Crenglish Rock & Pop is a the Creole-English style of Rock and Pop music originating from Crenglish speaking communities such as the Canada, France and certain parts of the U.S, sung and perform by artist over live instrumentals and, or backing tracks in Creole and English.
Often used synonymously with "Franglish Rock & Pop " or "Rock & Pop en Franglais" Which is French and English music originating from France, Canada, West Africa, and the French Caribbean countries.
Typical instruments are: Modern synthesizer,, Drum machine, Microphone, Saxophone, Trumpet, Tombone, Backing track, DAW, Sampler, Loops, Drums kits, Electric Guitar, Bass guitar, Piano/Keyboard/Keytar, KeyBass, Hooks/ Lyrical melodies and Harmonies, Lead Vocals, Backing Vocals, Ostinatos and Rap-singing.
Just like modern Pop music , most Crenglish Rock & Pop artists often focus on melodies and catchy hooks, and chorus that contrasts melodically, rhythmically and harmonically with the verse. And the lyrics of Crenglish Rock & Pop songs typically focus on simple themes – often love and romantic relationships
A notable label of this kind of Crenglish Rock& Pop is Negre Marron Records which was founded in New York City 2018 by René Guemps.
Often used synonymously with "Franglish Rock & Pop " or "Rock & Pop en Franglais" Which is French and English music originating from France, Canada, West Africa, and the French Caribbean countries.
Typical instruments are: Modern synthesizer,, Drum machine, Microphone, Saxophone, Trumpet, Tombone, Backing track, DAW, Sampler, Loops, Drums kits, Electric Guitar, Bass guitar, Piano/Keyboard/Keytar, KeyBass, Hooks/ Lyrical melodies and Harmonies, Lead Vocals, Backing Vocals, Ostinatos and Rap-singing.
Just like modern Pop music , most Crenglish Rock & Pop artists often focus on melodies and catchy hooks, and chorus that contrasts melodically, rhythmically and harmonically with the verse. And the lyrics of Crenglish Rock & Pop songs typically focus on simple themes – often love and romantic relationships
A notable label of this kind of Crenglish Rock& Pop is Negre Marron Records which was founded in New York City 2018 by René Guemps.
Her Crenglish Rock & Pop EP is a hit in all the French Caribbean Countries including France, US and Canada.
by Negre Marron Records January 27, 2019
Krenglish R&B, is a the Haitian Creole-English style of Rhythm and Blues "R&B" music originating from Crenglish speaking communities such as in the U.S. and certain parts of Canada, which are sung and perform by Crenglish Speaking Artist over live Instrumentals, and or backing tracks in Haitian Creole and English
Typical instruments are:
Modern synthesizer, Drum machine, Microphone, Saxophone, Trumpet, Trombone, Backing track, DAW, Sampler, Loops, Drums kits, Electric Guitar, Bass guitar, Talk box, Vocoder, Piano/Keyboard/Keytar, KeyBass, Hooks/ Lyrical melodies and Harmonies, Lead Vocals, Backing Vocals, Ostinatos, Melismata, and Rap-singing.
Just like Contemporary R&b music , most Crenglish R&B artists often focus on melodies and catchy hooks, and chorus that contrasts melodically, rhythmically and harmonically with the verse.
And the lyrics of Crenglish R&B songs typically focus on simple themes – often love and romantic relationships
A notable label of this kind of Crenglish R&B is Negre Marron Records which was founded in New York City 2018 by René Guemps.
Typical instruments are:
Modern synthesizer, Drum machine, Microphone, Saxophone, Trumpet, Trombone, Backing track, DAW, Sampler, Loops, Drums kits, Electric Guitar, Bass guitar, Talk box, Vocoder, Piano/Keyboard/Keytar, KeyBass, Hooks/ Lyrical melodies and Harmonies, Lead Vocals, Backing Vocals, Ostinatos, Melismata, and Rap-singing.
