Schrodinger's Underwear is a trans-game, a perpetual tease, amounting to holding up a cardboard box, waving it around, and saying in a loud voice,
"Guess what kind of genitals are in this box that I'm waving around!"
and
"As long as you're looking at this box, I have the power to keep you fascinated by flaunting my genital and gender ambiguity;
once my actual genitalia and gender are known, I lose all my power;
so please keep looking at this box and guessing, and keep giving me power to confuse you!"
The idea is to confuse the straight man enough to WIN.
Hard game endings include:
In Boys Don't Cry, the FTM heroine is forced to admit, in a post-rape exam, that she does in fact have a vagina.
This is clearly a major emotional loss for her, as she sobs.
In the Trap game, the MTF transvestite leads a straight man on, typically with alcohol and flirting, to think that heterosexual sex is upcoming.
When the (unambiguously male) male genitalia are revealed, it's a trans-win,
as the straight male must go through with the sex, resulting in an identity degradation to "sexually confused homosexual sex-maniac," or be massively frustrated and upset, resulting in murder. This, from the view of the Compulsive Murder-Suicide Ideation (#CMSI) is a win, as now the straight man has been drawn into the miasmic ambiance, and fulfilled the trans desire for the male self to be killed, so that the female self might live.
"Guess what kind of genitals are in this box that I'm waving around!"
and
"As long as you're looking at this box, I have the power to keep you fascinated by flaunting my genital and gender ambiguity;
once my actual genitalia and gender are known, I lose all my power;
so please keep looking at this box and guessing, and keep giving me power to confuse you!"
The idea is to confuse the straight man enough to WIN.
Hard game endings include:
In Boys Don't Cry, the FTM heroine is forced to admit, in a post-rape exam, that she does in fact have a vagina.
This is clearly a major emotional loss for her, as she sobs.
In the Trap game, the MTF transvestite leads a straight man on, typically with alcohol and flirting, to think that heterosexual sex is upcoming.
When the (unambiguously male) male genitalia are revealed, it's a trans-win,
as the straight male must go through with the sex, resulting in an identity degradation to "sexually confused homosexual sex-maniac," or be massively frustrated and upset, resulting in murder. This, from the view of the Compulsive Murder-Suicide Ideation (#CMSI) is a win, as now the straight man has been drawn into the miasmic ambiance, and fulfilled the trans desire for the male self to be killed, so that the female self might live.
When a professional operative (a man who has made a career of invading women's gyms, claiming discrimination, and winning law-suits) walks into woman's changing room in a conservative area, and there are different stories about whether male equipment was flashed -- the man claiming to have had surgery removing his male genitalia, woman in the changing room denying this, and the conflicting journalistic reports are never resolved, we have a clear case of the #Schrodinger's Underwear dynamic.
The characteristic emotional dynamic is the disingenuous cry, blending exhibitionism and modesty: "Why is everyone so fascinated by my mystery-genitals which are completely covered in this box/underwear/outfit that I'm waving around?"
The characteristic emotional dynamic is the disingenuous cry, blending exhibitionism and modesty: "Why is everyone so fascinated by my mystery-genitals which are completely covered in this box/underwear/outfit that I'm waving around?"
by Didaskalos April 27, 2023
(Portmanteau of Wig + Negress; only a Negress by virtue of an assumed wig.)
Written with the short "i" of "wig," but pronounced with the long "e" of "Negress."
A non-Black (ok, typically white) woman who adopts a Black persona, fashion, language, cultural identity, etc, the word covering a range of meanings from the literal adoption of artificial Black hair-styles, all the way through the large-scale Performance Art of Rachel Dolezal and Jessica Krug, who built careers on assumed Black identities.
Written with the short "i" of "wig," but pronounced with the long "e" of "Negress."
A non-Black (ok, typically white) woman who adopts a Black persona, fashion, language, cultural identity, etc, the word covering a range of meanings from the literal adoption of artificial Black hair-styles, all the way through the large-scale Performance Art of Rachel Dolezal and Jessica Krug, who built careers on assumed Black identities.
