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fille de la rue

Literally, "daughter of the street". A French eumphemism for a prostitute, although "fille de la rue" can also mean simply a girl or a woman born and raised in the streets.
Dans la nuit, comment peux-tu pas voir une fille de la rue quand elle te passe?

(In the night, how can you not see a daughter of the street when she passes you?)
by Lorelili May 22, 2009
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fairy

1) A humanoid creature with magical powers and sometimes butterfly wings. Fairies (or "faeries" if you prefer) can be any size from the size of a seed to human size. Known to be pranksters, it is best not to get on their bad side. Dwarves, leprachauns, satyrs, banshees, nymphs and elves can also be concidered fairies.

2) A usually derogatory term for a gay male, especially one who is flamboyant and acts more "feminine" than a woman (as if there were something wrong with being feminine). A heterosexual man who acts in a feminine manner is also sometimes called a "fairy".
1) The fairy darted through the forest, trailing magic dust.

2) After being called a "fairy" for the thousandth time, Eric told his harasser to shut up and cram it.
by Lorelili November 10, 2006
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gille-tòine

A Scottish Gaelic slang (an insulting) term for a gay male, literally meaning "boy of the arse", implying being a passive partner in anal sex.
'S e tàmailt a tha "gille-tòine", ach ciamar nach bu chòir dhomh pròiseil a bhith a tha mi co-sheòrsach?

(It's an insult that "boy of the arse" is, but why should I not be proud that I'm gay?)
by Lorelili January 18, 2006
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remote

Adjective:

1. rural, far away, distant, the middle of nowhere.

2. isolated, inaccessible

3. (Of a chance) frail, slim, marginal

4. cold, distant, aloof

Noun:
Abbreviation of remote control, so named because it controls a machine from a distance.
Could you pass me the remote? From here it's remote and the chances that I can reach it are very remote.
by Lorelili April 3, 2011
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bathory

From "bátor", meaning "valiant".

A long-gone but once powerful family of Hungary. The height of the Báthory clan was in the 1500s and 1600s. Thought to be closely inbred, as most royalty and nobility in those days, brighter family members like King Stephan Báthory of Poland were eclipsed by more brutal members. Devil worshippers, perverts, sadists, witches, and mentally unstable characters.

Countess Klara Báthory, aunt of Elizabeth Báthory, was bisexual and sadistic towards her female servants. An uncle of Elizabeth was a schizophrenic Devil worshipper.

Countess Elizabeth (Erzébet) Báthory (1560-1614) was the worst of the Báthory clan. Raven-haired, pale-skinned, voluptuous, she was concidered a beauty... but she bore the personality of a pit bull.

Mentally ill, promiscuous, vain, narcissistic and highly sadistic, Elizabeth was the inspiration behind Count Dracula. Vlad Dracul, a distant relative to her and inspiration for the Count, bears less resemblance to Dracula than Elizabeth, who was concidered a vampire in her own time.

Elizabeth enjoyed torturing servants, especially if they were young women and attractive. As she grew older, she feared losing her youth and her so-called "beauty"... according to folklore a servant girl accidently pulled her hair while styling it and Elizabeth struck the girl across the face so hard that she drew blood, which got onto her hands. When she'd washed the blood off, in her twisted mind, she thought that her skin had regained its freshness and youthful suppleness where the blood had splashed. And the rest is history.

Scores of peasant girls, and later, noble girls of lower rank than the countess, were mercilessly tortured, ranging from weeks to months, and killed in the most painful and frightening ways. Elizabeth never missed out on the torure and death of her victims, delighting in soaking up their blood. Killing girls of nobility began her downfall. She was never charged, sadly, and was walled up inside her small room in 1611, where she died in 1614. Sufficient punishment? I think not. Her accomplices, however, were punished as badly as the maidens that they tortured.
Somewhere between 50 and 650 young ladies were brutally tortured and killed to satisfy the mad countess's unsatiable thirst for blood. Sadly, they are forgotten.

"...a twelve year old girl named Pola somehow managed to escape from the castle. But Dorottya Szentes, aided by Helena Jó, caught the frightened girl by surprise and brought her forcibly back to Csejthe Castle. Clad only in a long white robe, Countess Erzsébet greeted the girl upon her return. The countess was in another of her rages. She advanced on the twelve-year-old child and forced her into a kind of cage. This particular cage was built like a huge ball, too narrow to sit in, too low to stand in. Once the girl was inside, the cage was suddenly hauled up by a pulley, and dozens of short spikes jutted into the cage. Pola tried to avoid being caught on the spikes, but Thorko maneuvered the ropes so that the cage shifted from side to side. Pola's flesh was torn to pieces..."

Grim!
by Lorelili March 11, 2005
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soprano

The high female singing voice in opera, choir, and music in general, with a singing range from C4 (middle C) to D6 (D over a woman's high C) just over two octaves above.

Situated over the mezzo-soprano (who often plays her rival), the soprano usually plays the female lead in opera and musical theater, usually the heroine.

Many pop and broadway singers are sopranos, although the vocal subcategories used in opera are not applied to them. Examples include Amy Adams, Sarah Brightman, Julie Andrews, Allison Crowe, Joni Mitchell, Dolly Parton, Jayma Mays, Charlotte Church, Mariah Carey, Minnie Riperton, Floor Jansen and Kristin Chenoweth.
According to vocal weight/voice type and range, sopranos are usually divided into five different categories:

Soubrette: usually a beginner whose voice is developing, a light voice with less strength in extreme high and low notes, she plays flirtatious and sassy but sweet comical characters.

Coloratura: a flexible, flute-like voice with a very high range, she performs vocal acrobatics. Examples include Sumi Jo, Natalie Dessay, and Beverly Sills

Lyric soprano: A strong, sweet, lightweight voice usually reserved for the ingenue and other likable characters. Examples include Renee Fleming, Tarja Turunen, Kiri Te Kanawa, and Mirella Freni.

Spinto soprano: A lyric voice with a strong dramatic edge, a bridge between lyric and dramatic. Examples include Leontyne Price, Renata Tebaldi, and Roxana Briban.

Dramatic soprano: A powerful, emotive, edgy voice which is suited to bold, desperate, tragic heroines. Examples include Maria Callas, Floor Jansen, Karita Mattila and Deborah Voigt.
by Lorelili July 6, 2011
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unpredictable

Very difficult to predict. Erratic or unstable, fickle.
"I'd rather go out with someone a little more unpredictable."

Is that what anyone would want in a spouse or a sweetheart? Somebody who is inconsistent, flaky, fickle, erratic, and just unreliable? A bad boy would be just the wrong man to marry if you want a successful, stable marriage.
by Lorelili August 14, 2011
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