While drinking a coffee from Tim Horton's, you roll down a girl's panties and proceed to give a rim job. The chances of her achieving orgasm are consistent with the current odds of Roll up the Rim.

To describe the depressed or discouraged feelings one experiences by receiving a "Please Play Again" in Tim Horton's roll up the rim contest

1. Another term for wedgie, as in grabbing hold of the back of a person's underpants and yanking upwards until they scream.

2. Tim Horton's contest slogan.

Background: Canadian

When someone (Ahem... Jack Daniels) gets excessively pissed off when he/she rolls up the rim on a Tim Horton's coffee, and doesn't win a car (or any other prize)

Crap into an empty toilet paper roll. Plug one end with toilet paper. Stategically place crap-filled roll between toilet seat and front rim of the toilet bowl. When the next victim sits on the seat (pants around ankles) the loaded roll gets squeezed and the shit squirts out into the victims pants.

A large vehicle, usually propelled by an engine, used as a moving stage or mobile display in a parade.

In the Rose Parade, floats are ridden by men and women in costumes to celebrate New Years Day.

In every Poofters on Parade parade, a float is ridden (certainly not "manned") by poofters, fags, butt eaters, and corn holers wearing jock straps. They mince, prance, and blow kisses to the crowd. This is all very impressive to white liberals, who always show up to wave at the sissies.

A blast-beat is a drum beat consisting of rapid alternating or coinciding strokes on the snare and hi-hat or cymbal. The snare drum and hi-hat/cymbal forms the focus of such a beat, with bass drum often played beneath the snare to create a 'wall of sound'. The hi-hat or a ride cymbal is often played simultaneously with the bass drum or with the snare drum; however, crash cymbal or china cymbals can often be featured as well, for an even heavier, "wall of sound" effect. Bell accents on the ride cymbal are often employed in the same manner as accents in funkier drumming styles in order to give the beat an emphasised 'push'. Diverse patterns and timings are also frequently used by more technical players, such as Alex Hernandez or Flo Mounier. Alternative styles of blast beats include using a two strokes on bass drum followed by one stroke of the snare drum, such as played by Pete Sandoval, or using scarce strokes on the bass drum, which are frequently played by Max Duhamel.

Blast beats have their roots in hardcore punk - most notably D.R.I's "Makes no Sense" on their first LP (1983). Another example is the hardcore punk band Neon Christ. Thrash metal also has some credits towards the blast beat, however in modern standards the snare work is frequently comparable to established snare patterns in jazz. Blast beats are a prominent feature of death metal, black metal and grindcore, although they make appearances in other genres from time to time, to increase the speed, density...