Rachel Dolezal's wigress life-style is apparently not unique; see Jim Goad's comments about Jessica Krug.
"Suddenly, last week—rumors suggest she was being pressured to either out herself or face the rigors of a thorough public woke-mob outing—she took off the Coon Mask and confessed that she was just a self-hating Jewish girl from Kansas City. In an aggressively self-flagellating blog post titled “The Truth, and the Anti-Black Violence of My Lies,” Krug confessed that since she somehow inflicted “violence” on people by being a female wigger—wegress?—and also since “I don’t believe that any anti-Black life has inherent value,” she no longer exists in any meaningful way:"
(Jim Goad, TakiMag, Suicide on the Trans-Black Express, 9/7/2020)
"Suddenly, last week—rumors suggest she was being pressured to either out herself or face the rigors of a thorough public woke-mob outing—she took off the Coon Mask and confessed that she was just a self-hating Jewish girl from Kansas City. In an aggressively self-flagellating blog post titled “The Truth, and the Anti-Black Violence of My Lies,” Krug confessed that since she somehow inflicted “violence” on people by being a female wigger—wegress?—and also since “I don’t believe that any anti-Black life has inherent value,” she no longer exists in any meaningful way:"
(Jim Goad, TakiMag, Suicide on the Trans-Black Express, 9/7/2020)
by Didaskalos September 10, 2020
OPUS GENERIS is a suite of five classical poems which give a dialectical, forward-moving, depersonalized picture of the gender-identity formation process in terms of traditional classical myth. The aim was to do justice to both the telos of heterosexual marriage and child-rearing, as affirmed by the Judaeo-Christian moral tradition, AND the zigs and zags of the identity formation process, as covered in classical poetry, and all in the context of a night's poetic entertainment in two languages and various meters.
Catullus, Cybele and Attis (Latin, galliambics, failure to escape from the mother)
Pindar, Olympian #1 (Greek, epinician, powerful male figure pulls boy away)
Odyssey Book II (Greek, hexameters, boy tries to play the man independently and fails)
Ovid, Daphne & Apollo (Latin, hexameters, boy turns from playing with boys to pursuing a girl)
The aim is not to court controversy as being pro or anti trans, or pro or anti pedophilia. The aim is to provide material that is well balanced enough to provoke interesting and necessary discussion.
Catullus, Cybele and Attis (Latin, galliambics, failure to escape from the mother)
Pindar, Olympian #1 (Greek, epinician, powerful male figure pulls boy away)
Odyssey Book II (Greek, hexameters, boy tries to play the man independently and fails)
Ovid, Daphne & Apollo (Latin, hexameters, boy turns from playing with boys to pursuing a girl)
The aim is not to court controversy as being pro or anti trans, or pro or anti pedophilia. The aim is to provide material that is well balanced enough to provoke interesting and necessary discussion.
Before OPUS GENERIS, study of sexuality was balkanized into Christians obsessed with marriage and child-rearing as the one true sexual orientation, and fetish-based people obsessed with every other kind of sexual outlet, all of which is regarded by Christians as sexual DISorientation. Having studied OPUS GENERIS, people began to see the gender-identity formation process as a dialectic in which one sexual focus gave way to the next.
Matthew Barney's five-part opus THE CREMASTER CYCLE was a major inspiration for OPUS GENERIS, as was Genesis's The Lamb Lies Down on Broadway. The way Christian "conversion therapy" programs failed to cover the necessary territory was a very powerful motivator.
Matthew Barney's five-part opus THE CREMASTER CYCLE was a major inspiration for OPUS GENERIS, as was Genesis's The Lamb Lies Down on Broadway. The way Christian "conversion therapy" programs failed to cover the necessary territory was a very powerful motivator.
by Didaskalos January 28, 2022
On the YT pod-cast "Gender: A Wider Lens" #51, "Clearing of the Pink Mist," Debbie Hayton introduces the term PINK MIST as a way of explaining what was going through "her" mind when her formerly male self decided to sign up for MTF gender-surgery. In summary: "I wasn't thinking. I was in a pink mist."
