Sean Paul’s invention!
When you go to school, you say to your friends, “What’s up”? right?, well that’s what Sean Paul is trying to say but his own way!
So don’t be dissing him yeah… you jealous dickheads, he is the best, and that’s that!
So don’t be dissing him yeah… you jealous dickheads, he is the best, and that’s that!
by Rizwaan October 28, 2004
Dutty Cup crew, which includes Sean Paul and his friends Looga Man, Kurup, Chicken, and Mossy Kid, are labelled "uptown " deejays, considered to have more privileged upbringings than other dancehall artists who predominantly hail from ghetto areas. However, if you go to Kingston today compared to 10 years ago, radio play of dancehall music has increased tenfold reaching all classes. All-inclusive "Uptown" sessions these days are ram packed, often holding 1000 people and upwards, proving that dancehall is not just a ghetto thing anymore. In music, it’s not Sean’s class which speaks for him, it’s his records.
by Rizwaan October 21, 2004
Jason "Jigzagula" Henriques, is known as the Jamaican, “Jay - Z”!
He is originated in the “Coppershot sounds”!
Jason is also a back up vocalic for Sean Paul in concerts!
He is featured in the “De dance” for Sean Paul’s forth video, “Like glue” taken from the VP Records // ATLANTIC release, “DUTTY ROCK”!
He is originated in the “Coppershot sounds”!
Jason is also a back up vocalic for Sean Paul in concerts!
He is featured in the “De dance” for Sean Paul’s forth video, “Like glue” taken from the VP Records // ATLANTIC release, “DUTTY ROCK”!
by Rizwaan October 21, 2004
by Rizwaan November 14, 2004
| Intro |
Dede woojaa wooja woojaa
Dede woojaa wooja woo
Dede woojaa wooja woojaa
Dede woojaa woo
Dede woojaa dede woojaa
woojaa wooja dede woo
Dede woojaa dede woojaa
Dede woojaa wee
| Chorus |
You run di world explicit girl
I wan tek mi time and get wit it girl
any hour and a every minute girl
any time a day
I wan to be the man who can kling it baby
just have no fear and come bring it lady
gimme the light without limit baby
girl just gimme the Flame
| V1 |
Doctor, anytime ya pass a de beat a me heart
mash up me medulla oblongata
have down me part then me shot get harder
wine pon de top and make a pussy pinata
me haffi thank ya mother who we have (nuff fi die for)
(who bree a chan) who we have thank father god for
any man a try tell them try no bother
gimme the thing then make it get it in harder
for girl you are the order of the day
that's what's up gone ruff it up
big up all the hot girl in a de J.A.
that's what's up gone ruff it up
cause
| Chorus |
You run di world explicit girl
I wan tek mi time and get wit it girl
any hour and a every minute girl
any time a day
I wan to be the man who can kling it baby
just have no fear and come bring it lady
gimme the light without limit baby
girl just gimme the Flame
| V2 |
Cause you knock with it
natural nice body ina the east of the valley
nuff bun out deport
them want stick it
ina dillie and a dallie in a whole batterey dally gyal
you no play volley
Just boomflick it.
Cause you hide na de hand
fight na di push together pussy na afraid them
can't take it
Finally, my dally
you are the number one gyal pon it
ruff it up
for girl you are the order of the day
that's what's up gone ruff it up
big up all the girl in a N.Y.C
that's what's up gone ruff it up
Dede woojaa wooja woojaa
Dede woojaa wooja woo
Dede woojaa wooja woojaa
Dede woojaa woo
Dede woojaa dede woojaa
woojaa wooja dede woo
Dede woojaa dede woojaa
Dede woojaa wee
| Chorus |
You run di world explicit girl
I wan tek mi time and get wit it girl
any hour and a every minute girl
any time a day
I wan to be the man who can kling it baby
just have no fear and come bring it lady
gimme the light without limit baby
girl just gimme the Flame
| V1 |
Doctor, anytime ya pass a de beat a me heart
mash up me medulla oblongata
have down me part then me shot get harder
wine pon de top and make a pussy pinata
me haffi thank ya mother who we have (nuff fi die for)
(who bree a chan) who we have thank father god for
any man a try tell them try no bother
gimme the thing then make it get it in harder
for girl you are the order of the day
that's what's up gone ruff it up
big up all the hot girl in a de J.A.
that's what's up gone ruff it up
cause
| Chorus |
You run di world explicit girl
I wan tek mi time and get wit it girl
any hour and a every minute girl
any time a day
I wan to be the man who can kling it baby
just have no fear and come bring it lady
gimme the light without limit baby
girl just gimme the Flame
| V2 |
Cause you knock with it
natural nice body ina the east of the valley
nuff bun out deport
them want stick it
ina dillie and a dallie in a whole batterey dally gyal
you no play volley
Just boomflick it.
Cause you hide na de hand
fight na di push together pussy na afraid them
can't take it
Finally, my dally
you are the number one gyal pon it
ruff it up
for girl you are the order of the day
that's what's up gone ruff it up
big up all the girl in a N.Y.C
that's what's up gone ruff it up
by Rizwaan November 13, 2004
Atlantic was formed in 1947 by Ahmet Ertegun and Herb Abramson in New York City. Atco and Cotillion were subsidiary labels and Clarion was a budget label. Atlantic recorded rhythm and blues, jazz, blues, country and western, rock and roll, gospel, and comedy.
by Rizwaan October 19, 2004
Stage One is an extra long CD showcases popular dancehall "riddims" overlaid with DJ Sean Paul's rather pedestrian "toasting." Since he possesses neither an unusual voice nor outstanding skill, this CD can become rather tiresome after awhile, especially after one too many skits on a 25-track album. Still, there are some enjoyable tunes here, namely the hit single, "Infiltrate," which burned up dancehalls with its pumping beat, and "Hot Gal Today," a duet with ultra-hot DJ Mr. Vegas, which displays an interesting blend of Sean Paul's hard voice with Vegas' smoother vocals. "Faded," a take on Shania Twain's "Looks Like We Made It," also illustrates clever treatment.
by Rizwaan October 21, 2004