Dancing with Fire's definitions
Army of the Republic of Vietnam; they are sometimes reffered to as the Southern Vietnamese Army (SVA). They were fighting against the Northern Vietnamese.
Scorned by allies and enemies alike, the Army of the Republic of Vietnam (ARVN) was one of the most maligned fighting forces in modern history. Cobbled together by U.S. advisers from the remnants of the French-inspired Vietnamese National Army, it was effectively pushed aside by the Americans in 1965. When toward the end of the war the army was compelled to reassert itself, it was too little, too late for all concerned.
by Dancing with Fire June 23, 2011

When a woman lowers her very large breasts into a guy's (or girl's) face and absolutely smothers them to the point that they cannot breathe. It is one of the greatest pleasures along with facesitting. It's fun when the woman does breath play. For example, the woman smothers the man with her breasts until he squirms, she lets him take a nice big gasp of air, then she lowers herself back onto his face, repeating the process over and over. Another thing that is fucking amazing is when the woman clasps her thighs around the guy's waist, thus body scissoring him, as she breast smothers him.
Shelby wrapped her fit shapely thighs around Jason's waist and lowered her huge juggs into his face and breast smothered him relentlessly. He was totally helpless as he squirmed and struggled under her huge breasts as he was squeezed so tightly between her strong thighs which locked around him like a vice grip.
by Dancing with Fire November 28, 2011

Kendo which translates literally to 'The Way of the Sword', is a contemporary Japanese martial art that evolved from the traditions of the samurai, the warrior class of ancient Japan, based upon sword fencing techniques developed over centuries of combat. Like many Japanese martial arts, the philosophical foundations of Kendo revolve around the precepts of Zen Buddhism, and the guiding belief that enlightenment and heightened awareness, flow from the ability to focus and calm the mind. Following in the footsteps of the samurai, modern practitioners of Kendo, or 'Kendoka', as they are called, strive not only to master the physical techniques of the Japanese sword, but, also, the mental and spiritual aspects as well. Although Kendo’s roots lie with the ancient samurai, the art has evolved over the centuries, adapting as societal conditions changed, to its present form where competition between practitioners involves not life and death combat with razor sharp blades, but controlled matches governed by strict rules of conduct, and non-lethal instruments. This difference in focus, distinguishes Kendo from 'Kenjutsu', which is also a Japanese sword art deriving from traditional fencing. Unlike Kendo, whose techniques are updated for practice as a non-lethal aesthetic, Kenjutsu’s primary focus is combat and warfare, and as such, closely parallels the actual lethal techniques employed by the samurai on the field of battle.
In place of the katana, the traditional sword of the samurai, modern Kendoka use shinai, an implement constructed of four bamboo staves bound together at specific junctures with leather bands. This non-lethal weapon, along with the use of body armor, or 'bogu', as it is referred to in Kendo, enable Kendoka to engage in fencing contests without the fear of death or serious bodily injury. The bogu is modeled after the traditional armor of the samurai, which unlike the cumbersome metal armor of European knights, was lightweight and designed for optimal movement and flexibility. Kendo practice traditionally takes place in a training hall or, 'dojo'. Organization of a dojo is hierarchical, with the master at the top, and beginning students at the bottom. As in the other Japanese martial arts, the belt or 'kyu' system is employed, with the highest rank or 'dan' being the black belt. Students train in Kendo through the practice of 'kata', a series of formal exercises passed down through time that replicate the movements and techniques required in traditional combat. In addition to learning and practicing the different kata, Kendoka also engage in informal matches known as 'keiko' or 'kumite' which are moderated by senior members of the dojo, and test the practitioner’s live combat ability.
by Dancing with Fire January 21, 2011

GRU - Glavnoye Razvedyvatel'noye Upravleniye
by Dancing with Fire September 3, 2012

Tai Chi is a Chinese martial art. Its full name is Tai Chi Chuan, a Chinese phrase which can be translated as approximately meaning supreme ultimate fist. Tai Chi is a relatively new martial art, with its concrete origins sometime around 1820, although it likely existed for some time before that. It is what is known as a soft style of martial combat, putting an emphasis on relaxed muscle positions and the use of an opponent’s momentum, as contrasted with the hard styles, which emphasize muscles in a high-state of readiness, and meeting an opponent’s force with one’s own force. In addition to the martial aspects of Tai Chi, there is a great deal of stress placed on the concepts of meditative calm, and overall physical health. Indeed, for many people living in the modern world, Tai Chi is not thought of as a martial art, but rather as a system of movement and breathing meant to be therapeutic. In much the same way that yoga in the West has become divorced from its original intent, so too has Tai Chi become something quite different. In many ways, Tai Chi is a very Taoist tradition. It teaches such things as learning to move with the world – both in a literal, physical sense in terms of martial self-defense, and in a more abstract, meditative sense. Indeed, the core of Tai Chi could be described as simply learning to react appropriately to whatever is offered.
This is one reason why many in the modern world find it so valuable as a discipline. Practitioners of Tai Chi usually find that within a relatively short period of time, they are better equipped to handle stressful situations, and find themselves less prone to being caught off balance either physically or mentally. In order to cultivate this state of mind, Tai Chi practitioners focus on two main types of formal training. In the first, the student learns a number of movement poses that they undertake on their own. These poses work on steady, healthy breathing, supple posture, and a smooth movement of the body’s joints. In the second, the student works with another practitioner to understand how these forms interact with another person’s movement. These pushing hands poses help teach a sensitivity, as well as helping to improve the solo poses through a more rigorous exercise. In addition to these poses, which one often sees Western practitioners doing in isolation in public parks, or in group classes, Tai Chi also makes use of more traditional martial art techniques. Sparring takes place between two practitioners, and is similar to sparring in many other widely-known martial art forms. Tai Chi practitioners may also make use of various weapons, including the spear or staff (chang or chiang), the broadsword or sabre (tao or dao), the straight sword (chien or jien). Other weapons like the chain or fan can be used as well.
by Dancing with Fire January 3, 2011

Blue Hill Avenue focuses on the rise of the drug trade in Boston, as seen through the eyes of three childhood friends. The time is the late '70s, and Tristan (Allen Payne), Money (Aaron D. Spears), E-Bone (William Johnson), and Simon (Michael Taliferro) are all high-school pals and petty thieves on the mean streets of the city's South Side. Their antics bring them to the attention of Benny (Clarence Williams III), a charismatic drug dealer who takes the four friends under his wing. The most straight-and-narrow of the bunch, Tristan manages to keep his nefarious trade under the radar of his parents. As the years pass, however, the dealers introduce crack to their line of narcotics, and Tristan's sense of guilt over his neighborhood's demise leads to an inevitable betrayal of Benny, followed by a grisly showdown.
Blue Hill Avenue was the winner of the Grand Jury Prize for Best Director at the 2001 Urbanworld Film Festival.
by Dancing with Fire November 3, 2011
