KompApraise
A Kompa and Beat singer who writes and performs music in order to praise a political figure and or other important person.
Often during Haitian carnival season political candidates businesses and wealthy Haitian families would sought out KompaNaval, Kompa-Ragga and Rara Bands even Kreyòl Rappers to compose and perform a KompApraisel songs about them as a form of advertisement or publicity,
Some artists who want to break into the music industry and make a name for themselves would offer to write good KompApraise songs for whoever will pay for or sponsor their album production and provide them a carnival float to perform on during the Carnival.
Some artists who don't have a their own bands would go as far as Miami and New York City to book session with Studio musicians who they know can provide them a hot backing track get their track done in time for Carnaval.
A notable ensemble for this kind of collaboration work is Gimpsy! Gimpsi! Gimpsé!, a collective of Kompa and Beat session musicians based in New York City.
Before the Karnival season arrives which usually in January, known as Pre-Kanaval, and the main carnival in February and held over several weeks each year leading up to Mardi Gras.
The first musician to sing a KomApraise song to praise a Haitian President in 1968 was Nemours Jean Baptiste, the founder and creator of Haitian Kompa Music.
A Kompa and Beat singer who writes and performs music in order to praise a political figure and or other important person.
Often during Haitian carnival season political candidates businesses and wealthy Haitian families would sought out KompaNaval, Kompa-Ragga and Rara Bands even Kreyòl Rappers to compose and perform a KompApraisel songs about them as a form of advertisement or publicity,
Some artists who want to break into the music industry and make a name for themselves would offer to write good KompApraise songs for whoever will pay for or sponsor their album production and provide them a carnival float to perform on during the Carnival.
Some artists who don't have a their own bands would go as far as Miami and New York City to book session with Studio musicians who they know can provide them a hot backing track get their track done in time for Carnaval.
A notable ensemble for this kind of collaboration work is Gimpsy! Gimpsi! Gimpsé!, a collective of Kompa and Beat session musicians based in New York City.
Before the Karnival season arrives which usually in January, known as Pre-Kanaval, and the main carnival in February and held over several weeks each year leading up to Mardi Gras.
The first musician to sing a KomApraise song to praise a Haitian President in 1968 was Nemours Jean Baptiste, the founder and creator of Haitian Kompa Music.
by Negre Marron Records November 26, 2018
Negre Marron Foundation whose acronym is (NMF), a separate organization founded by Negre Marron Publishing, aiming to empower, educate, and enable sustainability within the Haitian music industry.
Negre Marron Foundation is established with a mission to provide support for young Haitians musicians.
Negre Marron Foundation is established with a mission to provide support for young Haitians musicians.
by Negre Marron Records July 11, 2019
Negre Marron Foundations (NMF) is born from the visionary spirit of Negre Marron Publishing. Our mission: Empower and uplift Haitian musicians, enriching Haitian culture. Through programs and initiatives, we provide vital support, mentorship, and resources to young musicians, fostering artistic growth.
At NMF, we believe music transforms lives and communities. We cultivate an environment where Haitian musicians thrive, harnessing creative potential and making a lasting impact. Through education, networking, and professional development, we equip artists to succeed and break barriers.
Our vision: A flourishing Haitian music industry celebrating diversity, authenticity, and innovation. We envision global recognition for Haitian talent and cultural contributions. Guided by integrity, collaboration, and social responsibility, we honor and preserve traditions, bridging gaps between artists, professionals, and audienc
Join us in Empowering Haitian Musicians. While Enriching Haitian Culture. Together, we shape a vibrant future, uniting communities and spreading the joy of Haitian music worldwide."
At NMF, we believe music transforms lives and communities. We cultivate an environment where Haitian musicians thrive, harnessing creative potential and making a lasting impact. Through education, networking, and professional development, we equip artists to succeed and break barriers.
Our vision: A flourishing Haitian music industry celebrating diversity, authenticity, and innovation. We envision global recognition for Haitian talent and cultural contributions. Guided by integrity, collaboration, and social responsibility, we honor and preserve traditions, bridging gaps between artists, professionals, and audienc
Join us in Empowering Haitian Musicians. While Enriching Haitian Culture. Together, we shape a vibrant future, uniting communities and spreading the joy of Haitian music worldwide."
