Meaning see you later, soon, whenever, never.
Stemming from See you in later days
Thought to have originated from "The Weekenders", but was actually seen in a 1984 pic about punks in suburbia, named Suburbia
Stemming from See you in later days
Thought to have originated from "The Weekenders", but was actually seen in a 1984 pic about punks in suburbia, named Suburbia
by Ferris Lies April 24, 2006
See you later, see you tomorrow, see you soon, see you never, see you in a bit.
Used to indicate that you will see the person later.
From "The Weekenders," a cartoon show where the main character would say it at the end of every show.
Used to indicate that you will see the person later.
From "The Weekenders," a cartoon show where the main character would say it at the end of every show.
by Inferno Reign July 20, 2005
Colloquial term meaning "See you in later days" a looser derivative of the term "See you later" and implies a possible longer time before meeting again.
This term was made famous following the suicide of 16yo Jeremy Wade Delle in 1991, after passing a note to a fellow classmate he signed the note "Later days" rather than his usual "Write back". This suicide was the basis for the song Jeremy by Pearl Jam.
This term was made famous following the suicide of 16yo Jeremy Wade Delle in 1991, after passing a note to a fellow classmate he signed the note "Later days" rather than his usual "Write back". This suicide was the basis for the song Jeremy by Pearl Jam.
by Shanehane October 12, 2009
A term used in Southern California back in the early 1970's and probably used in the late 1960's up in Frisco.
"Later days" was a term used like "dude." Depending on the inflection in your voice, it could mean several things.
It could mean everything from "i"ll see you tomorrow," to "if I ever see you again, I will kill you."
In SoCal, the term eventually shortened down to "later on."
This became a generic term for, "see you later." It lost most of its inflection power at this point.
Probably a year later or so, (the time it takes for slang to morph) the term shortened down to "later."
It lost all inflection and became a simple goodbye.
"Later days" was a term used like "dude." Depending on the inflection in your voice, it could mean several things.
It could mean everything from "i"ll see you tomorrow," to "if I ever see you again, I will kill you."
In SoCal, the term eventually shortened down to "later on."
This became a generic term for, "see you later." It lost most of its inflection power at this point.
Probably a year later or so, (the time it takes for slang to morph) the term shortened down to "later."
It lost all inflection and became a simple goodbye.
by old timer 68 May 25, 2011
"See you later today", similar to later and Later Dayz . Not to be used in a genuine manner. Delivered in a mocking tone.
by Ronnie Regan May 21, 2004
A great zombie flick directed by english director Danny Boyle. A virus is spread throughout England causing people to go into a rage and turn into zombies. In my opinion, better than the shitty "Resident Evil".
Hey dude, you wanna go see "28 Days Later" with me?
Fuck yeah, I heard it was far superior to "Resident Evil".
Fuck yeah, I heard it was far superior to "Resident Evil".
by Mister E. February 9, 2004
After breaking into a primate research facility, a group of animal rights activists discover caged
chimps chained up before banks of screens displaying horrifically violent images. Ignoring the warnings of
the terrified researcher who maintains the chimps are ‘infected’, they begin to free the animals and are
immediately subjected to a bloody attack from the enraged creatures.
28 days later… Cycle courier Jim (Cillian Murphy) awakes from a coma in the deserted intensive
care unit of a London hospital. Mystified, he wanders the wards and corridors in search of others and
eventually heads into the city streets, calling out for help. As the shadows lengthen Jim seeks shelter in a
church only to find dead bodies piled in heaps on the chapel floor. A sudden noise alerts him to the
presence of a priest but his lightening speed, blood stained eyes and murderous screams send Jim reeling
into the street. More “infected” are attracted by the noise and Jim runs in panic and confusion as a growing
flock sprint after him through the dark streets.
A sudden explosion from a makeshift bomb heralds the arrival of fellow “survivors” Selena
(NAOMIE HARRIS) and Mark (NOAH HUNTLEY). Following a daring rescue they take Jim to safety and
start to explain to him the nature of the infection, that it is transmitted in the blood, is overwhelming within
seconds, that Britain has been overrun and that they have no way of knowing if it has spread worldwide.
Selena and Mark reluctantly agree to help the shell-shocked Jim return home to Deptford to find his
parents, with terrifying consequences. Later, as they sneak through the darkened streets, Selena and Jim
spot a lone light in a tower block and investigate to see if there are other survivors. The unlikely pair they
3
find are father and daughter Frank (BRENDAN GLEESON) and Hannah (MEGAN BURNS) whose water
supplies are running dangerously low and are desperate to find alternative shelter.
As the group takes shelter in the tower block, an automated radio broadcast is picked up. A
Manchester-based group of soldiers, led by Major Henry West (CHRISTOPHER ECCLESTON), claim to
have the ‘answer’ to infection and invite any survivors to join them at their blockade. Faced with no
practical alternative, the group sets out northwards in Frank’s black cab unaware that the worst is yet to
come.
chimps chained up before banks of screens displaying horrifically violent images. Ignoring the warnings of
the terrified researcher who maintains the chimps are ‘infected’, they begin to free the animals and are
immediately subjected to a bloody attack from the enraged creatures.
28 days later… Cycle courier Jim (Cillian Murphy) awakes from a coma in the deserted intensive
care unit of a London hospital. Mystified, he wanders the wards and corridors in search of others and
eventually heads into the city streets, calling out for help. As the shadows lengthen Jim seeks shelter in a
church only to find dead bodies piled in heaps on the chapel floor. A sudden noise alerts him to the
presence of a priest but his lightening speed, blood stained eyes and murderous screams send Jim reeling
into the street. More “infected” are attracted by the noise and Jim runs in panic and confusion as a growing
flock sprint after him through the dark streets.
A sudden explosion from a makeshift bomb heralds the arrival of fellow “survivors” Selena
(NAOMIE HARRIS) and Mark (NOAH HUNTLEY). Following a daring rescue they take Jim to safety and
start to explain to him the nature of the infection, that it is transmitted in the blood, is overwhelming within
seconds, that Britain has been overrun and that they have no way of knowing if it has spread worldwide.
Selena and Mark reluctantly agree to help the shell-shocked Jim return home to Deptford to find his
parents, with terrifying consequences. Later, as they sneak through the darkened streets, Selena and Jim
spot a lone light in a tower block and investigate to see if there are other survivors. The unlikely pair they
3
find are father and daughter Frank (BRENDAN GLEESON) and Hannah (MEGAN BURNS) whose water
supplies are running dangerously low and are desperate to find alternative shelter.
As the group takes shelter in the tower block, an automated radio broadcast is picked up. A
Manchester-based group of soldiers, led by Major Henry West (CHRISTOPHER ECCLESTON), claim to
have the ‘answer’ to infection and invite any survivors to join them at their blockade. Faced with no
practical alternative, the group sets out northwards in Frank’s black cab unaware that the worst is yet to
come.
by Avian Flu Pandemic January 10, 2006