PROMOGPT is a revolutionary party promotion that rewards sub-promoters for bringing guests to our events. By joining our team, you'll have the opportunity to earn money for every guest you bring, while helping us create unforgettable experiences for partygoers.
PROMO is for PROMOTIONS - GPT stands for “GET PAID TONIGHT”
Our slogan: "Get Paid Tonight" with PROMOGPT"
PROMO is for PROMOTIONS - GPT stands for “GET PAID TONIGHT”
Our slogan: "Get Paid Tonight" with PROMOGPT"
"Hey, have you heard about PROMOGPT? It's the brainchild of Rene Guemps, and they throw the most incredible parties for tourists visiting New York city. Last night, we attended a French Caribbean Dance Party in Manhattan and had the time of our lives!"
by Negre Marron Records June 02, 2023
Get the PROMOGPT mug.CrEnglish Rap, a dynamic subgenre, fuses Haitian Creole and English in Rap music. Emerging from CrEnglish-speaking communities, notably in the U.S. and parts of Canada, it features artists delivering lyrics in both languages over backing tracks.
Instrumentation in CrEnglish Rap spans various elements, including modern synthesizers, drum machines, microphones, saxophones, trumpets, trombones, backing tracks, DAWs (Digital Audio Workstations), samplers, loops, drum kits, electric guitars, bass guitars, talk boxes, vocoders, keyboards/keytars, hooks/lyrical melodies, harmonies, and rap-singing.
In line with Contemporary Rap, CrEnglish Rap highlights rhythmic flow, wordplay, and storytelling, incorporating melody, catchy hooks, and diverse rhythms for a captivating musical experience. Lyrics explore various themes, reflecting artists' experiences, perspectives, and cultural identity, benefitting from the bilingual nature of the genre.
Negre Marron Records, founded in NYC in 2018 by Rene Guemps, stands out as a pioneer in CrEnglish Rap. EMPRESS BEEJU, the label's first CrEnglish Rap artist, introduces a unique blend of Haitian Creole and English to the Rap world.
CrEnglish Rap evolves as artists experiment with language, rhythm, and cultural influences, contributing to the vibrant diversity of the rap music landscape. The genre serves as a platform for rich and dynamic expressions of thoughts and emotions, bridging linguistic and cultural gaps within the global Rap community.
Instrumentation in CrEnglish Rap spans various elements, including modern synthesizers, drum machines, microphones, saxophones, trumpets, trombones, backing tracks, DAWs (Digital Audio Workstations), samplers, loops, drum kits, electric guitars, bass guitars, talk boxes, vocoders, keyboards/keytars, hooks/lyrical melodies, harmonies, and rap-singing.
In line with Contemporary Rap, CrEnglish Rap highlights rhythmic flow, wordplay, and storytelling, incorporating melody, catchy hooks, and diverse rhythms for a captivating musical experience. Lyrics explore various themes, reflecting artists' experiences, perspectives, and cultural identity, benefitting from the bilingual nature of the genre.
Negre Marron Records, founded in NYC in 2018 by Rene Guemps, stands out as a pioneer in CrEnglish Rap. EMPRESS BEEJU, the label's first CrEnglish Rap artist, introduces a unique blend of Haitian Creole and English to the Rap world.
CrEnglish Rap evolves as artists experiment with language, rhythm, and cultural influences, contributing to the vibrant diversity of the rap music landscape. The genre serves as a platform for rich and dynamic expressions of thoughts and emotions, bridging linguistic and cultural gaps within the global Rap community.
Have you heard EMPRESS BEEJU's latest track? It's a fantastic blend of CrEnglish Rap, seamlessly intertwining Haitian Creole and English, delivering a powerful narrative with each verse.
by Negre Marron Records January 06, 2024
Get the CrEnglish Rap mug.TRAP-Kreyòl (offten referred to as "TRAP-Kreyòl" in Haitian Creole.) a style of Haitian hip hop
(also known as Rap Kreyòl Often used synonymously with "Haitian Hip hop" that originated in Haiti.
.The genre is a musical subgenre of American Trap music which combines elements of Kompa and Beat and Ragga-Ton .
Characterised by typical instruments
Vocals, Chorues, Hooks, Vocaloid, Microphone, Backing track, DAW, drum machine (Roland TR-808), synthesizers, sampler.
Other characteristics
Creole-TRAP takes influence from Haitian Kompa and Beat, Ragga-Ton as well as American trap music,
Key stylistic element:
Vocals include a lbend of rapping and singing, often in Haitian-French Creole, and usually Feature a guest artist or Backing Vocalist who 'd contribute a guest verse.
Just like American Trap , most of the lyrics in Creole-RAP are often about street life, violence, sex, and drugs.
A notable label of this kind of "Creole-RAP" is Negre Marron Records which was founded in New York City 2018 by René Guemps.
(also known as Rap Kreyòl Often used synonymously with "Haitian Hip hop" that originated in Haiti.