“Negre Marron Foundations (NMF) is the driving force behind empowering Haitian musicians and enriching Haitian culture. Together, we shape a vibrant future, uniting communities and spreading the joy of Haitian music worldwide. Join us as we uplift talented musicians, provide essential support, and celebrate the rich cultural heritage of Haiti.”
by Negre Marron Records May 18, 2023
Rap-EMOsyonèl "Rap-Emotionel” (French), (also referred to as Haitian Creole Emo Hip hop or Sad rap, or Rap-
-EMO for short,
is a a microgenre of hip hop that spread on the online audio/Visual distribution sites such as SoundCloud, Spotify and YouTube.
Characterized by an emphasis on emotional expression, sometimes through Komfessional lyrics which tend to focus on topics such as heartbreak, loneliness; depression; drug abuse; nihilism; suicide; anxiety
and self-medication that are sung and performed in Franglish/ Krenglish. Or French-Creole by artists of Haitian origins.
The genre is characterized by its combination of musical elements commonly found in Komfessional, conscious Pip hop with Pop, Alternative, Punk and indie rock
Typical instruments
Drum machine (Roland TR-808), Vocals (rapping singing), (Auto-Tune) Electrical guitar, Electron bass, audio editing software, Keyboard/Keytar and KeyBass, Drums Kit, MIDI, digital sequencer sampler, Synthesizer, DAW (Digital Audio Workstation)and, Saxophone EWI (Electronic Wind Instrument)
The term "Rap Emosyonèl" was coined in 2019 by René Guemp.
A notable label of this kind of Rap-Emosyonèl music is Negre Marron Records which was founded in New York City (2018) .
-EMO for short,
is a a microgenre of hip hop that spread on the online audio/Visual distribution sites such as SoundCloud, Spotify and YouTube.
Characterized by an emphasis on emotional expression, sometimes through Komfessional lyrics which tend to focus on topics such as heartbreak, loneliness; depression; drug abuse; nihilism; suicide; anxiety
and self-medication that are sung and performed in Franglish/ Krenglish. Or French-Creole by artists of Haitian origins.
The genre is characterized by its combination of musical elements commonly found in Komfessional, conscious Pip hop with Pop, Alternative, Punk and indie rock
Typical instruments
Drum machine (Roland TR-808), Vocals (rapping singing), (Auto-Tune) Electrical guitar, Electron bass, audio editing software, Keyboard/Keytar and KeyBass, Drums Kit, MIDI, digital sequencer sampler, Synthesizer, DAW (Digital Audio Workstation)and, Saxophone EWI (Electronic Wind Instrument)
The term "Rap Emosyonèl" was coined in 2019 by René Guemp.
A notable label of this kind of Rap-Emosyonèl music is Negre Marron Records which was founded in New York City (2018) .
by Negre Marron Records January 20, 2019
The name is a portmanteau of Disco and Kompa, a sub-genre of Haitian Kompa music which combines elements of Disco music.
Characterised by typical instruments:
basslines, Horns. Keyboard, Synthesizers, Four-on-the-floor" Beats, Electric rhythm guitars, drum-kit bass drum, Hi-hat cymbal, syncopated, and string sections, Vocals, Backing Vocals, Hooks, Ostinatos, and (Vamps),
Played in nightclubs from mainly the French-Creole and Crenglish speaking countries of the Caribbean, such as Haiti, Martinique, Dominica, Guadeloupe and as well as France, Canada, Western Africa, and Haitian Communities in the US.
The sub-genre was developed by Negre Marron Records' founder René Guemps on Dember, 2018
Characterised by typical instruments:
basslines, Horns. Keyboard, Synthesizers, Four-on-the-floor" Beats, Electric rhythm guitars, drum-kit bass drum, Hi-hat cymbal, syncopated, and string sections, Vocals, Backing Vocals, Hooks, Ostinatos, and (Vamps),
Played in nightclubs from mainly the French-Creole and Crenglish speaking countries of the Caribbean, such as Haiti, Martinique, Dominica, Guadeloupe and as well as France, Canada, Western Africa, and Haitian Communities in the US.
