8 definitions by Daemone Darker
11. Psychology. a. the tendency to ascribe to another person feelings, thoughts, or attitudes present in oneself, or to regard external reality as embodying such feelings, thoughts, etc., in some way.
b. Psychoanalysis. such an ascription relieving the ego of a sense of guilt or other intolerable feeling.
b. Psychoanalysis. such an ascription relieving the ego of a sense of guilt or other intolerable feeling.
Some believe that every human interpretation of social reality is merely a projection of one's own internal state. A process of becoming self-realized is taking responsibility for one's own projection.
by Daemone Darker March 3, 2009
I felt obligated to post this definition of 'camp' since I believe it to be the most accurate. This is borrowed from dictionary.com:
1. something that provides sophisticated, knowing amusement, as by virtue of its being artlessly mannered or stylized, self-consciously artificial and extravagant, or teasingly ingenuous and sentimental.
2. a person who adopts a teasing, theatrical manner, esp. for the amusement of others.
3. An affectation or appreciation of manners and tastes commonly thought to be artificial, vulgar, or banal.
4. Banality, vulgarity, or artificiality when deliberately affected or when appreciated for its humor: "Camp is popularity plus vulgarity plus innocence"
adj. Having deliberately artificial, vulgar, banal, or affectedly humorous qualities or style: played up the silliness of their roles for camp effect.
So you can see, camp, as it was originally known as and still, in my opinion, most accurately, has nothing to do with being gay.
1. something that provides sophisticated, knowing amusement, as by virtue of its being artlessly mannered or stylized, self-consciously artificial and extravagant, or teasingly ingenuous and sentimental.
2. a person who adopts a teasing, theatrical manner, esp. for the amusement of others.
3. An affectation or appreciation of manners and tastes commonly thought to be artificial, vulgar, or banal.
4. Banality, vulgarity, or artificiality when deliberately affected or when appreciated for its humor: "Camp is popularity plus vulgarity plus innocence"
adj. Having deliberately artificial, vulgar, banal, or affectedly humorous qualities or style: played up the silliness of their roles for camp effect.
So you can see, camp, as it was originally known as and still, in my opinion, most accurately, has nothing to do with being gay.
by Daemone Darker March 3, 2009
Gothic punk (also defined as 'deathrock' and part of the 'post-punk' movement) deals with themes of death and mortality, sorrow, despair, surrealism, fantasy, the darker side of the life of society, the supernatural, the occult, romanticism, the effects of psychological terror and trauma - just to name a few of the basics. The music of gothic punk, (as opposed to the more traditional extremely fast and anger-based hardcore punk), usually exists within the realm of medium-fast, more danceable rhythms often including tribal tom-based drum sections for the verses. The music also often includes a synthesizer to accompany the drums, bass and guitar, which again, is something more traditional hardcore punk usually refrained from including. The result is more of a moody, introspective sound that takes one into the realms of imagination. The classic, essential deathrock (or goth punk) bands include: Christian Death (the original lineup with vocalist Rozz Williams), early TSOL, UK Decay, The Damned, 45 Grave, Alien Sex Fiend and The Cramps.
Keep in mind that there were also several 'dark punk' bands around the same time that, while not maybe being quite as 'gothic' in some regards, still had enough stylistic similarities to be worthy of mention. They include bands such as: The Adicts, The Adverts, The Mob, False Prophets, Wipers, Chrome and can't forget classics that bridged the gap between hardcore and darkpunk such as Black Flag, Dead Kennedys and The Misfits. One should at least check out the classic gothic punk (or, as I prefer to call them, deathrock) bands before making comments on the genre. Keep in mind that while all these bands have similarities, they also have very distinctive sounds that set them apart from the others, as all good artists should, so don't think that just because you've heard one or two of the bands mentioned that you know what gothic punk sounds like. Modern gothic punk bands worthy of mention are: Cinema Strange and Cauda Pavonis.
