The Juárez Cartel is responsible for smuggling tons of narcotics from Mexico into the United States throughout its long and turbulent history, and the group’s intense rivalry with the Sinaloa Cartel helped turn Juárez into one of the most violent places in the world.
Despite recent news reports, the Juárez Cartel remains one of the most powerful criminal organizations in Mexico and the region. Small cells carry out different types of operations ranging from transportation and distribution of drugs; gangs, mostly in the north, act as the enforcement wing and are involved in human trafficking and kidnapping operations.
by Dancing with Fire July 10, 2011
An expression that is said when one accuses another person of that which they are equally guilty of.
Many years ago, people used to cook over an open flame using copper kettles and iron pots. The copper kettles were usually polished after every use whereas the iron pots were not and remained blackened from the soot from previous cookings. Well someone got the idea that if the iron pot were alive and it looked at a nearby copper kettle, it would see a black image. The iron pot believes it sees the image of the copper kettle when in reality, because the copper kettle was polished, what the iron pot was seeing was a reflection of itself. This symbolic phrase became associated with hypocrisy. An accuser blames someone else for having a fault when the accuser has the same fault.
Joe accuses Mark for not keeping his house clean when in reality, Joe has a messy house. Therefore, Joe is guilty of "the pot calling the kettle black".
Joe accuses Mark for not keeping his house clean when in reality, Joe has a messy house. Therefore, Joe is guilty of "the pot calling the kettle black".
by Dancing with Fire June 24, 2011
Emily: So what do you do for a living?
Dr. Conway: I'm a scatologist.
Emily: What?!?
Dr. Conway: Yes...I study the chemical compounds embedded in fecal matter.
Emily: Ewwww!
Dr. Conway: It's a pretty shitty job.
Dr. Conway: I'm a scatologist.
Emily: What?!?
Dr. Conway: Yes...I study the chemical compounds embedded in fecal matter.
Emily: Ewwww!
Dr. Conway: It's a pretty shitty job.
by Dancing with Fire March 19, 2013
Battojutsu is a Japanese term meaning techniques for engaging a sword. It is often used interchangeably with the terms iaijutsu, battodo, or iaido, although each term does have nuances in the Japanese language and different schools of Japanese martial arts may use them to differentiate between techniques (e.g. standing or sitting techniques).
The emphasis of training in battojutsu is on cutting with the sword. All terms are somewhat more specific than kenjutsu (sword techniques) or kendo (the Way of the sword), as the latter two refer mostly to techniques where the sword is already out of its scabbard (saya) and is therefore engaged in combat.
by Dancing with Fire July 17, 2011
Battojutsu is a sword-based Japanese martial art. Generally, schools which style themselves "battojutsu ryu" emphasize the perfection of Tameshigiri cutting technique, as opposed to iaido ryu which tend to focus on drawing/sheathing, or kenjutsu ryu which stress dueling ability. "Battojutsu" or "iaijutsu" can also refer to the concept of drawing and striking in a single motion. Batto/iaijutsu techniques often involve drawing the saya (scabbard) back and the sword forward, allowing the wielder to begin and complete the cut faster than would otherwise be possible, generally half to three quarters of a second. Historically, battojutsu was developed around the mid-15th century, around the advent of the uchigatana (a type of Japanese sword). The saki-zori curvature (more curved near the tip, as opposed to koshi-zori, curved near the hilt) of uchigatana aided greatly in iaijutsu because it allowed the strike to begin before the blade had completely left the sheath.
The term battojutsu was used during the Warring States Period, while the term iaijutsu was developed slightly later in the period as evidenced by its more philosophical name. Since martial styles generally did not have intercourse because they were enemies (among other reasons, including geographic isolation), what one style (ryu) might call iaijutsu is what another style with similar movements would call battojutsu. The term iaido was not used until the end of the beginning of the 20th century, when it was first coined by Nakayama Hakudo, and therefore should not be confused with battojutsu. Battodo is another similar word and simply means the "way" of drawing the sword, while Battojutsu the "art" of drawing the sword.
by Dancing with Fire April 22, 2011
by Dancing with Fire August 06, 2011
A master swordsman must size up his opponent. No two swordsmen fight the same. Ito Ittosai, a great Japanese swordsman was reckless in his style. “Learn by being cut” was his philosophy. He believed one should be concerned more with not losing rather than winning. Proper timing is a key element of this concept. In his book Go Rin No Sho (A Book of Five Rings), Miyamoto Musashi, remarked that his entire strategy was based on timing and rhythm. Musashi was the founder of the Nito or two sword method of fighting in Japan. It is believed that he learned the rapier and dagger techniques of the Europeans from traders in Southern Japan and used these techniques to develop his own style. In traditional martial arts, no other weapon has held the status of the sword. It is the center of training for the majority of the arts. Kenjutsu may be studied as a separate art or as a subordinate art of another major system. At the Red Dragon Ju Jitsu Dojo, the basics of Kenjutsu are required for advancement to the rank of Blue Belt. It is also taught as a stand-alone art. In terms of skills, few weapons require the demands of swordsmanship. The sword moves much faster than the fastest person, the skill in timing and judgement will benefit the Martial Artist in all other aspects of their training.
Kenjutsu should not be considered the same as Kendo. Kendo is a sport form of swordsmanship and an offspring of Ken-Jutsu. In Kendo, the targets are restricted to the head, wrist, body plate, and throat. In Ken-Jutsu, any target is fair game. The study of Kenjitsu has no belting system. It is a pure study of the art and mastery is developed through practice. Students must learn the basic stances along with the basic attacks and defenses. Mastery is derived from actual combat or Kumite using a wooden Bokken (Bokuto). After the student has been properly instructed in the techniques of combat and practices of various timing drills they are pitted against other students under the direct supervision of the Sensei who referees the match. The study of Ken-jutsu is more than merely wielding a sword. One not only learns the Kihon Dachi (basic stances) and attacks with defenses, there is much more to the study of the art of the Samurai. Any butcher can swing a sword but to be a master you must develop the mental and spiritual aspects of the art as well as the physical. Shin-Ku-I (Body, Mouth, Mind) or more accurately Action, Word, and Thought is how the Samurai were evaluated. What makes the difference between a swordsman and a master is Ken Shin Ichi Nyo, or Sword and mind as one. One must train as if the sword was a part of them, if it is looked at as a separate entity you will never develop the skill to master the art.
by Dancing with Fire January 23, 2011