An act in which a person manipulates his or her voice so that it appears that the voice is coming from a horse they are riding for practical working purposes, recreational activities, artistic/cultural exercises, or competitive sports.
Ichabod Horatio Steingruebner—the Pelé of ventrilequestrianism—once maintained a conversation between himself, his horse, and his puppet even after falling in the ring and being dragged for 27 yards.
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