Lorelili's definitions
A layperson's term for somebody with antisocial personality disorder: somebody who lacks a conscience. This is somebody who knows right from wrong, but doesn't care because he/she does not think in those terms; they care about their own benefit, regardless of who is in the way.
The sociopath is very often thought of as a serial killer, but that represents only a small portion of them; sociopaths can be anybody.
Sociopaths come in these basic types:
Common: A simple lack of conscience and lack of proper integration into society, they're feral children grown up.
Alienated: Alienated from other people, they have trouble empathizing with others.
Aggressive: Comes with a consistent sadistic streak.
Dissocial: Abides by gang rules and morals that antagonize mainstream society.
The sociopath generally holds at least three of the following seven traits:
1. Failure to conform to social norms, including behavior that warrants arrest.
2. Deception; they're glib, pathological liars, and manipulators, often use false names.
3. Impulsive behavior; failure to plan ahead.
4. Irritable and aggressive, frequent fights or attacks.
5. Reckless disregard for the safety of self or others.
6. Consistently irresponsible; their work behavior is often inconsistent, they can be catastrophic parents.
7. Without remorse; will justify stealing or hurting others ("if you hadn't dressed like that, I wouldn't have raped you").
The sociopath is very often thought of as a serial killer, but that represents only a small portion of them; sociopaths can be anybody.
Sociopaths come in these basic types:
Common: A simple lack of conscience and lack of proper integration into society, they're feral children grown up.
Alienated: Alienated from other people, they have trouble empathizing with others.
Aggressive: Comes with a consistent sadistic streak.
Dissocial: Abides by gang rules and morals that antagonize mainstream society.
The sociopath generally holds at least three of the following seven traits:
1. Failure to conform to social norms, including behavior that warrants arrest.
2. Deception; they're glib, pathological liars, and manipulators, often use false names.
3. Impulsive behavior; failure to plan ahead.
4. Irritable and aggressive, frequent fights or attacks.
5. Reckless disregard for the safety of self or others.
6. Consistently irresponsible; their work behavior is often inconsistent, they can be catastrophic parents.
7. Without remorse; will justify stealing or hurting others ("if you hadn't dressed like that, I wouldn't have raped you").
Unlike psychopaths, who are have fearlessly reckless temperaments, don't feel stress, and are nearly impossible to socialize, sociopaths are generally made and have relatively normal temperaments and are more easily agitated. Most sociopaths are the result of overburdened, inadequate parents and the wrong set of peers and an unstable environment, but can be properly socialized in better settings with stable, competent parents and adequately adjusted peers. The psychopath is found in every social class while the sociopath is generally from poor neighborhoods. The psychopath feels nothing for others but will care for others if it suits their purpose while the sociopath can feel empathy and remorse in specific contexts; the psychopath's crimes tend to be meticulous while the sociopath's crimes tend to be sloppy and erratic; the psychopath can escape undetected for years while the sociopath is more easily discovered.
by Lorelili May 20, 2012

One of the Celtic people of Ireland, Scotland, and the Isle of Man. Or anybody living in the Scottish Highlands, Isle of Man, and the west of Ireland that speaks one of the Gaelic languages: Gaeilge (Irish), Gàidhlig (Scottish Gaelic), and Gaelg (Manx Gaelic).
Tha na Gàidhlean gu bhith air falbh. Tha sinn 'nar beagchuid 'nar dùthaich fhèin. O, mallaich na Sasannaich air dèanamh seo thugainn! Mallaich na Frangaich air dèanamh seo gu na Ceiltich na Breatainn Bheag!
Tha 'n teine nam Ceilteach 'marbhadh, mar sin nan t-Sìthiche...
(The Gaels are almost gone. We are minorities in our own countries. O, curse the English for doing this to us! Curse the French for doing this to the Celts of Brittany!
The fire of the Celts is dying, like that of the Elves...)
Tha 'n teine nam Ceilteach 'marbhadh, mar sin nan t-Sìthiche...
(The Gaels are almost gone. We are minorities in our own countries. O, curse the English for doing this to us! Curse the French for doing this to the Celts of Brittany!
The fire of the Celts is dying, like that of the Elves...)
by Lorelili March 28, 2005