"Debbie Hayton has a lot of balls to come out and declare that her brain was off-line the day she signed up for girl-surgery. She just comes out and admits, "I wasn't thinking, I was in a PINK MIST." I just wish other pre-op trans-people would have the same insight into their trans-think as a temporary, delusional state of mind, and maybe talk to some clearer heads before making the big decision to un-gender themselves."
by Didaskalos January 28, 2022
After decisive losses in the battles over Gay Marriage and Trans Rights, there has recently (from about 2020) been a gloomy awareness among conservatives that "in about five years" they will have also lost the battle against pedophilia. The first clear sign of this will be a disallowing of anti-pedo rhetoric -- as the last acceptable form of "hate-speech" -- on all respectable social platforms, particularly if it's couched in Biblical terms. . Ben Shapiro, Matt Walsh, Blair White, and many other conservative commenters see clearly that "the battle to prevent the battle" was decisively lost during the period between Cantor's INCLUDE THE P tweet (12/8/18) and the flaccid outrage over Dr. Allyn Walker's book, A Long, Dark Shadow (11/21-1/22). In the early years of the 2020's, the battle; in 2025 or so, a crisis and turning-point I call #pedoschwing2025; in the later years of the decade, boys will be as keen to appear on talk-shows with their "pedagogues" as boys are now to talk about their "drag families." Bougie families will DEMAND that their sons have high-powered tutors with social connections and SAT-acing prowess, just like Timothy Chalamet and Army Hammer in Call me by your name, only with Timothy being in middle-school. Indeed the whole coming decade might be characterized as the pedo-2020's, as the long-repressed, BLUE MIST powered, boy-loving forces emerge to do battle with the excesses of PINK MIST-driven trans-culture of the previous decade.
Wow, looks like the whole Daily Wire team (Ben Shapiro, Matt Walsh, Michael Knowles) is 100% on-message with #PedoSchwing2025. That refrain of "In about five years . . . " echos throughout their broadcasts, every time they talk about 2nd grade boys in dresses, Drag Queen Story Hour, Save James, I am Jazz, Walsh's anti-trans satirical children's book Johnny the Walrus, etc. Not even Boy-Lovers themselves are that optimistic! Blair White, now, I can never tell whether she's trying to stoke the anti-pedo rage with her #PedoSchwing2025 posts, or let it burn itself out.
by Didaskalos January 28, 2022
When dudes show up in Watertown WI in black shirts, masks, matching khaki pants, black flags with swastikas, and chant "Blood blood blood!" "US or the PEDOPHILES!" "NO PEDOS ON OUR STREETS!" it's clear that they're EITHER federal agents tasked with Harvesting the Hate, and letting a thousand Anti-Pedo flowers bloom, OR organic and sincere community-based activists, who just happen to find public discussion of pedophilia exciting.
Calling them #Fedophiles is annoying either way.
If they're FEDS, they're annoyed at being exposed as such.
If they're grassroots activists, they're annoyed at being described as government toys, NPC's.
Calling them #Fedophiles is annoying either way.
If they're FEDS, they're annoyed at being exposed as such.
If they're grassroots activists, they're annoyed at being described as government toys, NPC's.
When the #Fedophiles showed up in Watertown, WI, the witty response would have been to counter-chat at them:
#FEDOPHILES!
Blood blood blood?
More like ERECTION ERECTION ERECTION!
Harvest the Hate!
Harvest the Hate!
Hatin' on PEDOS makes the COUNT-TREE GREAT!
. . . this done in a heavily ironic, heartily affectionate tone, to reflect the understanding that the first step in coming out as a boy-lover, is processing the internal pedo-phobia by doing a lot of external #pedotoileting.
#FEDOPHILES!
Blood blood blood?
More like ERECTION ERECTION ERECTION!
Harvest the Hate!
Harvest the Hate!
Hatin' on PEDOS makes the COUNT-TREE GREAT!
. . . this done in a heavily ironic, heartily affectionate tone, to reflect the understanding that the first step in coming out as a boy-lover, is processing the internal pedo-phobia by doing a lot of external #pedotoileting.
by Didaskalos July 30, 2023