.The genre is a musical subgenre of American Trap music which combines elements of Kompa and Beat and Ragga-Ton .
Characterised by typical instruments
Vocals, Chorues, Hooks, Vocaloid, Microphone, Backing track, DAW, drum machine (Roland TR-808), synthesizers, sampler.
Other characteristics
Creole-TRAP takes influence from Haitian Kompa and Beat, Ragga-Ton as well as American trap music,
Key stylistic element:
Vocals include a lbend of rapping and singing, often in Haitian-French Creole, and usually Feature a guest artist or Backing Vocalist who 'd contribute a guest verse.
Just like American Trap , most of the lyrics in Creole-RAP are often about street life, violence, sex, and drugs.
A notable label of this kind of "Creole-RAP" is Negre Marron Records which was founded in New York City 2018 by René Guemps.
Creole-TRAP is mostly popular among younger Haitian crowd's of the Crenglush and Franglush Communities as in the French-Caribbean Antilles, France, Canada snd certain parts of U.S.
by Negre Marron Records March 10, 2019
Get the Creole-TRAP mug.An instrumental composition.of Kompa and Beat dedicated entirely to Haitian Kompa dance songs that's played without any boring Intros and long Verses just Ostinatos, Hooks and Choruses
Often referred to as (HDEM) Haitian Downtempo Electronic Music OR Haitian ElectroniKa - NOT to be Confused with Haitian EDM or HEDM (Haitian Electronic Dance Music) OR Rara Tech, the electronic music subgenre that fuses the Afro-Haitian genre Rara with House music OR Raboday which get its stylistic origin from Rasin music (Haitian Root Music) that has a 4/4 dance rhythm.
KompAvant-Guarde is generally danced to downtempo/Downbeat arrangements with a 1,2 beat.but with a verty danceable groove
The speed of KompAvant-Garde is between 80 and 120 BPM. (Anything higher or lower is acceptable)
The origins of the genre and term was pioneered by Negre. Marron Records' CEO and label Director René Guemps in New York City.
It's played in dance clubs and outdoor music festivals by mainly French-Creole and Crenglish speaking DJs.
KompAvant-Garde is used as background scores for Haitian Television, Radio and online advertisements, initially for Motormobile, Beverage and Telecom companies, as well as various fitness classes including Pilates, Yoga, Jogging, and strip aerobics
Characterized by Electronic Music Technology or Electronic Musical Instruments such as Modern synthesizers, Sequencers, Sampler, Loops, Sound effects,, MIDI, Melody, Personal computers and Digital Audio Workstations (DAW)..
Often referred to as (HDEM) Haitian Downtempo Electronic Music OR Haitian ElectroniKa - NOT to be Confused with Haitian EDM or HEDM (Haitian Electronic Dance Music) OR Rara Tech, the electronic music subgenre that fuses the Afro-Haitian genre Rara with House music OR Raboday which get its stylistic origin from Rasin music (Haitian Root Music) that has a 4/4 dance rhythm.
KompAvant-Guarde is generally danced to downtempo/Downbeat arrangements with a 1,2 beat.but with a verty danceable groove
The speed of KompAvant-Garde is between 80 and 120 BPM. (Anything higher or lower is acceptable)
The origins of the genre and term was pioneered by Negre. Marron Records' CEO and label Director René Guemps in New York City.
It's played in dance clubs and outdoor music festivals by mainly French-Creole and Crenglish speaking DJs.
KompAvant-Garde is used as background scores for Haitian Television, Radio and online advertisements, initially for Motormobile, Beverage and Telecom companies, as well as various fitness classes including Pilates, Yoga, Jogging, and strip aerobics
Characterized by Electronic Music Technology or Electronic Musical Instruments such as Modern synthesizers, Sequencers, Sampler, Loops, Sound effects,, MIDI, Melody, Personal computers and Digital Audio Workstations (DAW)..
Most of when I listen to music,I prefer KompAvant-Garde, it's mostly Instrumental, becauseI don’t really want to think about someone else’s messed up relationship or dead dog.
by Negre Marron Records October 14, 2018
Get the KompAvant-Garde mug.RaRap is the Haitian Rara style of the Rap Kreyòl music.
The name is a portmanteau of the Rara (Haitian Roots) and Rap music originating from French-Creole and Crenglish speaking countries of the Caribbean, the Antilles such as Haiti, Martinique, Dominica, Guadeloupe, as well as Canada, France, Western Africa and Haitian communities in the Untited States most notably New Orleans - which are sung by artists of Haitian decent.
Usually the artist Raps over hardcore Rara beats which get its stylistic origin fromHaitian Root Music that's played with Verses, Choruses, Hooks, Singable Melody, Riff/Vamps.