Keep in mind that there were also several 'dark punk' bands around the same time that, while not maybe being quite as 'gothic' in some regards, still had enough stylistic similarities to be worthy of mention. They include bands such as: The Adicts, The Adverts, The Mob, False Prophets, Wipers, Chrome and can't forget classics that bridged the gap between hardcore and darkpunk such as Black Flag, Dead Kennedys and The Misfits. One should at least check out the classic gothic punk (or, as I prefer to call them, deathrock) bands before making comments on the genre. Keep in mind that while all these bands have similarities, they also have very distinctive sounds that set them apart from the others, as all good artists should, so don't think that just because you've heard one or two of the bands mentioned that you know what gothic punk sounds like. Modern gothic punk bands worthy of mention are: Cinema Strange and Cauda Pavonis.
by Daemone Darker March 1, 2009
Gothic punk (also defined as 'deathrock' and part of the 'post-punk' movement) deals with themes of death and mortality, sorrow, despair, surrealism, fantasy, the darker side of the life of society, the supernatural, the occult, romanticism, the effects of psychological terror and trauma - just to name a few of the basics. The music of gothic punk, (as opposed to the more traditional extremely fast and anger-based hardcore punk), usually exists within the realm of medium-fast, more danceable rhythms often including tribal tom-based drum sections for the verses. The music also often includes a synthesizer to accompany the drums, bass and guitar, which again, is something more traditional hardcore punk usually refrained from including. The result is more of a moody, introspective sound that takes one into the realms of imagination. The classic, essential deathrock (or goth punk) bands include: Christian Death (the original lineup with vocalist Rozz Williams), early TSOL, UK Decay, The Damned, 45 Grave, Alien Sex Fiend and The Cramps.
Keep in mind that there were also several 'dark punk' bands around the same time that, while not maybe being quite as 'gothic' in some regards, still had enough stylistic similarities to be worthy of mention. They include bands such as: The Adicts, The Adverts, The Mob, False Prophets, Wipers, Chrome and can't forget classics that bridged the gap between hardcore and darkpunk such as Black Flag, Dead Kennedys and The Misfits. One should at least check out the classic gothic punk (or, as I prefer to call them, deathrock) bands before making comments on the genre. Keep in mind that while all these bands have similarities, they also have very distinctive sounds that set them apart from the others, as all good artists should, so don't think that just because you've heard one or two of the bands mentioned that you know what gothic punk sounds like. Modern gothic punk bands worthy of mention are: Cinema Strange and Cauda Pavonis.
by Daemone Darker March 2, 2009
Some people who have added to this definition have an extremely poor understanding of what so-called 'goth punk' is. Its roots are in MUSIC, the fashion being something secondary that developed out of and was inspired by the mood the music evokes. Goth punk (also defined as 'deathrock' and part of the 'post-punk' movement) deals with themes of death and mortality, sorrow, despair, surrealism, fantasy, the darker side of the life of society, the supernatural, the occult, romanticism, the effects of psychological terror and trauma - just to name a few of the basics. The music of goth punk, (as opposed to the more traditional extremely fast and anger-based hardcore punk), usually exists within the realm of medium-fast, more danceable rhythms often including tribal tom-based drum sections for the verses. The music also often includes a synthesizer to accompany the drums, bass and guitar, which again, is something more traditional hardcore punk usually refrained from including. The result is more of a moody, introspective sound that takes one into the realms of imagination. The classic, essential deathrock (or goth punk) bands include: Christian Death (the original lineup with vocalist Rozz Williams), early TSOL, UK Decay, The Damned, 45 Grave, Alien Sex Fiend and The Cramps.
Keep in mind that there were also several 'dark punk' bands around the same time that, while not maybe being quite as 'gothic' in some regards, still had enough stylistic similarities to be worthy of mention. They include bands such as: The Adicts, The Adverts, The Mob, False Prophets, Wipers, Chrome and can't forget classics that bridged the gap between hardcore and darkpunk such as Black Flag, Dead Kennedys and The Misfits. One should at least check out the classic goth punk (or, as I prefer to call them, deathrock) bands before making comments on the genre. Keep in mind that while all these bands have similarities, they also have very distinctive sounds that set them apart from the others, as all good artists should, so don't think that just because you've heard one or two of the bands mentioned that you know what goth punk sounds like. Modern goth punk bands worthy of mention are: Cinema Strange and Cauda Pavonis.