A style of theater/drama in which the characters sing all or most of their lines.
The story is usually simpler than that of movie plots, since it takes longer to sing than to speak. The stories, perhaps melodramatic to our modern eyes, are as varied as movies; from lighthearted, romantic prances ("The Marriage of Figaro", "The Elixer of Love"); heartbreaking romantic tragedies ("La Boheme". "Madame Butterfly", "Aïda"); and some almost x-rated shockers ("Elektra"(much like the Mendez brothers case), "Salome"). Operas are often quite true to life and often deal with some of the most difficult choices that a person can make; matters of life and death, in other words. ...Of course, the plot is much more dramatic than in reality.
Opera relies on voice types (unlike movies, which rely on appearance):
Soprano: highest female voice; plays the heroine, the sweetheart, the victim woman.
Mezzo-soprano: medium female voice; plays the villainess, seductresses.
Contralto: lowest female voice; very rare, usually limited to maids, mothers, grandmothers, and witches.
Tenor: highest male voice: plays the hero, the lover, the doomed hero. Usually romances the soprano.
Baritone: medium male voice; plays the villain, evil prison wardens, and other mean ones.
Bass: lowest male voice; plays priests, kings, fathers, and the Devil.
Opera houses are theaters designed especially for opera... and don't be surprised to find a (rather sexy) tuxedo-clad ghost wandering the dark recesses of the opera house, living his life away on a lake beneath the theater.
The story is usually simpler than that of movie plots, since it takes longer to sing than to speak. The stories, perhaps melodramatic to our modern eyes, are as varied as movies; from lighthearted, romantic prances ("The Marriage of Figaro", "The Elixer of Love"); heartbreaking romantic tragedies ("La Boheme". "Madame Butterfly", "Aïda"); and some almost x-rated shockers ("Elektra"(much like the Mendez brothers case), "Salome"). Operas are often quite true to life and often deal with some of the most difficult choices that a person can make; matters of life and death, in other words. ...Of course, the plot is much more dramatic than in reality.
Opera relies on voice types (unlike movies, which rely on appearance):
Soprano: highest female voice; plays the heroine, the sweetheart, the victim woman.
Mezzo-soprano: medium female voice; plays the villainess, seductresses.
Contralto: lowest female voice; very rare, usually limited to maids, mothers, grandmothers, and witches.
Tenor: highest male voice: plays the hero, the lover, the doomed hero. Usually romances the soprano.
Baritone: medium male voice; plays the villain, evil prison wardens, and other mean ones.
Bass: lowest male voice; plays priests, kings, fathers, and the Devil.
Opera houses are theaters designed especially for opera... and don't be surprised to find a (rather sexy) tuxedo-clad ghost wandering the dark recesses of the opera house, living his life away on a lake beneath the theater.
Opera is a grim world; there's competition all over for parts... and not to mention some rather unusual situations: tantrums and refusals to do something that the director wants to be staged.
What's the difference between a soprano and a terrorist?
-You can negotiate with a terrorist.;)
"He's here! The Phantom of the Opera!"
What's the difference between a soprano and a terrorist?
-You can negotiate with a terrorist.;)
"He's here! The Phantom of the Opera!"
by Lorelili June 4, 2005

Originally meant a female courtier, a woman of a royal or noble court. By the Renaissance, the connotations of the word had acquired that of the mistress or concubine of a king or a noble.
Now it generally means a high-class prostitute whose clients are wealthy men.
Now it generally means a high-class prostitute whose clients are wealthy men.
"Christian, I'm a courtesan; I'm paid to make men believe what they want to believe." -Satine, Moulin Rouge
Thaïs, Empress Theodora, Diane de Poitiers, Mary Boleyn, Anne Boleyn, Madame du Pompadour, Marie Duplessis, and Mata Hari are but a few of many famous courtesans.
Thaïs, Empress Theodora, Diane de Poitiers, Mary Boleyn, Anne Boleyn, Madame du Pompadour, Marie Duplessis, and Mata Hari are but a few of many famous courtesans.
by Lorelili January 17, 2011

Son of a bitch in different languages:
Gaelic: Mac ghalla
Welsh: Ap ast
Spanish: Hijo de una puta
Portuguese: Filho de una puta
Italian: Figlio di una puta
French: Fils de une putain
Dutch: Zoon van een kutwijf
German: Sohn eines Schlampe
Gaelic: Mac ghalla
Welsh: Ap ast
Spanish: Hijo de una puta
Portuguese: Filho de una puta
Italian: Figlio di una puta
French: Fils de une putain
Dutch: Zoon van een kutwijf
German: Sohn eines Schlampe
by Lorelili January 9, 2006