Characterized by and performed on traditional musical instruments which are played only by musicians of Haitian origin include:
Voodoo drums, Metal trumpets which are made from recycled metal, bamboo trumpets, Vaksin (vaccine) the vaccine perform repeating patterns in hocket and often strike their instruments rhythmically with a stick while blowing into them,
But now a days the Haitian folk instruments are rarely used, they're replaced by electromechanical. instruments such as Drum Machine Keyboard/Keytar, Bass guitars, KeyBass, Drum set, Percussions, Loops, Sequencers which make RaRap much easier and less expensive to produce than Rara music performed on traditional Haitian folk musical instruments.
A notable label of this kind of RaRap Music is Negre Marron Records which was founded in New York City 2018 by René Guemps
The name is a portmanteau of the Rara (Haitian Roots) and Rap music originating from French-Creole and Crenglish speaking countries of the Caribbean, the Antilles such as Haiti, Martinique, Dominica, Guadeloupe, as well as Canada, France, Western Africa and Haitian communities in the Untited States most notably New Orleans - which are sung by artists of Haitian decent.
Usually the artist Raps over hardcore Rara beats which get its stylistic origin fromHaitian Root Music that's played with Verses, Choruses, Hooks, Singable Melody, Riff/Vamps.
Characterized by and performed on traditional musical instruments which are played only by musicians of Haitian origin include:
Voodoo drums, Metal trumpets which are made from recycled metal, bamboo trumpets, Vaksin (vaccine) the vaccine perform repeating patterns in hocket and often strike their instruments rhythmically with a stick while blowing into them,
But now a days the Haitian folk instruments are rarely used, they're replaced by electromechanical. instruments such as Drum Machine Keyboard/Keytar, Bass guitars, KeyBass, Drum set, Percussions, Loops, Sequencers which make RaRap much easier and less expensive to produce than Rara music performed on traditional Haitian folk musical instruments.
A notable label of this kind of RaRap Music is Negre Marron Records which was founded in New York City 2018 by René Guemps
Hey Darlene!
I never thought that you could dance Rarap Music like this, I love how well you twerk and whine to it,
I never thought that you could dance Rarap Music like this, I love how well you twerk and whine to it,
by Negre Marron Records September 28, 2019
Get the RaRap mug.Kompa-itus, pronounced "cohm-PA-ih-tus." The word is a portmanteau of Kompa and Tinnitus.
They are those Haitian Kompa and Beat songs that are stuck in your head by playing themselves there over. And over. And over.
Someone infected with Kompa-itus may find themselves humming and whistling to the song and can end up dancing to tune that's playing inside their heads.
It usually happens after a heavy night of dancing partying or after hearing a Haitian DJ plays them over the air on Haitian Community radio, even streaming them on Youtube, Spotify and Souncloud can do it to you.
The term "Kompa-Itus" was originally coined by RENÉ Guemps in 2019.
They are those Haitian Kompa and Beat songs that are stuck in your head by playing themselves there over. And over. And over.
Someone infected with Kompa-itus may find themselves humming and whistling to the song and can end up dancing to tune that's playing inside their heads.
It usually happens after a heavy night of dancing partying or after hearing a Haitian DJ plays them over the air on Haitian Community radio, even streaming them on Youtube, Spotify and Souncloud can do it to you.
The term "Kompa-Itus" was originally coined by RENÉ Guemps in 2019.
Yo Theodore!
"I think I got a bad case of Kompa-itus, do you know how to get them out?"
"Ah man, I heard that the only cure for that is to go back and listen to all the songs you keep hearing in your head all over again or else they'll never leave"
"I think I got a bad case of Kompa-itus, do you know how to get them out?"
"Ah man, I heard that the only cure for that is to go back and listen to all the songs you keep hearing in your head all over again or else they'll never leave"
by Negre Marron Records January 23, 2019
Get the Kompa-itus mug.HAITIAN MUSIC INDUSTRY FORUM (HMI Forum) - A platform for Haitian music industry professionals and enthusiasts to discuss and share information on industry news, events, and developments. From artists and producers to managers and marketers, the HMI Forum provides a space for members to connect and collaborate on projects and initiatives that aim to strengthen and grow the Haitian music industry. With regular discussions on topics such as copyright law, royalties, and digital distribution, the HMI Forum is a valuable resource for anyone looking to make their mark in the HMI.
The HAITIAN MUSIC INDUSTRY FORUM is the brainchild of Rene Guemps, the Founder-CEO of Negre Marron Records and President-CEO of The Haitian Music Industry Association (HMIA), both located in New York City.
The HAITIAN MUSIC INDUSTRY FORUM is the brainchild of Rene Guemps, the Founder-CEO of Negre Marron Records and President-CEO of The Haitian Music Industry Association (HMIA), both located in New York City.
"I just joined the HAITIAN MUSIC INDUSTRY FORUM (HMI Forum) and already I'm learning so much about the business side of the HMI. I highly recommend it to anyone who wants to get ahead in the industry."
by Negre Marron Records May 05, 2023
Get the Haitian Music Industry Forum mug.