Keep in mind that there were also several 'dark punk' bands around the same time that, while not maybe being quite as 'gothic' in some regards, still had enough stylistic similarities to be worthy of mention. They include bands such as: The Adicts, The Adverts, The Mob, False Prophets, Wipers, Chrome and can't forget classics that bridged the gap between hardcore and darkpunk such as Black Flag, Dead Kennedys and The Misfits. One should at least check out the classic goth punk (or, as I prefer to call them, deathrock) bands before making comments on the genre. Keep in mind that while all these bands have similarities, they also have very distinctive sounds that set them apart from the others, as all good artists should, so don't think that just because you've heard one or two of the bands mentioned that you know what goth punk sounds like. Modern goth punk bands worthy of mention are: Cinema Strange and Cauda Pavonis.
by Daemone Darker March 1, 2009
Deathrock (or goth punk as some call it) deals with themes of death and mortality, sorrow, despair, surrealism, fantasy, the darker side of the life of society, the supernatural, the occult, romanticism, the effects of psychological terror and trauma - just to name a few of the basics. The music of goth punk, (as opposed to the more traditional extremely fast and anger-based hardcore punk), usually exists within the realm of medium-fast, more danceable rhythms often including tribal tom-based drum sections for the verses. The music also often includes a synthesizer to accompany the drums, bass and guitar, which again, is something more traditional hardcore punk usually refrained from including. The result is more of a moody, introspective sound that takes one into the realms of imagination. The classic, essential deathrock bands include: Christian Death (the original lineup with vocalist Rozz Williams), early TSOL, UK Decay, The Damned, 45 Grave, Alien Sex Fiend and The Cramps.
Keep in mind that there were also several 'dark punk' bands around the same time that, while not maybe being quite as 'gothic' in some regards, still had enough stylistic similarities to be worthy of mention. They include bands such as: The Adicts, The Adverts, The Mob, False Prophets, Wipers, Chrome and can't forget classics that bridged the gap between hardcore and darkpunk such as Black Flag, Dead Kennedys and The Misfits. One should at least check out the classic deathrock bands before making comments on the genre. Keep in mind that while all these bands have similarities, they also have very distinctive sounds that set them apart from the others, as all good artists should, so don't think that just because you've heard one or two of the bands mentioned that you know what goth punk sounds like. Modern deathrockers worthy of mention are: Cinema Strange and Cauda Pavonis.
Keep in mind that there were also several 'dark punk' bands around the same time that, while not maybe being quite as 'gothic' in some regards, still had enough stylistic similarities to be worthy of mention. They include bands such as: The Adicts, The Adverts, The Mob, False Prophets, Wipers, Chrome and can't forget classics that bridged the gap between hardcore and darkpunk such as Black Flag, Dead Kennedys and The Misfits. One should at least check out the classic deathrock bands before making comments on the genre. Keep in mind that while all these bands have similarities, they also have very distinctive sounds that set them apart from the others, as all good artists should, so don't think that just because you've heard one or two of the bands mentioned that you know what goth punk sounds like. Modern deathrockers worthy of mention are: Cinema Strange and Cauda Pavonis.
by Daemone Darker March 1, 2009
The Uncanny is a Freudian concept of an instance where something can be familiar, yet foreign at the same time, resulting in a feeling of it being uncomfortably strange.
Because the uncanny is familiar, yet strange, it often creates cognitive dissonance within the experiencing subject due to the paradoxical nature of being attracted to, yet repulsed by an object at the same time. This cognitive dissonance often leads to an outright rejection of the object, as one would rather reject than rationalize.
Because the uncanny is familiar, yet strange, it often creates cognitive dissonance within the experiencing subject due to the paradoxical nature of being attracted to, yet repulsed by an object at the same time. This cognitive dissonance often leads to an outright rejection of the object, as one would rather reject than rationalize.
The state is first identified by Ernst Jentsch in a 1906 essay, On the Psychology of the Uncanny. Jentsch defines the Uncanny as: "doubts whether an apparently animate being is really alive; or conversely, whether a lifeless object might be, in fact, animate", and expands upon its use in fiction:
“ In telling a story one of the most successful devices for easily creating uncanny effects is to leave the reader in uncertainty whether a particular figure in the story is a human being or an automaton and to do it in such a way that his attention is not focused directly upon his uncertainty, so that he may not be led to go into the matter and clear it up immediately.
“ In telling a story one of the most successful devices for easily creating uncanny effects is to leave the reader in uncertainty whether a particular figure in the story is a human being or an automaton and to do it in such a way that his attention is not focused directly upon his uncertainty, so that he may not be led to go into the matter and clear it up immediately.
by Daemone Darker March 3, 2009