Just like Contemporary R&b music , most Crenglish R&B artists often focus on melodies and catchy hooks, and chorus that contrasts melodically, rhythmically and harmonically with the verse.
And the lyrics of Crenglish R&B songs typically focus on simple themes – often love and romantic relationships
A notable label of this kind of Crenglish R&B is Negre Marron Records which was founded in New York City 2018 by René Guemps.
MiAlda did a great Crenglish R&B cover of Jealous - by Labrinth and each verse is a direct translations of each other. Another cool thing she did is replaced the Bridge with Sax Solo.
by Negre Marron Records January 29, 2019
Kreyòl-Funk or K-Funk (also known as Haitian Funk) is a music style in which Haitian artists combine FolKompa rjythms with Kompa and Beat which infuses KompAvant-garde music (often HDEMl) with elements of Rara and Vodou drummings..
The concept usually includes using Electromechanic musical instruments and Electronic Music Technology or Electronic Musical Instruments , as well as distribution via digital audio formats over the Internet.
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Typical instruments
Modern synthesizer, Drum machine, Sound effect, MIDI, EWI (Electronic Wind Instruments), Backing track , Bass guitar, Electric guitar, Drums, Congas, Saxophone, Bamboo, Vaksin, Flute, Trumpet, Whistle, Tombone, Clarinet, Keyboard/Keyrtar Chanted vocals, and singable mélodies.
The tracks are predominantly instrumental, though there are exceptions
The music very danceable, The defining characteristics of the subgenre are thesound of Bass which sometime imitate the cilindrical bamboos and the Vaksin (Kone), and the drums These drums resemble congas, but with much more slender tapered bottoms.
A notable label of this kind of Kreyòl Funk is Negre Marron Records which was foundef in New York City ) 2018) by René Guemps.
The concept usually includes using Electromechanic musical instruments and Electronic Music Technology or Electronic Musical Instruments , as well as distribution via digital audio formats over the Internet.
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Typical instruments
Modern synthesizer, Drum machine, Sound effect, MIDI, EWI (Electronic Wind Instruments), Backing track , Bass guitar, Electric guitar, Drums, Congas, Saxophone, Bamboo, Vaksin, Flute, Trumpet, Whistle, Tombone, Clarinet, Keyboard/Keyrtar Chanted vocals, and singable mélodies.
The tracks are predominantly instrumental, though there are exceptions
The music very danceable, The defining characteristics of the subgenre are thesound of Bass which sometime imitate the cilindrical bamboos and the Vaksin (Kone), and the drums These drums resemble congas, but with much more slender tapered bottoms.
A notable label of this kind of Kreyòl Funk is Negre Marron Records which was foundef in New York City ) 2018) by René Guemps.
yo Jerry,
I juste dowloaded Nègre's Marrons Records newest Kreyòl-Funk LP on ITunes i goota say all 7 of the tracks sound really good.
I juste dowloaded Nègre's Marrons Records newest Kreyòl-Funk LP on ITunes i goota say all 7 of the tracks sound really good.
by Negre Marron Records October 16, 2018
is the Haitian A cappella style of unaccompanied vocal music., specifically group or solo singing without instrumental accompaniment,
Instead of singing over a rhythm that matches the sentiment of the lyrics, a singer would sets the tone him/herself by building a live loop of his/her own harmonies and snaps. Using the full range of their vocals,
Characterised by Typical instruments
Layed Vocals, Vocal percussion, Live looping, Harmonies, Snaps/Claps, Vocal toning, Body percussion, Vocal cords, Beatboxing, Body percussion and instrument mimicry as in Vocalese and/or. Scatting.
Instead of singing over a rhythm that matches the sentiment of the lyrics, a singer would sets the tone him/herself by building a live loop of his/her own harmonies and snaps. Using the full range of their vocals,
Characterised by Typical instruments
Layed Vocals, Vocal percussion, Live looping, Harmonies, Snaps/Claps, Vocal toning, Body percussion, Vocal cords, Beatboxing, Body percussion and instrument mimicry as in Vocalese and/or. Scatting.
