in Haiti that represents a swift form of justice against gang violence. We do not support music that glorifies crime or violence, and our mission is to support and promote unsigned Haitian artists who produce conscience music addressing social injustices in Haiti.
We believe that music is a powerful tool for raising awareness and inspiring change in our communities. Through partnerships with local recording studios and audio engineers in Haiti, we ensure that our music meets the highest industry standards in mixing and mastering.
As an independent record label, we provide a platform for Haitian artists who have limited access to resources to produce and distribute their music. We are focused on promoting Creole Rap, Rap Kreyòl, Crenglish Rap, Haitian Ragga, Rabòday, Rara, Ra-Rap, Diaspo-Rap, CreoSpañol RAP (RAP an Panyòl), and Rasin (Haitian Roots) music addressing social injustice in Haiti.
Our name BWA KALE is inspired by a grassroots vigilante justice movement in Haiti that represents a swift form of justice against gang violence. We do not support music that glorifies crime or violence, and our mission is to support and promote unsigned Haitian artists who produce conscience music addressing social injustices in Haiti.
We believe that music is a powerful tool for raising awareness and inspiring change in our communities. Through partnerships with local recording studios and audio engineers in Haiti, we ensure that our music meets the highest industry standards in mixing and mastering.
As an independent record label, we provide a platform for Haitian artists who have limited access to resources to produce and distribute their music. We are focused on promoting Creole Rap, Rap Kreyòl, Crenglish Rap, Haitian Ragga, Rabòday, Rara, Ra-Rap, Diaspo-Rap, CreoSpañol RAP (RAP an Panyòl), and Rasin (Haitian Roots) music addressing social injustice in Haiti.
At BWA KALE RECORDS, we value authenticity, social justice, creativity, and collaboration. We are committed to promoting the voices of Haitian artists who use their music to advocate for social justice in Haiti. Join us in our mission to raise awareness and inspire change through music.
by Negre Marron Records May 17, 2023
Get the BWA KALE RECORDSmug. KomPhonics are polyphonic ringtones of Haitian Kompa and Beat music.
characterized by typical instruments:
Modern synthesizers, Drum machines, Keyboard/Keytar, Electric guitar, Bass guitar, Vocaloid, Vocals, personal computer, Smartphones, sampler, DAW and sound effects.
Distributing them usually requires the agreement of record labels and other owners of artists' rights.
characterized by typical instruments:
Modern synthesizers, Drum machines, Keyboard/Keytar, Electric guitar, Bass guitar, Vocaloid, Vocals, personal computer, Smartphones, sampler, DAW and sound effects.
Distributing them usually requires the agreement of record labels and other owners of artists' rights.
Yo G'Angelo!
That KomPhonic Ringtone is dope, where did you download it rom -the App Store or Google Play?
That KomPhonic Ringtone is dope, where did you download it rom -the App Store or Google Play?
by Negre Marron Records October 6, 2018
Get the KomPhonicmug. Crenglish Rock & Pop is a the Creole-English style of Rock and Pop music originating from Crenglish speaking communities such as the Canada, France and certain parts of the U.S, sung and perform by artist over live instrumentals and, or backing tracks in Creole and English.
Often used synonymously with "Franglish Rock & Pop " or "Rock & Pop en Franglais" Which is French and English music originating from France, Canada, West Africa, and the French Caribbean countries.
Typical instruments are: Modern synthesizer,, Drum machine, Microphone, Saxophone, Trumpet, Tombone, Backing track, DAW, Sampler, Loops, Drums kits, Electric Guitar, Bass guitar, Piano/Keyboard/Keytar, KeyBass, Hooks/ Lyrical melodies and Harmonies, Lead Vocals, Backing Vocals, Ostinatos and Rap-singing.
Just like modern Pop music , most Crenglish Rock & Pop artists often focus on melodies and catchy hooks, and chorus that contrasts melodically, rhythmically and harmonically with the verse. And the lyrics of Crenglish Rock & Pop songs typically focus on simple themes – often love and romantic relationships
A notable label of this kind of Crenglish Rock& Pop is Negre Marron Records which was founded in New York City 2018 by René Guemps.
Often used synonymously with "Franglish Rock & Pop " or "Rock & Pop en Franglais" Which is French and English music originating from France, Canada, West Africa, and the French Caribbean countries.
