Biz Markie's inclination toward juvenile humor and his fondness for goofy, tuneless, half-sung choruses camouflaged his true talents as a freestyle rhymer. The Biz may not have been able to translate his wild rhyming talents to tape, but what he did record was worthwhile in its own way. With his silly humor and inventive, sample-laden productions, he proved that hip-hop could be funny and melodic, without sacrificing its street credibility. His distinctive style made his second album, The Biz Never Sleeps, a gold hit and its single, "Just a Friend," into a Top Ten pop single. While its success made Markie a semistar, it also cursed him. Not only was he consigned as a novelty act, but it brought enough attention that Gilbert O'Sullivan sued him over the unauthorized sample of "Alone Again (Naturally)" on Biz's 1991 album I Need a Haircut. The lawsuit severely cut into Markie's career, and 1993's All Samples Cleared! was the last record he released during the '90s. However, his reputation was restored somewhat in the mid-'90s as the Beastie Boys championed him and other alternative rap groups showed some debt to his wild, careening music.

A native of New York, Biz (born Marcel Hall) first came to prominence in the early '80s, when he began rapping at Manhattan nightclubs like the Funhouse and the Roxy. Biz met producer Marley Marl in 1985, and began working as a human beatbox for Marl-connected acts MC Shan and, later, Roxanne Shanté. He also recorded his first set of de...

A woman who eats jelly (any flavor) for for a period of 5 days or more. (This would include KY jelly if so desired) After the the days period ended, she proceeds to shat on your body with your blessing. Leaving you with the effervescence of her fecal fruit of choice.

An adjective used to describe a something appearing in a television show that is likely to be made into a toy; coined by Freakazoid (1995-1997 animated series, Warner Bros.)

The words you should adhere as an extreme warning before seeing a movie that you might qualify as being 'Good'.

1. A band you don't know about.

2. They are allegedly from Louisiana where the four, maybe even five at first, allegedly met in the 60's in high school. They decided to go west for San Francisco, but their truck broke down and they ended up in San Mateo.
In 1971, the group sent their album "The Warner Bros. Album" to Harve Halverstadt at Warner Bros. He didn't enjoy it too much and sent it back, but becuase the band did not include a name, he sent it back to "Residents", and they adopted it as their name.
The Residents have been around for a long time and have produced many albums. They are a great band that focus on being artistic and experimenting with new technology.

An outlandish, in-your-face stage presence, a strange sense of humor, and a hard-driving funk sound that criss-crossed a few musical boundaries earned Cameo countless comparisons to Parliament/Funkadelic in their early days. However, Cameo eventually wore off accusations of being derivative by transcending their influences and outlasting almost every single one of them. Throughout the '70s and '80s, the group remained up with the times and occasionally crept ahead of them, such that they became influences themselves upon younger generations of R&B and hip-hop acts. By the time the group's popularity started to fizzle in the late '80s, a series of R&B chart hits -- ranging from greasy funk workouts to synthesized funk swingers to dripping ballads -- was left in their wake. Further separating Cameo from their forebears, they didn't have a diaper-clad guitarist. Instead, they had a codpiece-wearing lead vocalist.

That vocalist was Larry Blackmon. In 1974, the ex-Juilliard student and New York City club-goer instigated a funk band with a membership of 13 called the New York City Players. Blackmon, Tomi Jenkins, and Nathan Leftenant formed the group's nucleus. The Casablanca label signed the group to their Chocolate City offshoot, and shortly after that, the group changed its name to Cameo. Their excellent debut album, 1977's Cardiac Arrest, was highlighted by four singles. Three of those hit the Billboard R&B chart: "Rigor Mortis" (number 33), "Funk Funk" (number 20), and "...

The next-generation data storage media disk, developed primarily by Toshiba. Although voted as the successor to the DVD officially by the International DVD Forum Organization, it is in close competition with the Blu-ray, developed by companies like Sony and Hewlett Packard. (A similar competition took place with the DVD, Toshiba's prototype ultimately chosen over Sony's).

It employs a 405 nm blue laser and has each capacity layer is 15gb. Toshiba has developed a dual-layered 30gb disk and a 45gb triple-layered disk.

Companies supporting the HD DVD include NEC, Sanyo, Microsoft, New Line Cinema, Paramount Pictures, Universal Studios, and Warner Bros.