(1516-1558) The only surviving child of Henry and Katherine of Aragon and half-sister of Elizabeth I. Henry's desperation to have a son as an heir led him to not only divorce and banish Katherine (making Mary a bastard) but also barred mother and daughter from each other until they acknowledged homewrecker Anne Boleyn as the true Queen, which they refused. When Katherine died in 1536, she had last seen her daughter over two years before.
Devastated at her mother's death, barred from her mother's funeral by Henry, and bearing a mutual hatred for Anne (who made Mary her daughter's maidservant), Mary's luck turned when Anne was put to death and her father married Jane Seymour, who was deeply loyal to Mary. Sadly, the birth of Edward VI killed Jane.
Constantly fearful for her life due to court intrigue and the new power of the Protestants of the court, Mary's solace was her Catholic faith, despite the friendship of Anne of Cleves.
Her fundamentalist Protestant brother, Edward, died in 1553, swallowing his misogyny to let his cousin, Lady Jane Grey, take the throne. Nine days later, Mary ejected her and became Queen Mary I.
Mary would wed Philip II of Spain (11 years her junior), suffer two phantom pregnancys, and become wildly unpopular for her persecution and execution of Protestants, earning her the nickname "Bloody Mary".
Devastated at her mother's death, barred from her mother's funeral by Henry, and bearing a mutual hatred for Anne (who made Mary her daughter's maidservant), Mary's luck turned when Anne was put to death and her father married Jane Seymour, who was deeply loyal to Mary. Sadly, the birth of Edward VI killed Jane.
Constantly fearful for her life due to court intrigue and the new power of the Protestants of the court, Mary's solace was her Catholic faith, despite the friendship of Anne of Cleves.
Her fundamentalist Protestant brother, Edward, died in 1553, swallowing his misogyny to let his cousin, Lady Jane Grey, take the throne. Nine days later, Mary ejected her and became Queen Mary I.
Mary would wed Philip II of Spain (11 years her junior), suffer two phantom pregnancys, and become wildly unpopular for her persecution and execution of Protestants, earning her the nickname "Bloody Mary".
By the time Henry died, Mary Tudor was a spinster of 31, sickly and angry. By then, she refused to associate with her brother and sister, whom she resented. Her father had married increasingly younger women (Katherine Howard was at least five years younger than Mary) while his eldest daughter, once his pride and joy, was kicked to the curb by her own father, was still unmarried; Mary must have thought in fury, "When will this bastard stop worrying about his future and worry about mine?!"
Mary Tudor has become known as "Bloody Mary" for her fundamentalist Catholic regime and merciless persecution of Protestants (she pursued Bishop Thomas Cranmer with particular cruelty, since he had destroyed her mother's marriage), although her father and sister were not exactly saints themselves and Henry was far bloodier.
Mary died in 1558 of cancer, a defeated and deeply disappointed woman. She had failed to restore England to the Catholic faith, her marriage to Philip was a travesty, and she failed to produce heirs.
"Mary, Mary, quite contrary/ How does your garden grow?/ With silver bells and cockle shells/ And pretty maids all in a row."
Mary Tudor has become known as "Bloody Mary" for her fundamentalist Catholic regime and merciless persecution of Protestants (she pursued Bishop Thomas Cranmer with particular cruelty, since he had destroyed her mother's marriage), although her father and sister were not exactly saints themselves and Henry was far bloodier.
Mary died in 1558 of cancer, a defeated and deeply disappointed woman. She had failed to restore England to the Catholic faith, her marriage to Philip was a travesty, and she failed to produce heirs.
"Mary, Mary, quite contrary/ How does your garden grow?/ With silver bells and cockle shells/ And pretty maids all in a row."
by Lorelili September 25, 2011

Literally, "daughter of the street". A French eumphemism for a prostitute, although "fille de la rue" can also mean simply a girl or a woman born and raised in the streets.
Dans la nuit, comment peux-tu pas voir une fille de la rue quand elle te passe?
(In the night, how can you not see a daughter of the street when she passes you?)
(In the night, how can you not see a daughter of the street when she passes you?)
by Lorelili May 22, 2009
