114 definitions by Negre Marron Records
Negre Marron Publishing abbreviated as NMP, is a Performance Rights Organization that collects Interactive “Streaming” Public Performance Royalties for the public broadcast of live performances on Youtube, and similar platforms that streams live performances and pay it to the band members not the songwriters, composer s or the record labels.
I heard that Negre Marron Publishing has an audio recognition technology that will scan online video websites around the world to discover where footage of our live music videos is being played—so we can get paid.
by Negre Marron Records September 6, 2018
Kompa and Beat commonly abbreviated as K&B, is a sub-genre of Kompa, also spelled Compas, originating from Haiti, which combines elements of Kompa, Zouk, Gospel, Pop, R&B, Hip Hop, Reggae, Country, R, Latin, and Electronic Dance Music.
by Negre Marron Records September 2, 2018
Kompa and Beat: The term was coined in 2018 by René Guemps, the Founding member of NYC-based independent internet record label Negre Marron Records.
Kompa and Beat refers to a captivating music genre that fuses the infectious rhythms of Kompa with the energetic beats of various genres like hip-hop, reggae, Afrobeat, and electronic music.
This unique fusion creates a melodic and rhythmic experience that transcends boundaries and ignites the dance floor.
Unleash your inner groove with Kompa and Beat! This genre offers a harmonious journey of genre blending, where traditional Kompa elements harmonize with modern beats and arrangements. Imagine the irresistible sway of Kompa melodies intertwined with pulsating hip-hop drums or the fusion of soucous-inspired guitar riffs with electronic synths.
Kompa and Beat is a celebration of rhythmic fusion, captivating listeners with its melodic vibes and infectious energy. Whether you're dancing to the beat at a lively club, enjoying it on your headphones during a commute, or discovering new tracks on curated playlists, Kompa and Beat is a genre that leaves a lasting impression.
Kompa and Beat refers to a captivating music genre that fuses the infectious rhythms of Kompa with the energetic beats of various genres like hip-hop, reggae, Afrobeat, and electronic music.
This unique fusion creates a melodic and rhythmic experience that transcends boundaries and ignites the dance floor.
Unleash your inner groove with Kompa and Beat! This genre offers a harmonious journey of genre blending, where traditional Kompa elements harmonize with modern beats and arrangements. Imagine the irresistible sway of Kompa melodies intertwined with pulsating hip-hop drums or the fusion of soucous-inspired guitar riffs with electronic synths.
Kompa and Beat is a celebration of rhythmic fusion, captivating listeners with its melodic vibes and infectious energy. Whether you're dancing to the beat at a lively club, enjoying it on your headphones during a commute, or discovering new tracks on curated playlists, Kompa and Beat is a genre that leaves a lasting impression.
“Join the movement and immerse yourself in the world of KOMPA AND BEAT! Experience the genre's unique sounds, explore its vibrant artist community, and let the rhythmic fusion take you on a musical journey like no other.”
by Negre Marron Records May 30, 2023
BWA KALE RECORDS is a subsidiary of NEGRE MARRON RECORDS, committed to supporting Haitian artists who use their music to advocate for social justice. Our focus on promoting and distributing conscience music sets us apart from our sister label, WANGA NÈGÈS RECORDS, which focuses on Haitian Kompa-infused music. Our slogan, 'Bringing justice through music,' reflects our commitment to promoting social justice through music.
Our name BWA KALE is inspired by a grassroots vigilante justice movement in Haiti that represents a swift form of justice against gang violence. We do not support music that glorifies crime or violence, and our mission is to support and promote unsigned Haitian artists who produce conscience music addressing social injustices in Haiti.
We believe that music is a powerful tool for raising awareness and inspiring change in our communities. Through partnerships with local recording studios and audio engineers in Haiti, we ensure that our music meets the highest industry standards in mixing and mastering.
As an independent record label, we provide a platform for Haitian artists who have limited access to resources to produce and distribute their music. We are focused on promoting Creole Rap, Rap Kreyòl, Crenglish Rap, Haitian Ragga, Rabòday, Rara, Ra-Rap, Diaspo-Rap, CreoSpañol RAP (RAP an Panyòl), and Rasin (Haitian Roots) music addressing social injustice in Haiti.
