The douchebag index (DBI) is a statistic that yields the number of days since a person last bathed. It is found by multiplying the number of visible tattoos (VT) by the number of missing teeth (MT).
DBI = VT X MT
DBI = VT X MT
This dude's douchebag index is 27, meaning that he hasn't bathed in about four weeks. He has nine gross tattoos and three missing teeth.
by Duckbutt December 22, 2007
A person's remoras are a personal retinue of sycophants that maintain the fragile esteem of an important person and bask in that person's reflected glory. They do not serve some instrumental purpose. such as bodyguards or assistants, but are merely a mobile personal cheering squad.
by Duckbutt April 13, 2006
A person who has been employed for a long time by a corporation, university, or organization. Generally used disparagingly by younger persons who regard this person as a general obstacle to progress, or one to their own personal advancement. The expression implies obsolescence on the part of the person so described, whether factually or not.
The English Department was filled with dinosaurs who were on the faculty for more than thirty years. They should set a maximum limit on the number of years a person may be on the faculty!
by Duckbutt November 19, 2006
This literally refers to a seriously ugly or mangy mongrel. Said to be descrbed this way because of its non-doglike penchant for eating the insides of eggs.
Metaphorically, it can be applied to a person (almost always male) who is out-and-out riff-raff: one of the inbred corps.
Metaphorically, it can be applied to a person (almost always male) who is out-and-out riff-raff: one of the inbred corps.
by Duckbutt August 01, 2006
by Duckbutt September 01, 2007
by Duckbutt April 13, 2006
A style of French popular music of the 1960's sung by solo girl singers. Major performers included Françoise Hardy ("Tous les Garcons et les Filles," "Ton Meilleur Ami"), Sylvie Vartan, Chantal Goya, and France Gall ("Sacré Charlemagne," "Poupeé de Son"). Several of the better yéyé songs were written by Serge Gainsbourg (e.g., "Les Succettes," a naughty confection about what kind of lollipops Annie REALLY likes) and "Baby Pop," both sung by France Gall. Many of the yéyé genre were French language covers of American songs; but some of the best-loved ones were written by Françoise Hardy as her own material and covered such themes as loneliness, unrequited love, the passing of time, and the sometimes treachery of best friends.
French yéyé music never caught on big in the United States due both to the language barrier and to the simultaneous British invasion of the Beatles and the Rolling Stones.
by Duckbutt March 22, 2006