KompaRagga is a fusion of Haitian Kompa and Reggae, played in nightclubs from mainly the French-Creole speaking countries of the Caribbean, such as Haiti, Martinique, Dominica, Guadeloupe and Africa as well.
by Negre Marron Records September 05, 2018
KomParody is the Haitian Kompa music style of the Pariody which is a "counter-song", an imitation with a twist designed to ridicule another original song
It refers to a reworking of a composition into another in which musical ideas or lyrics are lifted into a different
Musical KomParodies imitate or
make fun of, or comment on an original work or the style of a kompa and Beat artist, or even a general style of Kompa music.
KomParody usually has humorous, even satirical intent it also often utilises incongruous elements of Haitian Pop culture for comedic effect.
It refers to a reworking of a composition into another in which musical ideas or lyrics are lifted into a different
Musical KomParodies imitate or
make fun of, or comment on an original work or the style of a kompa and Beat artist, or even a general style of Kompa music.
KomParody usually has humorous, even satirical intent it also often utilises incongruous elements of Haitian Pop culture for comedic effect.
This song is a KomParody of the french song (Si J'étais Président) which means in English (If I was President) by Gérard Lenorman.
by Negre Marron Records November 07, 2018
“LEPANDYè,” known in English as a “stage crasher” or “fan on stage,” describes a fan who gets so caught up in the excitement of a live performance that they find themselves joining the musicians on stage.
This term, originating from Haitian Creole, embodies the passion and spontaneity of fans who step beyond their role as spectators, akin to a “stage prop” that unexpectedly comes to life. It was introduced by Rene Guemps, CEO and Founder of Negre Marron Records to acknowledge those who show their love for music in the most direct way possible, adding an unpredictable and dynamic element to the performance, much like a well-placed prop can add depth to a scene.
This term, originating from Haitian Creole, embodies the passion and spontaneity of fans who step beyond their role as spectators, akin to a “stage prop” that unexpectedly comes to life. It was introduced by Rene Guemps, CEO and Founder of Negre Marron Records to acknowledge those who show their love for music in the most direct way possible, adding an unpredictable and dynamic element to the performance, much like a well-placed prop can add depth to a scene.
At last night’s show, a LEPANDYÈ couldn’t resist the rhythm and hopped on stage, becoming an impromptu part of the performance, almost like a stage prop that suddenly decided to join the dance!
by Negre Marron Records April 13, 2024
KompaRific is the way Haitian party-goer feels after dancing a night of dancing to Haitian Kompa and beat music
Yo Booloo!
The DJ just played one of Bijon's newest Kompa and Beat Singlea at the club, that shit made feel
so KompaRific bro.I think IMA download it on Google Play.
The DJ just played one of Bijon's newest Kompa and Beat Singlea at the club, that shit made feel
so KompaRific bro.I think IMA download it on Google Play.
by Negre Marron Records October 18, 2018
BWA KALE REKORDZ (BKR) for short - is a subsidiary of NEGRE MARRON RECORDS, dedicated to supporting Haitian artists who utilize their music to advocate for social justice. Our focus on promoting and distributing conscious music sets us apart from our sister label, WANGA NÈGÈS RECORDS, which concentrates on Haitian Kompa-infused music. Our slogan, 'Bringing justice through music,' demonstrates our commitment to promoting social justice through music.
Our name BWA KALE is derived from a grassroots vigilante justice movement in Haiti that symbolizes a swift form of justice against gang violence. We do not endorse music that glorifies crime or violence, and our mission is to support and promote unsigned Haitian artists who create conscious music addressing social injustices in Haiti.
We firmly believe that music is a potent tool for raising awareness and inspiring change within our communities. Through collaborations with local recording studios and audio engineers in Haiti, we ensure that our music adheres to the highest industry standards in mixing and mastering.
