al-in-chgo's definitions
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An athletic supporter, such as a jockstrap or a plastic cup, that protects the male genitals ("junk") against impact or injury.
An athletic supporter, such as a jockstrap or a plastic cup, that protects the male genitals ("junk") against impact or injury.
by al-in-chgo March 8, 2010
Get the junk armormug. Name of the rock-based instrumental tune that opened and closed the syndicated Canadian TV show, THE KIDS IN THE HALL (1990s).
The song was performed by a rock trio called "Shadowy Men on a Shadowy Planet," which name is, unfortunately, one character too long to fit the 30-character limit for tags. The band (1984-1991) was based in Toronto and one of its members was/is friends with one of the Kids in the Hall. Shadowy Men had a successful career in its relatively brief life and has a reputation as both innovative and influential, in that it fused Punk with Surf styles. The group's bassist, Reid Diamond, died of cancer in 1991.
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See also UrbanDictionary listing: Shadowy Men on a Shadowy Planet.
The song was performed by a rock trio called "Shadowy Men on a Shadowy Planet," which name is, unfortunately, one character too long to fit the 30-character limit for tags. The band (1984-1991) was based in Toronto and one of its members was/is friends with one of the Kids in the Hall. Shadowy Men had a successful career in its relatively brief life and has a reputation as both innovative and influential, in that it fused Punk with Surf styles. The group's bassist, Reid Diamond, died of cancer in 1991.
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See also UrbanDictionary listing: Shadowy Men on a Shadowy Planet.
"Shadowy Men on a Shadowy Planet" is an unusual name, even for an indie band."
"A lot of their tunes have quirky names, too: consider "Having an Average Weekend," which The Kids In The Hall used as the intro / outro music for their show."
"TMI! Unless I can win a bar bet with it."
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"A lot of their tunes have quirky names, too: consider "Having an Average Weekend," which The Kids In The Hall used as the intro / outro music for their show."
"TMI! Unless I can win a bar bet with it."
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by al-in-chgo March 1, 2010
Get the Having an Average Weekendmug. Judgment City is that part of town where all the buildings are of medium height, usually located near expressways, and built between the early Sixties and the mid-Eighties. Its style is some variation on International Style as exemplified by the almost inevitable flat roofs with HVAC equipment forming a "sore thumb" addendum to the roof lines. Judgment City gets its name from the sterile corporate complex that is the setting for most of the plot of Albert Brooks' satiric comedy DEFENDING YOUR LIFE.
Beige is the predominant theme of Judgment City -- beige for the cast-concrete slabs that form some buildings, most bridges, and practically all covered parking structures attached to those buildings that no longer are surrounded by enormous asphalt parking lots. Beige also shows up in more overtly pseudo-sophisticated building techniques like pebbled walls (usually more concrete but with a deliberate random design), or the vertical walls with pretend fluting that are made of a whiter shade of concrete.
Judgment City areas generally push retail and housing to its edges because in these neo-downtowns, rents are too expensive to support low-rise concerns.
If, however, you come across a newer area that is not flat-roofed and beige, but equally corporate with such building features as monopitch or steepled roofs, ziggurat-edged walls and exposed structural elements like gray PPG plate glass or red girders, you've gone beyond Modern into Post-Modern: Legoland. (See "Legoland".)
Beige is the predominant theme of Judgment City -- beige for the cast-concrete slabs that form some buildings, most bridges, and practically all covered parking structures attached to those buildings that no longer are surrounded by enormous asphalt parking lots. Beige also shows up in more overtly pseudo-sophisticated building techniques like pebbled walls (usually more concrete but with a deliberate random design), or the vertical walls with pretend fluting that are made of a whiter shade of concrete.
Judgment City areas generally push retail and housing to its edges because in these neo-downtowns, rents are too expensive to support low-rise concerns.
If, however, you come across a newer area that is not flat-roofed and beige, but equally corporate with such building features as monopitch or steepled roofs, ziggurat-edged walls and exposed structural elements like gray PPG plate glass or red girders, you've gone beyond Modern into Post-Modern: Legoland. (See "Legoland".)
-- Recall that in Albert Brooks' movie DEFENDING YOUR LIFE, the newer retail outlets in Judgment City, like nail salons or frozen-yogurt shops, were going up on the edge of town.
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by al-in-chgo June 19, 2011
Get the Judgment Citymug. (Sometimes called TV Parking.) Not parking for the movies, but the kind of ridiculously easy parking a character in a movie gets when s/he pulls right up to his/her destination, zeroing in on a miraculously wide-open parking spot in what otherwise is an impossibly tight urban area.
During the 1950s and 1960s, in movies and on television, Doris Day got such a rep for manifesting that lucky talent that a spin-off term was coined; see "Doris Day Parking." Generally Ms. Day's roles had her piloting sensible domestic sedans and station wagons, a visual metaphor for her competence, efficiency, self-reliance and ability to live without a man. By way of contrast, the neurotic characters Tony Randall portrayed often struggled with temperamental British roadsters, and Rock Hudson played dissolute types who poured themselves into a taxi -- hungover, drunk, in a hurry, or all three.