The sub-genre was developed by Negre Marron Records' founder René Guemps on Dember, 2018
by Negre Marron Records December 22, 2018
Used by Haitian to speak to other Haitians who understand or speak both languages or parts of Creole and Spanish in Chile, Cuba, Puerto Rico and certain part of the United States Washington Heights (NYC) and Little Miami (Florida) but mainly in the Batey La luisa of the Dominican Rep, a small rural community where mostly Haitians live,
It's actually speaking Creole and Español at the same time by alternating from one language to another every 2 or 4 words.
Any Haitians who live in in the Dominican Republic for more than 5 years - speak CreoSpañol to one another every time they meet, greet or speak over the phone, text messaging even when they chat or when making comments online.
It's actually speaking Creole and Español at the same time by alternating from one language to another every 2 or 4 words.
Any Haitians who live in in the Dominican Republic for more than 5 years - speak CreoSpañol to one another every time they meet, greet or speak over the phone, text messaging even when they chat or when making comments online.
How Dominican Haitians, greet each other in the street of Washington Heights in CreoSpañol.
Jose,
"¿Oye Renélo-Meme! Sak Pase mi hermanito?"
Renélo-Meme
”Nap boule, piti, piti Muchacho. ”
Jose,
"¿Oye Renélo-Meme! Sak Pase mi hermanito?"
Renélo-Meme
”Nap boule, piti, piti Muchacho. ”
by Negre Marron Records January 29, 2019
K&B Radyo is the on air brand name for a radio station often referred to as “KOMPA AND BEAT RADYO” an online radio station that plays ETHNO KOMPA music, a fusion of traditional Haitian rhythms and modern beats sung by non-Haitian performers from around the world.
AI-powered music radio station K&B Radyo (stylized as “K&B Radio” as well as “K and B Radio”)
Negre Marron Records, a label René Guemps created, owns the radio station.
He also works as a radio producer and is a serial business owner and social entrepreneur.
The station uses a system that generates audio based on local market trends and events.
It is the first live internet radio station in the Haitian Diaspora that plays ETHNO KOMPA music exclusively.
The station has four Kompa programmes that cater to different tastes and mood -Including: THE KOMPA HOUR; Kompa Zone; Haiti Vibez; Kompa Mix; Zouk Radyo; and Radyo Ayiti.
THE KOMPA HOUR: A daily segment at 10 a.m. hosted by DJ Renée-La Ai and DJ René-Lo Ai (The AI Twins), who spotlight popular ETHNO KOMPA musicians.
One of them is Miss-Ter-i, whose song (FEELN GOOOD) is playing on the station right now.
AI-powered music radio station K&B Radyo (stylized as “K&B Radio” as well as “K and B Radio”)
Negre Marron Records, a label René Guemps created, owns the radio station.
He also works as a radio producer and is a serial business owner and social entrepreneur.
The station uses a system that generates audio based on local market trends and events.
It is the first live internet radio station in the Haitian Diaspora that plays ETHNO KOMPA music exclusively.
The station has four Kompa programmes that cater to different tastes and mood -Including: THE KOMPA HOUR; Kompa Zone; Haiti Vibez; Kompa Mix; Zouk Radyo; and Radyo Ayiti.
THE KOMPA HOUR: A daily segment at 10 a.m. hosted by DJ Renée-La Ai and DJ René-Lo Ai (The AI Twins), who spotlight popular ETHNO KOMPA musicians.
One of them is Miss-Ter-i, whose song (FEELN GOOOD) is playing on the station right now.
Q: I wonder if K&B Radyo will have to acquire a blanket license from their local performance rights organization (PRO), which collects and distributes royalties to songwriters and publishers
A: Yes, that is correct. K&B Radyo will have to pay both public performance and sound recording royalties for streaming music on their radio programmes
A: Yes, that is correct. K&B Radyo will have to pay both public performance and sound recording royalties for streaming music on their radio programmes
by Negre Marron Records March 13, 2023