As an independent record label, we provide a platform for Haitian artists who have limited access to resources to produce and distribute their music. We are focused on promoting Creole Rap, Rara-Bòday, DiaspoRara, ManifesNaval, Rap Kreyòl, Crenglish Rap, RaggaNaval, Haitian Ragga, Rabòday, Rara, Ra-Rap, Diaspo-Rap, Creospañol RAP, CRÉOLE-Trap, and Rasin (Haitian Roots) music that addresses social injustice in Haiti.
Our name BWA KALE is derived from a grassroots vigilante justice movement in Haiti that symbolizes a swift form of justice against gang violence. We do not endorse music that glorifies crime or violence, and our mission is to support and promote unsigned Haitian artists who create conscious music addressing social injustices in Haiti.
We firmly believe that music is a potent tool for raising awareness and inspiring change within our communities. Through collaborations with local recording studios and audio engineers in Haiti, we ensure that our music adheres to the highest industry standards in mixing and mastering.
As an independent record label, we provide a platform for Haitian artists who have limited access to resources to produce and distribute their music. We are focused on promoting Creole Rap, Rara-Bòday, DiaspoRara, ManifesNaval, Rap Kreyòl, Crenglish Rap, RaggaNaval, Haitian Ragga, Rabòday, Rara, Ra-Rap, Diaspo-Rap, Creospañol RAP, CRÉOLE-Trap, and Rasin (Haitian Roots) music that addresses social injustice in Haiti.
"The latest album released by BWA KALE REKORDZ artist sheds light on the ongoing social injustice issues faced by marginalized communities in Haiti."
by Negre Marron Records May 21, 2023
Negre Marron Publishing ("NMP" for short) is an Independent Haitian -American Music Publishing Company and a division of Negre Marron Records -Founded in NYC by Negre Marron Records CEO and Label director René Guemps.
NMP’s main activities:
- Administers Publishing rights & Copyrights of Haitian musicians in the USA, Canada, Europe, Haiti and abroad.
- NMP monitors when, where and what works are used;
- Negotiates tariffs and other conditions with users;
- Licenses the use of protected works on behalf of its members and of other rights holders it represents; and
- Collects the fees from users and distributes these to the rights holders for their Public/ Digital / mechanical performance, broadcast of Terrestrial, Commercial or Community Radio, Low-power broadcasting or Microbroadcasting, (SubCarriers), Tv stations and or similar platforms that streams Haitian (also known by the French as Compas and or simply Konpa (Haitian Créole) Music over both AM/FM bands and pay it to Haitian Kompa Songwriters, Authors, Lyricists, Composers, Performers, Producers, Publlishers, and other right holders.
NMP’s main activities:
- Administers Publishing rights & Copyrights of Haitian musicians in the USA, Canada, Europe, Haiti and abroad.
- NMP monitors when, where and what works are used;
- Negotiates tariffs and other conditions with users;
- Licenses the use of protected works on behalf of its members and of other rights holders it represents; and
- Collects the fees from users and distributes these to the rights holders for their Public/ Digital / mechanical performance, broadcast of Terrestrial, Commercial or Community Radio, Low-power broadcasting or Microbroadcasting, (SubCarriers), Tv stations and or similar platforms that streams Haitian (also known by the French as Compas and or simply Konpa (Haitian Créole) Music over both AM/FM bands and pay it to Haitian Kompa Songwriters, Authors, Lyricists, Composers, Performers, Producers, Publlishers, and other right holders.
I know The folks at Negre Marron Publishing, are going to be so happy once the AM/FM Act is passed into law.
by Negre Marron Records February 11, 2020
Negre Marron Publishing abbreviated as NMP, is a Performance Rights Organization that collects Interactive “Streaming” Public Performance Royalties for the public broadcast of live performances on Youtube, and similar platforms that streams live performances and pay it to the band members not the songwriters, composer s or the record labels.
I heard that Negre Marron Publishing has an audio recognition technology that will scan online video websites around the world to discover where footage of our live music videos is being played—so we can get paid.
by Negre Marron Records September 06, 2018