Some Haitian singer and voodoo priests even use A KompAppella to create adaptations of traditional FolKompa music, which they use at the begining of voodoo ceremonies.
by Negre Marron Records March 18, 2019
Euro-Kompa, a portmanteau of "European and Kompa"), It's often referred to as "White Kompa" a term used to describe Haitian Kompa music sung by artist or singers of European descent.
Euro-Kompa usually Features a lead vocalist and 2-3 backing Vocalists and sometime a guest vocalist usually a Euro-Rap-Singer who 'd contribute a guest verse during a bridge resulting in song lengths ranging from 3-4 minutes depending on the tempo.
Electromechanically produced by live traditional Kompa jam-session musicians which are also often mistakenly referred to as “GIGGERS”by other “KNOW-IT-ALL” in the Haitian Music Industry.
Identifying factors include generally short to medium-length songs written in a variants format which emphasize the song's melody and harmonies.
Unlike Haitian Kompa Direct which is very lyric-oriented-the lyrics in Euro-Kompa songs don’t usually have any deep meaning- often the lyrics are frivolous.
Euro-Kompa generally dance to a mid-tempo 90-115 BPM (beats per minute) with a 1-2 -1-2 Beat and with an arrangements of a 4/4 or four-on-the-floor time Signature which always encourages dancing due to it’s use of dance-oriented rhythms.
The origins of the genre and term was pioneered by Negre Marron Records' CEO and label Director Rene Guemps.
FYI: This is the first time in the history of the Haitian Music Industry (HMI) that a record label will be selling the beauty of an international artist from another race as a concept in a market that's not his or hers.
Euro-Kompa usually Features a lead vocalist and 2-3 backing Vocalists and sometime a guest vocalist usually a Euro-Rap-Singer who 'd contribute a guest verse during a bridge resulting in song lengths ranging from 3-4 minutes depending on the tempo.
Electromechanically produced by live traditional Kompa jam-session musicians which are also often mistakenly referred to as “GIGGERS”by other “KNOW-IT-ALL” in the Haitian Music Industry.
Identifying factors include generally short to medium-length songs written in a variants format which emphasize the song's melody and harmonies.
Unlike Haitian Kompa Direct which is very lyric-oriented-the lyrics in Euro-Kompa songs don’t usually have any deep meaning- often the lyrics are frivolous.
Euro-Kompa generally dance to a mid-tempo 90-115 BPM (beats per minute) with a 1-2 -1-2 Beat and with an arrangements of a 4/4 or four-on-the-floor time Signature which always encourages dancing due to it’s use of dance-oriented rhythms.
The origins of the genre and term was pioneered by Negre Marron Records' CEO and label Director Rene Guemps.
FYI: This is the first time in the history of the Haitian Music Industry (HMI) that a record label will be selling the beauty of an international artist from another race as a concept in a market that's not his or hers.
by Negre Marron Records March 19, 2023
Euro-Compa, a, often referred to as "White Kompa" or Kompa Ero in Haitian Créole. A term used to describe Haitian Kompa music sung by artist or singers of European descent.
Euro-Kompa usually Features a lead vocalist with 1 or more backup Vocalists and sometime a guest vocalist usually a Euro-Rap-Singer who 'd contribute a guest verse during a bridge resulting in song lengths ranging from 3-4 minutes depending on the tempo.
Instrumentals are provided by live traditional Kompa jam-session musicians which are also often mistakenly referred to as “GIGGERS”by other “KNOW-IT-ALL” in the Haitian Music Industry.
Identifying factors include generally short to medium-length songs written in a variants format which emphasize the song's melody and harmonies.
Unlike Haitian Kompa Direct which is very lyric-oriented-the lyrics in Euro-Kompa songs don’t usually have any deep meaning- often the lyrics are frivolous.
Euro-Kompa generally dance to a mid-tempo 90-115 BPM (beats per minute) with a 1-2 beat and with an arrangements of a 4/4 or four-on-the-floor time Signature which always encourages dancing due to it’s use of dance-oriented rhythms.
