someone who dresses in such a way as to draw attention to his/her pretentious self. reference to hennepin street in minneapolis, where examples are abundant.
1. The twelfth song on Tom Waits' '85 album, Rain Dogs. It is a chilling, but beautiful, description of the bad part of town.
2. A street corner, or part of town know for prostitution, drugs, and crime. A hooker here could be called a Hennepin girl. Cops would be crooked, the food rotten, the bars bloodied, and the sky dark.
Well, it's 9th & Hennepin
And all the donuts have
Names that sound like prostitutes
And the moon's teeth marks are
On the sky like a tarp thrown over all this
And the broken umbrellas like
Dead birds and the steam Comes out of the grill like
The whole goddamned town is ready to blow.
when you're holding up your phone and making faces at it, as though you are taking a selfie, but you're really taking a picture of the person across from you or the wall or anything else that seems interesting but you don't want to be caught dead taking a picture of.
This action is often made more convincing by wiggling the eyebrows or opening the mouth, to pretend you're trying to get a Snapchat filter to work.
The grindset is a contemporary ideology of self-exploitation disguised as strength, deeply tied to the aesthetics of the “sigma male” and to new digital forms of patriarchy. It promotes the idea that human worth depends on productivity, economic success, absolute emotional control, and the ability to work endlessly, turning vulnerability, rest, community, and tenderness into signs of weakness. Beneath its rhetoric of discipline and power often lies a profound inability to relate healthily to pain, fragility, and human interdependence.
“That’s the grindset, brother. While weak men sleep and complain, sigma males stay disciplined, work in silence, suppress emotions, and build power while everyone else wastes time chasing comfort.”