Times did change -- a little. On "The Doris Day Show," CBS-TV's' late 1960s career-girl sitcom and vehicle (no pun intended) for Ms. Day, her character drove a 1969 Dodge Charger. A red convertible Charger, on a legal secretary's salary. Modernity notwithstanding, Doris never seemed to have much trouble finding instant parking. In San Francisco. Business-district and high-rise parts of San Francisco. In all fairness, though, the opening credits included a very brief shot of her on the California Avenue cable car.
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During the 1950s and 1960s, in movies and on television, Doris Day got such a rep for manifesting that lucky talent that a spin-off term was coined; see "Doris Day Parking." Generally Ms. Day's roles had her piloting sensible domestic sedans and station wagons, a visual metaphor for her competence, efficiency, self-reliance and ability to live without a man. By way of contrast, the neurotic characters Tony Randall portrayed often struggled with temperamental British roadsters, and Rock Hudson played dissolute types who poured themselves into a taxi -- hungover, drunk, in a hurry, or all three.
Times did change -- a little. On "The Doris Day Show," CBS-TV's' late 1960s career-girl sitcom and vehicle (no pun intended) for Ms. Day, her character drove a 1969 Dodge Charger. A red convertible Charger, on a legal secretary's salary. Modernity notwithstanding, Doris never seemed to have much trouble finding instant parking. In San Francisco. Business-district and high-rise parts of San Francisco. In all fairness, though, the opening credits included a very brief shot of her on the California Avenue cable car.
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In 1985 writer-director-male lead Albert Brooks, playing opposite Julie Hagerty in the film comedy LOST IN AMERICA, saw a movie convention ripe for satire. The lead couple, having had all kinds of bad luck in the Heartland, moves to New York City to find new careers. As the soundtrack blares Frank Sinatra's "New York, New York," their car, shown in exteme high shot, dives (no backing) right into a perfectly sized parking space dead center in front of a white high-rise office building in Midtown Manhattan. This knowing send-up of, and homage to the Movie Parking convention (which fit the plot perfectly) never fails to draw howls from the audience.
"Man, we were so lucky. TV parking in front of the building; the FedEx van had just pulled away."
"You want to see Movie Parking at its finest? Alfred Hitchcock's VERTIGO from 1957. Jimmy Stewart, Kim Novak, Barbara bel Geddes, all drove right up to Jimmy's apartment building, and it seemed to be the same spot perpetually open and waiting for them. Diagonal parking stalls, no less, or as you Midwesterners like to call it, angle parking."
In 1985 writer-director-male lead Albert Brooks, playing opposite Julie Hagerty in the film comedy LOST IN AMERICA, saw a movie convention ripe for satire. The lead couple, having had all kinds of bad luck in the Heartland, moves to New York City to find new careers. As the soundtrack blares Frank Sinatra's "New York, New York," their car, shown in exteme high shot, dives (no backing) right into a perfectly sized parking space dead center in front of a white high-rise office building in Midtown Manhattan. This knowing send-up of, and homage to the Movie Parking convention (which fit the plot perfectly) never fails to draw howls from the audience.
"Man, we were so lucky. TV parking in front of the building; the FedEx van had just pulled away."
"You want to see Movie Parking at its finest? Alfred Hitchcock's VERTIGO from 1957. Jimmy Stewart, Kim Novak, Barbara bel Geddes, all drove right up to Jimmy's apartment building, and it seemed to be the same spot perpetually open and waiting for them. Diagonal parking stalls, no less, or as you Midwesterners like to call it, angle parking."
by al-in-chgo February 25, 2010
Get the Movie Parkingmug. Franticky is a combination of FRANTIC + PANICKY. It describes a situation in which a person is in a desperate hurry to do something, escape from a situation, etc., but whose efforts don't work because the panicked nature of his/her mood makes focus and resolve impossible.
"June, the phone bill is right here under your nose. You'd have found if if you hadn't been blindly riffling through the papers, all franticky."
by al-in-chgo March 5, 2010
Get the frantickymug. The prostate gland, said to be the male equivalent of a woman's g-spot. Capable of producing great physical pleasure with massage or pressure; not too surprising since the prostate gland produces about two-thirds of the "juice" in semen.
It is possible (perhaps more often practiced in parts of India) for the prostate gland to be "milked" resulting in ejaculation without orgasm.
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It is possible (perhaps more often practiced in parts of India) for the prostate gland to be "milked" resulting in ejaculation without orgasm.
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"So the doctor gave me this digi-rectal exam and when his finger was all the way in, it started to feel really good. Does this make me gay?"
"No, man, it means he hit your male g-spot, the prostate. Every guy's got one."
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"No, man, it means he hit your male g-spot, the prostate. Every guy's got one."
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by al-in-chgo March 7, 2010
Get the male g-spotmug. A contributor or lurker who, out of envy, spite or misplaced rectitude, combs through another contributor's list of words in order to deliberately give each one a "Down" thumb without considering any potential usefulness such words might have.
-- "Santa Claus? I don't get it, Kurt, who is against Santa Claus?"
-- "Poor ol' Burt, it looks like you've been the victim of the dumb thumb down. Check out your other entries to see if you got flamed there, too."
-- "Poor ol' Burt, it looks like you've been the victim of the dumb thumb down. Check out your other entries to see if you got flamed there, too."
by al-in-chgo August 25, 2011
Get the dumb thumb downmug.