Many kids have the complete wrong sense of what emo is. Many earlier emo bands only released their songs on vinyl, and they were distributed minimally, so the origin of emo is lost among most people. This is my attempt at tracing it back to the start, in hopes to educate you. I’m sure there is going to be a lot of important bands and years missing, but hopefully it will give you a vague idea of how it all started out.
With that said, let’s move onto the history of emotive hardcore. Heres where the term emo came from: When Minor Threat broke up in 1983, the hardcore punk scene was getting pretty stale. In 1984, Husker Du released “Zen Arcade,” which somewhat set the blueprint for emo bands to follow. This album had the rough vocals, but it had more melody, and was a bit slower than their previous works. Many people give credit to this as the first emo album.
In the spring of 1984, a band called Rites of Spring was formed, containing members of previous hardcore bands The Untouchables/Faith and Deadline. This band kept the speed and stylings of hardcore punk rock, but the vocals were a lot more emotional, and at times even broke into a throaty moan. The lyrics also strayed from politics, and took a more emotional/profound look at life. Rites of Spring gets a lot of credit for being the first emotive hardcore band. Ian Mckaye, formerly of Minor Threat, got into a band called Embrace. Definitely different than Minor Threat, Embrace took a more emotional side to the lyrics as well, and were a lot more melodic. These bands, and much of the other bands on Dischord Records are now labeled as “The Classic DC Sound.” This was the first wave of emo bands.These bands focused more on emotion, than punk rock energy. Legend has it that while Rites of Spring, or Embrace, or Moss Icon were playing a show, someone from the crowd shouted “You’re emo!” and that’s how the term got started. The show where it happened, and which bands were playing always differ with whoever you talk to, so I have no idea how true it is. Don’t take my word on it.
From there, more and more emo bands started forming around North America. Moss Icon, which formed in 1986, started the loud/soft alternating twinkly guitar parts, and crashing distortion side of emo. Indian Summer and Native Nod, who were around 1995-96 are good examples of this, and focused more on the emotional part of the music, rather than the hardcore part, but were still hardcore. Emo was now a bit broader.
Bands like Heroin(1992), Angel Hair(1997?), and Antioch Arrow(1995?) on Gravity Records focused more on the hardcore part of the genre, but were still very emo. The music is pretty chaotic, with just enough melody to pullthings through, and the vocals are usually hoarsely screamed.
1997 marks the release of Saetias fist 7” record, and the debut of level-plane records. I highly recommend that you pink Saetias “A retrospective” cd. At any rate, Level-plane records is probably the most famous emo label out there, and is still going strong today. It has released many important and influential albums, and is a huge part of todays emo scene.
A lot of bands are getting called emo by the mainstream, when in fact they are not. The term emo has leaked into the mainstream, and a lot of emo kids see this as the end of the emo scene, somewhat like what happened with punk rock, and bands like simple plan. I used that example because mainstream bands i.e. Simple Plan get called punk, when really, they’re not punk at all.
Emo is completely distorted from it’s original meaning, and the media is calling many bands that have no relevance to emo whatsoever, emo. Take Dashboard Confessional for example. Chris Carraba just plays acoustic ballads. There is nothing hardcore about it. The music may be very “emotional” and heartfelt, but even so, it is not emo. The same goes for indie bands like Death Cab For Cutie, and Bright Eyes. Conor Oberst is a brilliant songwriter, and I love his work, but again, there is nothing hardcore about his music. Another common misconception about emo, is that bands like Taking Back Sunday, and My Chemical Romance are emo. To me, these bands are strictly pop punk, although their lyrics may seem very emotional at times, but emo doesn’t stand for emotional, now does it?
Another false interpretation of emo is the term “screamo.” I’m sure you’ve all heard this rant before, but I figured that I’d include it anyways. The media has used the term for bands like Thursday, and The Used. Because people call Dashboard Confessional emo, they interpret emo as “whiny watered down music for depressed kids who cut themselves.” With that as their idea of emo, it’s no wonder that people call The Used, or any other “whiny emotional band” that screams here and there “screamo.”
With emo standing for emotive hardcore, the way I see it, screamo would stand for:Emotive hardcore + screaming, right? Wrong. Emotive hardcore contains screamed and/or whispered vocals in it already. Screamo = Emo. Just leave it at that. Even so, bands like The Used that are being labeled as “screamo” by the media aren’t emotive hardcore, so the term “screamo” is completely misused. The term “screamo” can be used for a band like orchid, although emo works just as well, but not for something like The Used.
Screamo is made up by the media to sell bands like The Used, Poison The Well, and such, to people who don’t know any better. As I said before, with people calling Dashboard Confessional emo, it’s no wonder that they call any band that screams “screamo.” Alas, this is false.
In summary, Emo stands for emotive hardcore, not emotional. Emotional lyrics do not make a band emo. Dashboard confessional, Bright Eyes, My Chemical Romance, Taking Back Sunday, From Autumn To Ashes, and Atreyu are NOT emo. Screamo does not exist.
Rites of Spring
City of Caterpillar
A Textbook Tragedy
The Mock Heroic
What Price Wonderland
Am I Dead Yet
Cease Upon the Capitol
A Fine Boat That Coffin
Yossarian Is Drowning