The origins of the genre and term was pioneered by Negre Marron Records' CEO and label Director René Guemps.
FYI: This is the first time in the history of the Haitian Music Industry (HMI) that a independent record label will be selling the beauty of an international artist from another race as a concept in a market that's not his or hers.
Euro-Kompa usually Features a lead vocalist with 1 or more backup Vocalists and sometime a guest vocalist usually a Euro-Rap-Singer who 'd contribute a guest verse during a bridge resulting in song lengths ranging from 3-4 minutes depending on the tempo.
Instrumentals are provided by live traditional Kompa jam-session musicians which are also often mistakenly referred to as “GIGGERS”by other “KNOW-IT-ALL” in the Haitian Music Industry.
Identifying factors include generally short to medium-length songs written in a variants format which emphasize the song's melody and harmonies.
Unlike Haitian Kompa Direct which is very lyric-oriented-the lyrics in Euro-Kompa songs don’t usually have any deep meaning- often the lyrics are frivolous.
Euro-Kompa generally dance to a mid-tempo 90-115 BPM (beats per minute) with a 1-2 beat and with an arrangements of a 4/4 or four-on-the-floor time Signature which always encourages dancing due to it’s use of dance-oriented rhythms.
The origins of the genre and term was pioneered by Negre Marron Records' CEO and label Director René Guemps.
FYI: This is the first time in the history of the Haitian Music Industry (HMI) that a independent record label will be selling the beauty of an international artist from another race as a concept in a market that's not his or hers.
by Negre Marron Records March 19, 2023
The name is a portmanteau of Creole and Español.
The Creole-style of Spanish love song, often referred to "balada romántica" (Español) or
"balad romantik" in Haitian Creole.
A derivative of Bolero, originating from Ibero-American communities such as Spain, sung, and performed by solo or duo singers of Haitian origin
Accompanied by live instrumentals or backing tracks.
Typical instruments are:
Acoustic guitar, Accordions, Trumpet, Trombone, Violin, Double bass, Orchestra, Timbales, Flute, Saxophone, vibraphone, Modern synthesizer, Backing track, DAW, Sampler, Electric Guitar, Bass guitar, Piano/Keyboard/Keytar, KeyBass, Hooks/ Lyrical melodies and Harmonies, Vocal, Backing Vocals, Ostinatos, Rap-Singing.
Just like most Ibero-American ballad songs , most CreoSpañol Ballads are typically danced to slow tempo with a 3/4 beat.
The tempo typically falls between 80 and 104 beats per minute.
And the lyrics of CreoSpañol Ballad songs typically focus on romantic love.
A notable label of this kind of CreoSpañol Ballad is Negre Marron Records which was founded in New York City 2018 by René Guemps.
The Creole-style of Spanish love song, often referred to "balada romántica" (Español) or
"balad romantik" in Haitian Creole.
A derivative of Bolero, originating from Ibero-American communities such as Spain, sung, and performed by solo or duo singers of Haitian origin
Accompanied by live instrumentals or backing tracks.
Typical instruments are:
Acoustic guitar, Accordions, Trumpet, Trombone, Violin, Double bass, Orchestra, Timbales, Flute, Saxophone, vibraphone, Modern synthesizer, Backing track, DAW, Sampler, Electric Guitar, Bass guitar, Piano/Keyboard/Keytar, KeyBass, Hooks/ Lyrical melodies and Harmonies, Vocal, Backing Vocals, Ostinatos, Rap-Singing.
Just like most Ibero-American ballad songs , most CreoSpañol Ballads are typically danced to slow tempo with a 3/4 beat.
The tempo typically falls between 80 and 104 beats per minute.
And the lyrics of CreoSpañol Ballad songs typically focus on romantic love.
A notable label of this kind of CreoSpañol Ballad is Negre Marron Records which was founded in New York City 2018 by René Guemps.
by Negre Marron Records January 29, 2019