Freak Face's definitions
by Freak Face February 11, 2005
Get the Fishheadmug. Although their "fame" lasted for a full 15 minutes, few bands entered rock & roll with such a crazy reputation as the Plasmatics did. Started by Rod Swenson, a porn film producer who wanted to be the next Malcolm McLaren, the Plasmatics were fronted by sex film "star" Wendy O. Williams, a muscular, raspy-voiced "singer" who generally wore next to nothing onstage. (Her most radical bit of fashion accessorizing consisted of covering her nipples with black electrical tape.) Almost as captivating was guitarist Richie Stotts, a tall, gangly geek who fancied garters and stockings and a blue mohawk; he also liked to smash his guitar against his head until he drew blood.
Playing the New York punk circuit, the Plasmatics became notorious for their extreme stage shows, which, early on, started with Williams firing blanks from a sawed-off shotgun and taking a chainsaw to a human dummy filled with stage blood, sending a spray of fake gore throughout the club and anticipating the fake carnage of GWAR by nearly a decade. The music, however, was another story: mostly sub-literate punk rock loaded with lots of quasi-sci-fi totalitarianism and consumer nightmares of unknown proportions that on record didn't work without the stage pyrotechnics, something Swenson and the Plasmatics understood completely as the stage shows quickly became more elaborate: cars were blown up, guitars were sawed in half (oddly, the dummy disappeared), equipment was set on fire -- it was a Beavis and Butt-Head wet dream come to life, although none of this translated into good record sales.
While Williams became something of a demi-celebrity in punk circles, especially after she was busted (and brutalized by police) in Milwaukee for "public indecency," the Plasmatics were all show and no substance. Jean Beauvoir, apparently on a quest for legitimacy, quit the band, and the focus became Wendy O. rather than the bunch of unknowns backing her up. After 1982's Coup D'Etat, Williams went solo, worked with Lemmy from Motorhead, and roped in Kiss's Gene Simmons to produce her album W.O.W. She made another solo LP, 1986's Kommander of Kaos, and that same year appeared in the movie Reform School Girls; after a 1989 Plasmatics reunion outing, Maggots: The Record, she made a few more acting appearances before essentially dropping from sight altogether during the early 1990s. On April 8, 1998, it was announced that Williams had committed suicide; she was 48.
Playing the New York punk circuit, the Plasmatics became notorious for their extreme stage shows, which, early on, started with Williams firing blanks from a sawed-off shotgun and taking a chainsaw to a human dummy filled with stage blood, sending a spray of fake gore throughout the club and anticipating the fake carnage of GWAR by nearly a decade. The music, however, was another story: mostly sub-literate punk rock loaded with lots of quasi-sci-fi totalitarianism and consumer nightmares of unknown proportions that on record didn't work without the stage pyrotechnics, something Swenson and the Plasmatics understood completely as the stage shows quickly became more elaborate: cars were blown up, guitars were sawed in half (oddly, the dummy disappeared), equipment was set on fire -- it was a Beavis and Butt-Head wet dream come to life, although none of this translated into good record sales.
While Williams became something of a demi-celebrity in punk circles, especially after she was busted (and brutalized by police) in Milwaukee for "public indecency," the Plasmatics were all show and no substance. Jean Beauvoir, apparently on a quest for legitimacy, quit the band, and the focus became Wendy O. rather than the bunch of unknowns backing her up. After 1982's Coup D'Etat, Williams went solo, worked with Lemmy from Motorhead, and roped in Kiss's Gene Simmons to produce her album W.O.W. She made another solo LP, 1986's Kommander of Kaos, and that same year appeared in the movie Reform School Girls; after a 1989 Plasmatics reunion outing, Maggots: The Record, she made a few more acting appearances before essentially dropping from sight altogether during the early 1990s. On April 8, 1998, it was announced that Williams had committed suicide; she was 48.
A great band that wasn't understood by the public. They were so punk that it was impossible to describe them as that.
by Freak Face May 9, 2005
Get the The Plasmaticsmug. The second bass player of the Sex Pistols. Born Simon John Beverly, When his father left, his mother renamed him John Simon Ritchie. He could actually only play one riff on bass, that he learn from a Ramones record while he was doped up on speed. On stage he mutalated himself and told the croud that they were fucking queers. The first band he was in was The Flowers Of Romance, who never played music, but just hung out and got high. The second band he was in was the original Siouxie & The Banshees. He was the drummer. After they ousted him, Malcolm Mclaren, the bitch manager of the Sex Pistols, asked him to join as the bassist. He did not get his stage name from Johnny R's 'vicious' hamster Sydney. His name came from the Pink Floyd member Syd Barret, and from 'Vicious' a song by The Velvet Underground.
by Freak Face May 5, 2005
Get the Sid Viciousmug. Political hardcore, or any type of punk that deals with politics. Many policore bands and supporters were anarchists.
Crass, Subhumans, Dead Kennedys, The Exploited, Sham 69, Sex Pistols, Relient K(some) and The Unseen.
by Freak Face May 27, 2005
Get the Policoremug. Any punk that seems poor or dirty. Richard Hell was a gutter punk. He actually needed his safety pins to hold his clothes together. Sid Vicious was also a gutter punk. Pretty much everyone who hung out at McLaren's shop in London was a gutter punk. There are some bands who are considered gutter punks.
The Casualties, The Dead Kennedys, Guttermouth, Sex Pistols, Eater and Antisocial are all gutter punk bands.
by Freak Face May 16, 2005
Get the Gutter Punkmug. A type of rock started in the mid to late 70's by Throbbing Gristle. It was different from other rock because it incorporated the sounds of machinery into the music. It also had very heavy lyrics. It has traces of techno and electronica.
Industrial bands are
Throbbing Gristle, Suicide,
Cab Voltaire, Einsturzende Neubauten, Skinny Puppy, KMFDM, Nine Inch Nails, Mesh, Front 242, Wumpscut, VNV Nation, Ministry, Gothminister, Pig, Dkay, Skillet, Mortar, and Newlydeads.
Throbbing Gristle, Suicide,
Cab Voltaire, Einsturzende Neubauten, Skinny Puppy, KMFDM, Nine Inch Nails, Mesh, Front 242, Wumpscut, VNV Nation, Ministry, Gothminister, Pig, Dkay, Skillet, Mortar, and Newlydeads.
by Freak Face February 10, 2005
Get the Industrial Rockmug. Watered down punk rock. It was started by CBGB bands Television, Talking Heads and Blondie. Although these bands were originally known as punk, they were renamed new wave because they didn't share punk's negative image and were more experimental. Eventually new wave evolved into a bunch of bullcrap like The Romantics.
"We're not a punk rock band, were a new wave band which means we're shit. ha ha ha!"
Pull My Strings- Dead Kennedys
New wave- U2, Go-Go's, Echo & The Bunnymen, Depeche Mode, INXS, Devo, Oingo Boingo, Human League, Soft Cell, Duran Duran, Tears For Fears, A Flock Of Seagulls.
Pull My Strings- Dead Kennedys
New wave- U2, Go-Go's, Echo & The Bunnymen, Depeche Mode, INXS, Devo, Oingo Boingo, Human League, Soft Cell, Duran Duran, Tears For Fears, A Flock Of Seagulls.
by Freak Face July 2, 2005
Get the New Wavemug.