(Sometimes called TV Parking.) Not parking for the movies, but the kind of ridiculously easy parking a character in a movie gets when s/he pulls right up to his/her destination, zeroing in on a miraculously wide-open parking spot in what otherwise is an impossibly tight urban area.

During the 1950s and 1960s, in movies and on television, Doris Day got such a rep for manifesting that lucky talent that a spin-off term was coined; see "Doris Day Parking." Generally Ms. Day's roles had her piloting sensible domestic sedans and station wagons, a visual metaphor for her competence, efficiency, self-reliance and ability to live without a man

I Love Lucy is a television sitcom that aired in the 1950s. During that time, it was the most popular American sitcom. It starred comedienne Lucille Ball, her husband Desi Arnaz, Vivian Vance and William Frawley. The series ran from October 15, 1951 to May 6, 1957 on CBS (180 episodes, including the "lost" Christmas episode). This show was ranked #2 on TV Guide's top 50 greatest shows of all time in 2002, behind Seinfeld and ahead of The Honeymooners. The program was filmed at Desilu, the production studio jointly owned by Ball and Arnaz.
The sitcom was based on a radio show starring Lucille Ball and Richard Denning called My Favorite Husband. Denning was enthusiastic to continue his role as Ball's husband, but Ball wanted her real-life husband, Cuban-born musician Desi Arnaz, to play her onscreen spouse. Studio heads were worried that American audiences would not find such a "mixed marriage" to be believable, and were concerned about Arnaz's heavy Cuban accent. But Ball was adamant, and they were eager to have her in the part. To help sway their decision, Ball and Arnaz put together a vaudeville act featuring his music and her comedy, which was well received in several cities. In the end, CBS agreed, but refused to let Desi Arnaz's role be part of the show's title (as in "Lucy and Ricky"). After lengthy negotiations, Arnaz relented and agreed to "I Love Lucy", reasoning that the "I" would be his part.
Arnaz persuaded Karl Freund, cinematographer of Fritz Lang's Metropol...