Skrillex is part of a wave of American producers coming into dubstep from other genres. More often than not, these beatmakers make a violent racket characterized by overwhelming midrange "wobble" basslines, and have a general obsession with gore, macabre and the almighty "filth." It's "mosh" music as opposed to dance music.

He lends his music miles away from the garage and dub-inspired scenes in the UK.

His sound is overbearingly plain and simple. While he has a firm grasp on melody that eludes many of his peers, they're usually coated in headache-inducing layers of abrasive muck. The trancey hook of Scary Monsters and Nice Sprites' title track is equal to nails on a chalkboard, and the less said about its onomatopoeic bass growls the better.

a series of random noises encouraged by dubstep lovers

1. The artist that creates sounds in a genre that a majority of America's pop-cultural population is starting to listen to.

2. The artist that people with no live's, who sit around in their mother's basements, have listened to for several years.

Synonymous with various curse words as well as Rebecca Black, Justin Bieber, and LMFAO

An extremely overrated dubstep artist.

(v.)
1. To dominate Beatport Top 10 Charts with your own tracks (8/10 tracks minimum)

2. The ability to make your own synthesizers sound like heavy-ass machinery and/or transformers having anal sex.

Geeky shitmusic made by a faggy geek for geeks. The lead vocalist is a hyper-pitched mouse.