Our name BWA KALE is inspired by a grassroots vigilante justice movement in Haiti that represents a swift form of justice against gang violence. We do not support music that glorifies crime or violence, and our mission is to support and promote unsigned Haitian artists who produce conscience music addressing social injustices in Haiti.
We believe that music is a powerful tool for raising awareness and inspiring change in our communities. Through partnerships with local recording studios and audio engineers in Haiti, we ensure that our music meets the highest industry standards in mixing and mastering.
As an independent record label, we provide a platform for Haitian artists who have limited access to resources to produce and distribute their music. We are focused on promoting Creole Rap, Rap Kreyòl, Crenglish Rap, Haitian Ragga, Rabòday, Rara, Ra-Rap, Diaspo-Rap, CreoSpañol RAP (RAP an Panyòl), and Rasin (Haitian Roots) music addressing social injustice in Haiti.
At BWA KALE RECORDS, we value authenticity, social justice, creativity, and collaboration. We are committed to promoting the voices of Haitian artists who use their music to advocate for social justice in Haiti. Join us in our mission to raise awareness and inspire change through music.
by Negre Marron Records May 17, 2023
Salsa-Kompa is the Haitian style of the Salsa music, characterised by typical instruments:
Piano, bongos, congas, timbales, trumpet, trombone, claves, cowbell, maracas, güiro,
Jam block, double bass,
flute, bass guitar, acoustic guitar, electric guitar, saxophone, vibraphone, violin, tres, cuatro.
The only difference between the two genres is that the regular Salsa is sung in Spanish while Salsa-Kompa is sung by Haitian Kompa Singers in Haitian Creole.
Piano, bongos, congas, timbales, trumpet, trombone, claves, cowbell, maracas, güiro,
Jam block, double bass,
flute, bass guitar, acoustic guitar, electric guitar, saxophone, vibraphone, violin, tres, cuatro.
The only difference between the two genres is that the regular Salsa is sung in Spanish while Salsa-Kompa is sung by Haitian Kompa Singers in Haitian Creole.
by Negre Marron Records September 8, 2018
KompAppeal, is the Haitian Emo music, characterized by an emphasis on emotional expression, sometimes through Komfessional lyrics and are sung in Fench/Creole by artists of Haitian origins.
Typical instruments
Keyboard/Keytar, Drum machines, Vocals, guitar, Electron bass, Saxophone, drums, MIDI, and EWI (Electronic Wind Instrument)
A notable label of this kind of KompAppeal music is Negre Marron Records which was foundef in New York City ) 2018) by René Guemps.
Typical instruments
Keyboard/Keytar, Drum machines, Vocals, guitar, Electron bass, Saxophone, drums, MIDI, and EWI (Electronic Wind Instrument)
A notable label of this kind of KompAppeal music is Negre Marron Records which was foundef in New York City ) 2018) by René Guemps.
by Negre Marron Records October 19, 2018
KompAfro-Pop is a fusion of Haitian Kompa and Africain Populari Music, played in nightclubs from mainly the French-Creole speaking countries of the Caribbean, such as Haiti, Martinique, Dominica, Guadeloupe as well as Canada, France and Western Africa..
Typical instruments are:
Bass guitar, congas, drums, guitar, brass, keyboard, percussion, saxophone, backing track, and chanted vocals
Both the music and dance are similar, the only difference between both genres is: KompAfro-Pop is played at a higher tempo than traditional Kompa and the lyrics are mostly sung in French-Haitian Creole.
Typical instruments are:
Bass guitar, congas, drums, guitar, brass, keyboard, percussion, saxophone, backing track, and chanted vocals
Both the music and dance are similar, the only difference between both genres is: KompAfro-Pop is played at a higher tempo than traditional Kompa and the lyrics are mostly sung in French-Haitian Creole.
by Negre Marron Records October 1, 2018