Götterdämmerung (Twilight of the Gods), is the last in Richard Wagner's cycle of four music dramas titled Der Ring des Nibelungen (The Ring of the Nibelung).

The title is a translation into German of the Old Norse phrase Ragnarök, which in Norse mythology refers to a prophesied war among various beings and gods that ultimately results in the burning, immersion in water, and renewal of the world. However, as with the rest of the Ring, Wagner's account diverges significantly from his Old Norse sources.

A rare term, used to mean the end of something, significantly.

A cultural and aesthetic mind-state that prioritizes making money, even as an “underground” or “radical” creator. The work isn’t made for money, but it’s the money that matters the most.

Obeying to the sole urge of discharging himself, the götterämmerung erroneously thinks he can build self-confidence by having sex with unwilling girls, as opposed to the playboy who, for no reason known to men, keeps attracting voluptuous creatures.