Typical instruments are: Modern synthesizer,, Drum machine, Microphone, Saxophone, Trumpet, Tombone, Backing track, DAW, Sampler, Loops, Drums kits, Electric Guitar, Bass guitar, Piano/Keyboard/Keytar, KeyBass, Hooks/ Lyrical melodies and Harmonies, Lead Vocals, Backing Vocals, Ostinatos and Rap-singing.
Just like modern Pop music , most Crenglish Rock & Pop artists often focus on melodies and catchy hooks, and chorus that contrasts melodically, rhythmically and harmonically with the verse. And the lyrics of Crenglish Rock & Pop songs typically focus on simple themes – often love and romantic relationships
A notable label of this kind of Crenglish Rock& Pop is Negre Marron Records which was founded in New York City 2018 by René Guemps.
Her Crenglish Rock & Pop EP is a hit in all the French Caribbean Countries including France, US and Canada.
by Negre Marron Records January 26, 2019
Get the Crenglish Rock & Popmug. Kompadou is a sub genre of Haitian Kompa and Troubadour, an old style of music played mostly in the country side of Haiti
The only difference is most of thé typical instruments, which include:
Acoustic Guitar, accordion, tanbou, maracas, lamellophone, bass, banza, graj scraper, Tcha tcha, beatboxing are now replaced with Modern synthesizers, Drum machines, Keyboard/Keytar, Electric guitar, Bass guitar, Drums, Vocaloid, Auto-Tune, Personal computer, Sequencers, DAW, Backing track sound effects.and Vocals.
The coolest thing with Kompadou music is that NOW old school bands And musians can go back to songs they had recorded before and rerecord them as new Singles, EPs, LPs or entire albums where each song is performed in a different tune or style.
Reginald
"Yo Sheila!
Did you know that most Kompadou songs are about the bitterness and humor of love?"
The only difference is most of thé typical instruments, which include:
Acoustic Guitar, accordion, tanbou, maracas, lamellophone, bass, banza, graj scraper, Tcha tcha, beatboxing are now replaced with Modern synthesizers, Drum machines, Keyboard/Keytar, Electric guitar, Bass guitar, Drums, Vocaloid, Auto-Tune, Personal computer, Sequencers, DAW, Backing track sound effects.and Vocals.
The coolest thing with Kompadou music is that NOW old school bands And musians can go back to songs they had recorded before and rerecord them as new Singles, EPs, LPs or entire albums where each song is performed in a different tune or style.
Reginald
"Yo Sheila!
Did you know that most Kompadou songs are about the bitterness and humor of love?"
Sheila
"Hell yeah, but most of the younger Kompa singers often use risqué or suggestive lyrics."
Reginald
"I hear you, Did you also know that sôme of the best Renditions of the old school KOMPA is found in Kompadou music."
"Hell yeah, but most of the younger Kompa singers often use risqué or suggestive lyrics."
Reginald
"I hear you, Did you also know that sôme of the best Renditions of the old school KOMPA is found in Kompadou music."
by Negre Marron Records October 12, 2018
Get the Kompadoumug. HAITIAN MUSIC INDUSTRY FORUM (HMI Forum) - A platform for Haitian music industry professionals and enthusiasts to discuss and share information on industry news, events, and developments. From artists and producers to managers and marketers, the HMI Forum provides a space for members to connect and collaborate on projects and initiatives that aim to strengthen and grow the Haitian music industry. With regular discussions on topics such as copyright law, royalties, and digital distribution, the HMI Forum is a valuable resource for anyone looking to make their mark in the HMI.
The HAITIAN MUSIC INDUSTRY FORUM is the brainchild of Rene Guemps, the Founder-CEO of Negre Marron Records and President-CEO of The Haitian Music Industry Association (HMIA), both located in New York City.
The HAITIAN MUSIC INDUSTRY FORUM is the brainchild of Rene Guemps, the Founder-CEO of Negre Marron Records and President-CEO of The Haitian Music Industry Association (HMIA), both located in New York City.
"I just joined the HAITIAN MUSIC INDUSTRY FORUM (HMI Forum) and already I'm learning so much about the business side of the HMI. I highly recommend it to anyone who wants to get ahead in the industry."
by Negre Marron Records May 5, 2023
Get the Haitian Music Industry Forummug.